For Kings and Planets [Unabridged] [Audio Cassette]

Ethan Canin (Author), Gregory Gorton (Narrator)

Book Description

Publication Date: June 1999

From the celebrated author of The Palace Thief and Emperor of the Air, comes this stunning novel about the relationship between two very different men. Orno Tarcher travels from a small town in Missouri to New York City to attend Columbia University, where he begins a new life feeling unsophisticated and insecure. He soon strikes up a friendship with Marshall Emerson, a seductive and brilliant New Yorker whose sophistication dazzles Orno. As time passes, Marshall is revealed to be bent on destruction, and Orno's involvment with Marshall's worldly sister further complicates their friendship. Carefully crafted and skillfully informed by the works of Fitzgerald and Waugh, For Kings and Planets is a remarkable novel. A New York Times, Los Angeles Times, Boston Globe, San Francisco Chronicle, and Minneapolis StarTribune bestseller, and a Publishers Weekly Best Book of 1998.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

Amazon.com Review

Like Philip Roth and Robert Penn Warren, Ethan Canin won the Houghton Mifflin Fellowship for rising stars whose first books hit big. His luminous 1988 story collection, Emperor of the Air remains a must-read, but his second novel, For Kings and Planets, is nonetheless recognizably part of the Canin constellation. He repeatedly features a straight guy (an accountant or other sober type) transfixed by the spectacle of an out-of-control guy (a delinquent and/or child-prodigy brother or brother figure to the main character). This time, it's Orno Tarcher, a Missouri farm boy thunderstruck by his Columbia University classmate Marshall Emerson, a theatrically bratty, sometimes suicidal Manhattan genius. "I grew up with farmers and insurance salesmen," says Orno. "I grew up with Kennedys and insurance salesmen," says Marshall. "I grew up with pigs everywhere," says Orno. "And we had that in common," Marshall replies. (In keeping with their characters, Orno becomes a sensible dentist and Marshall a cynical, coked-up Hollywood producer.)

Canin sensitively evokes Orno's prosaic world--you'd have to read Jane Smiley's The Age of Grief for better fiction about dentistry. But Orno mostly exists to relate Marshall's appealing, appalling antics: his manic raps about his childhood amid the ruins of Istanbul, his sabotage of his own (and Orno's) love life, his Oedipal strife with his chilly, brilliant parents. "Our family seal is a snake twisted in knots," says Marshall's lovely sister. And, reader, Orno marries her. Page for page, Canin's stories better show off his gift for epiphany, but the novel gives him room to develop character, entangle plots, and make a stab at the heart of the family romance. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Many qualities that make a novel masterful are present in Canin's fourth book: richly nuanced characterizations, a sensuous sense of place, easy dialogue, controlled pacing and a story that is a classic parable of the human condition. The narrative vigor of this coming-of-age tale is enhanced by Canin's (Emperor of the Air; The Palace Thief) compassionate view of daunting moral complexities and by his acute sensibility about the strengths and flaws that can determine the future of a promising life. When Oren Tarcher comes to Columbia University from a tiny Midwestern town, another freshman, sophisticated New Yorker Marshall Emerson, befriends him. The friendship is unlikely: Oren is earnest, naive, plodding ("He felt the word Missouri written on his forehead"), while Marshall, the son of two eminent Columbia professors, is charming, cynical, brilliant and possessed of an astonishing eidetic memory that indelibly records everything he's ever read. Oren is further awed when he meets the rest of Marshall's family, though he is disturbed by the rancorous exchanges between Professor Emerson and his son. Though Marshall abandons him for months at a time, Oren is always freshly seduced when his mercurial friend lures him from diligent study to debauched gatherings and sexual liaisons, bringing Oren into contact with something chaotic and undisciplined in his own nature. Even when he understands Marshall's essential vulnerability and begins to fathom Marshall's manipulative and self-destructive behavior, Oren is envious of his friend's undoubtedly spectacular future. Oren himself is for a long time unable to find his own vocation, but he finally muddles into dentistry, where?as he apologizes to Marshall, who has quit college to write a novel?teeth are "not named for kings or planets. They are merely numbers." By the time Marshall adopts the dissolute life of a major Hollywood producer, Oren has fallen in love with his sister, Simone, and is witness to the last acts of a family tragedy. While the plot unfolds with tragic inevitability, Canin doesn't force the pace of his narrative, subtly providing Oren with insights appropriate to his strong moral upbringing and slow maturation. Meanwhile, he creates a rich gallery of characters and offers a potently atmospheric evocation of New York City and, to a lesser extent, small communities in Cape Cod and Maine. What will most impress readers of this engrossing narrative, however, is the dignity and integrity with which Canin writes about fallible human lives. BOMC and QPB selections; author tour. Agent, Maxine Grofsky; editor, Kate Medina.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Audio Cassette
• Publisher: John Curley & Assoc; Unabridged edition (June 1999)
• Language: English
• ISBN-10: 0792722930
• ISBN-13: 978-0792722939
• Product Dimensions: 9.2 x 6.8 x 2.2 inches
• Shipping Weight: 1.3 pounds
• Average Customer Review: 3.4 out of 5 stars  See all reviews (66 customer reviews)
• Amazon Best Sellers Rank: #5,925,513 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

