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The King's English : A Guide to Modern Usage [Paperback]

Kingsley Amis (Author)
4.4 out of 5 stars  See all reviews (7 customer reviews)


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Book Description

0312206577 978-0312206574 August 1, 1999 First Edition
A Parthian shot from one of the most important figures in post-war British fiction, The King's English is the late Kingsley Amis's last word on the state of the language. More frolicsome than Fowler's Modern Usage, lighter than the Oxford English Dictionary, and brimming with the strong opinions and razor-sharp wit that made Amis so popular--and so controversial--The King's English is a must for fans and language purists.


Editorial Reviews

Amazon.com Review

Kingsley Amis's The King's English is as witty and biting as his novels. Modestly presented as a volume "in which some modern linguistic problems are discussed and perhaps settled," Amis's usage guide is a worthy companion to his revered Fowler's. The King's English is distinctly British, but never mind: it is sensational. And unlike many of his countrymen, Amis is decidedly pro-American, even admitting a "bias towards American modes of expression as likely to seem the livelier and ... smarter alternative." In a world populated by usage mavens too willing to waffle, Amis is refreshingly unequivocal. On the expression meaningful dialogue? It "looks and sounds unbearably pompous. Nevertheless one would not wish to be deprived of a phrase that so unerringly points out its user as a humourless ninny." To cross one's 7's, he says, "is either gross affectation or, these days, straightforward ignorance." And the frequently misused word viable, he claims, "should be dropped altogether ... simply because it has taken the fancy of every trendy little twit on the look-out for a posh word for feasible, practicable." Forget Amis's protestations of being unfit for the position of language arbiter; after all, as he says, "the defence of the language is too large a matter to be left to the properly qualified." --Jane Steinberg

From Library Journal

Praised as a superb prose stylist, British writer Amis, who died in 1995, was nonetheless controversial, variously labeled a Communist, Thatcher conservative, alcoholic, misogynist, and philander. Even in The King's English, an entertaining manual that is hardly meant to be exhaustive, Amis's wit and candid opinion prevail. Anyone wishing to distinguish between the words belly and stomach (don't even consider tummy) or feeling particular angst over the crossed 7, the disappearance of Latin, and the use of such popular expressions as in-depth, in terms of, or whatever will find a discerning explanation. For insight into Amis's life and work, readers can turn to the authorized biography by Jacobs, a Fleet Street journalist and broadcaster. Amis wrote 24 novels, including the acclaimed Lucky Jim, plus several works of poetry and nonfiction. Focusing on the novels, Jacobs deftly reveals a man who is not always admirable or likable but is certainly intriguing. Recommended for literary collections.ARobert Kelly, Fort Wayne Community Schs., IN
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 288 pages
  • Publisher: St. Martin's Griffin; First Edition edition (August 1, 1999)
  • Language: English
  • ISBN-10: 0312206577
  • ISBN-13: 978-0312206574
  • Product Dimensions: 8.4 x 5.6 x 0.9 inches
  • Shipping Weight: 10.4 ounces
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #187,370 in Books (See Top 100 in Books)

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Average Customer Review
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21 of 21 people found the following review helpful:
5.0 out of 5 stars Curmudgeonly, pedantic language fun, November 3, 2000
This is not in all seriousness a guide to usage. It's more like Amis's personal opinion piece, or list of pet peeves. His criticism cuts both ways, searing both those who take liberties with language, and those who are overly stuffed-shirt about using "whom" or saying "it is I." The closest thing to this among American writers would be William Safire, with a dash of Dave Barry. Amis is deadly funny, with a certain snootiness and condescension that are simultaneously repugnant and heroic.

This book shouldn't REALLY be your usage guide. Used as one, it would leave you feeling befuddled, and perhaps belittled. But it reads a bit like a usage guide, with an alphabetical list of topics for Amis's rants, e.g., "genteelisms," "whom," "get," etc. With insults freely being applied to people who speak in certain ways, however, it is more like a collection of Amis's opinions, to be used in conjunction with a real usage guide (as Amis admits in the introduction).

I am giving this book 5 stars because I am a language pedant, and find this stuff extremely entertaining. I read through it excitedly in one sitting; it's fascinating to me to find out what grammar points irk other language pedants. If you are not a language pedant, however, you may be bored by this book.

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16 of 16 people found the following review helpful:
4.0 out of 5 stars Read it and avoid sounding stupid, August 23, 1998
By 
With his typical flair for humor (or humour if you are from Amis's side of the pond) and understated cruelty, Amis offers his thoughts on using the English language. His knowledge is vast and presented in a straightforward manner. Best of all, Amis is willing to point out and help you avoid making pronunciation mistakes that will make you sound like a "wanker." It is meant for a speaker of English, not American, but this American did not mind. Good stuff is good stuff.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars WRITING WRONGS, August 5, 2002
This review is from: The King's English : A Guide to Modern Usage (Paperback)
.

Are you disinterested or uninterested? When do you say alternately or should it be alternatively? These are words we hear everyday; but they are often confused and misused, even in the mainstream media. Help is at hand. The famous English author Kingsley Amis's last book The King's English will provide professional writers and those who care about their language, expert guidance in the usage of English.

Amis is best known for his novels such as Lucky Jim and the Old Devils, but he was also a skilled observer and commentator on late 20th Century life and language. Amis died in 1995, with this book being published posthumously, two years later.

In this book, he takes us from the classic formalism of old-school academic scholars with their groundings in Latin and Greek, through to the street-wise pop-media of the contemporary world. He bridges the gap between the rigorous, proscribed rules of the original 1926 classic H.W. Fowler's Modern English Usage and the modern, pragmatic world where English is recognised as the global language. Despite being an Englishman, Amis acknowledged the ascendancy and the practical "correctness" of American English.

Amis in his book is very careful not to be too pedantic with his comments. In his entry on the pronunciation of kilometre, he argues against the common practice of stressing the second syllable and therefore making it sound like a device to measure items grouped in thousands. Amis assures us such a device once existed, but he concludes "not many people know that, or would care if they did."

Amis has fun criticising - and gently mocking - fashionable trends in writing, particularly in the field of newspaper journalism. In his entry on headlines, Amis gives examples of sub-editors stringing together three or more nouns to make a headline, such as, SCHOOL COACH CRASH DRAMA. He also criticises the journalistic trick of overloading descriptions in one sentence, which he calls the "gorged-snake construction."

Political abuse of the language is also put under the Amis spotlight. How often do we hear politicians "refuting", when all they are doing is denying, and not proving the falsity of the allegation, which is what the word really means?

The King's English is not an exhaustive guide to language use, but anybody who makes a living from writing or takes other people's writing seriously will want to keep a copy of this book close by their dictionary. Should we be implying or inferring this? Either way, this book is inspirational, amusing as well as instructive.

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