24 of 27 people found the following review helpful:

5.0 out of 5 stars I loved this book, October 30, 1999

By A Customer

This review is from: For Kings and Planets: A Novel (Paperback)

I bought this book partly because I was intrigued by the comments on this page. People seem to have either loved this book or hated it. (Sign of an important piece of art, if you look back through recent history) And the reviews from major professional reviewers have been equally hot or cold. (I've listed a few here so you see what I mean.) The two best reviewers, in my opinion (Christopher Lehmann-Haupt of the NY Times and Alan Cheuse of NPR) both loved it unequivocally, but Rand Cooper (whoever he is) really hated it in his review in the Times Book Review, and Salon did too. So I bought it (used,I admit, but the paperback wasn't out yet and I spend too much on books). So here is my opinion: I consider myself a well-read person (a book a week for the past twenty years), and I would say that this book is one of the two or three most powerful, intelligent, courageous novels that I have read in as long as I can remember. Others I would put in this category are Philip Roth's "American Pastoral" and Mailer's "The Naked and the Dead". It is gorgeously written, psychologically complex, and emotionally unflinching. I just don't see, in the end, why the reviews seem to be so split. It occured to me that younger reviewers might not like the book because it is not hip. That's okay, but if you are, like me, looking for a mature, thoughtful, character-driven novel, then I would say this is a book for you. I could't recomend it more highly.

Here, for your interest, are some of the contrary reviews:

Cristopher Lehmann-Haupt (The New York Times)   Shimmering...luminous...For Kings and Planets leaves you wounded and healed.   Rand Richards Cooper (NYTimes Book Review)   . . .[A] greedy monster of a novel that swallows up its creator's virtues and leaves only weaknesses on display. . . .[it has a] discomfort with form: a welter of narrative summary; important characters who exist solely as props for the protagoist; a bland and pedantic narrative voice.   San Jose Mercury News "For Kings and Planets" is wide and deep, intelligent, subtle but clear, and profoundly satisfying. A wonderful book by a major American writer.

Newsday  To this year's list of outstanding American novels, we must now add Ethan Canin's For Kings and Planets. Never before has Canin been so surehanded a storyteller. Given the achievement of For Kings and Planets, Scott Fitzgerald himself would have been honored by his company. Canin's novel speaks with a hard-earned grace worthy of the master.

Elizabeth Judd, SALON Magazine "Canin pretends that the fate of Orno's soul is up for grabs, when no one -- not even the world's biggest hayseed -- could mistake which way the wind is blowing. Apparently, the moral of "For Kings and Planets" is not that nice guys finish first or last, but that they speak in clichés and graduate at the middle of their dental school class."

Alan Cheuse (NPR All Things Considered) "The most mature and accomplished novelist of his generation. For Kings and Planets stands head and shoulders above the crowd."

There you have it.

14 of 16 people found the following review helpful:

3.0 out of 5 stars Nothing New Here, July 19, 2000

By 

J. Mullin (Plantation, FL USA) - See all my reviews
(REAL NAME)   

This review is from: For Kings and Planets: A Novel (Paperback)

I like Canin's short stories, and I really wanted to like this book. I read it in a couple of days, including the last half on a plane, and I must say that by the time I got home from the airport I had pretty much forgotten the whole thing. While Canin is an above-average writer, he treads no new ground here, and with all due respect to my fellow reviewers, to suggest that this novel is a 5 star masterpiece is like eating a nice hot dog for lunch, and proclaiming it the best meal you've ever eaten.

The book, like one reviewer put it, is like a tried and true story of the country mouse and the city mouse. Arno Tarcher comes to Manhattan to attend Columbia, ashamed of his modest beginnings in Missouri, and embarrassed by his parents as he introduces them to his new, sophisticated big city friend Marshall Emerson. The beginning of the novel, including Arno's gradual introduction to college and to NYC, were for me the strongest aspects of the novel. When Marshall starts rubbing off on Arno, as the latter begins staying up all night drinking brandy with pseudo-intellectual Eastern European beatniks at the same cafe every night, I thought the whole thing got a little ridiculous.

Arno to me was the only real well-drawn character in the book. The other characters seemed cardboard and put in the story oftentimes just to act as foils to Arno's small town, Missouri values. Why Marshall goes after Arno's Russian girlfriend, and why he cuts out to spoil a family wedding celebration at Cape Cod, are a mystery that we're just supposed to chalk up to his unpredictability and flamboyance. Then Marshall becomes a Hollywood writer and producer (more evidence of his phoniness, get it?) even though there wasn't a shred of evidence in the plot that he'd ever watched a movie or tv show, much less had any interest in working in Hollywood. Ultimately you really don't care, as you read along to the end just to see the culmination of a very predictable romance. This is definitely not Canin's best effort, the NY Times called it almost "banal." Form your own opinions, but consider yourself warned.

7 of 7 people found the following review helpful:

4.0 out of 5 stars I can think of younger days....and so can Dr. Canin., April 28, 2003

By 

Samuel McKewon (Lincoln, NE) - See all my reviews

This review is from: For Kings and Planets: A Novel (Paperback)

Beautifully written yet painfully spare, the events in "For Kings and Planets" whoosh by the reader like a subway train. For me the style worked, and it didn't work: It worked in the sense that evoked a certain kind of nostalgia; Canin writes peering back into the past, and his ability to boil down affairs and big moments into singular pages is impressive, to be sure. Less can be more.

But less can be less, too, and at times there just doesn't seem to be much excuse for the sheer lack of dialogue in the book. Canin's characters can barely breathe, he does so much of the talking for them. On the book's opening page two women are mentioned, and you'd guess they figure prominently, but only one of them actually has a speaking "part" in the book, and a small one at that. I can appreciate that Canin is guiding us to package this knowledge as a hazy fling that our main character, Orno Tarcher, once had, but still. At times, it just isn't enough.

The story is not complicated: There is Orno, an earnest Midwestern kid and Marshall, a brilliant, depressed New Yorker. They become friends when they meet Columbia University, mostly by chance, and then remain friends ever as Marshall drifts away into other circles. Canin draws Orno very nicely as a decent kid with a tad too much give in his personality. He takes it on the chin from Marshall a few too many times. And Marshall seems more than willing to throw the punch. And there is Simone, Marshall's sister, a sweet, considerate girl with less brilliance than Marshall but twice as much maturity. Orno recognizes those qualities in her and falls in love.

The book appeals to a certain taste. These days, the "in" thing is to delve and delve and delve into a scene or a character or a subject until it's been turned inside out. Canin rejects that. He has great instincts; the book is well thought-out, and well executed. It takes a lot more effort to write a book this way than it does to write a 1000-page tome that just goes on and on. Canin is after crafting realistic characters. That means that not every burden of the week is included.

Did some of the critics have a tough time with this one? Sure they did, because many of them are from the Marshall Emerson set, and it's not in their natural prediliction to side with someone without nihilism and sarcasm. Books like these are hard for the critical community for two reasons:

1. They want more ugliness to get their hands around, more pure, mean drama, more villanous behavior, more tension, more rivalry, presumably because it equals their life.

2. They see earnestness as a naivete, as intellectually underwhelming.

Thus, they disapprove of some of Marshall's changes late in the book, but they disapprove because they, like Orno, saw the Marshall they wanted to see, not the one Canin was quietly creating. Canin craftily shows us just he wants to show us, revealing Marshall's layers slowly, but clearly. There's much more, and in a sense less, there than we first believed.

Are we disappointed with how Marshall turns out? You bet we are. That's part of the point, and what a lot of critics failed to understand. It's clear to me some mistook their disappointment that Canin didn't uphold the jaded academic "standard" of greatness as poor or boring writing.

But "For Kings and Planets" is neither poor nor boring, it's simply a curve ball; for once here's a colorful genius that, we figure, will probably fail, but in a spectacular, weird, grand way that befits an intellectual giant. Orno, we sense, half expects it, too.

The trick, then, is that Marshall has invented half of his greatness, maybe because he wanted to be great, but didn't know how to be, and, in the end, is pretty blase like all the other wasted geniuses out there. Like the book that Marshall writes, the words are there, but not the music; Marshall has the knowledge to lead a great life, but not the style.

Thankfully, Dr. Canin knows the music to make this story sing.