Product Details

• Actors: Werner Herzog, Klaus Kinski, Isabelle Adjani, Claudia Cardinale, Justo González
• Directors: Werner Herzog
• Writers: Werner Herzog
• Producers: Andre Singer, Christine Ruppert, James Mitchell, Lucki Stipetic, Sabine Rollberg
• Format: Anamorphic, Color, DVD, Widescreen, NTSC
• Language: German (Dolby Digital 2.0 Surround), English (Dolby Digital 2.0 Surround)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.77:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: Starz / Anchor Bay
• DVD Release Date: August 15, 2000
• Run Time: 95 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (32 customer reviews)
• ASIN: 6305970955
• Amazon Best Sellers Rank: #100,803 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Kinski: My Best Fiend" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Most people associate the director Werner Herzog with the actor Klaus Kinski--but few know how twisted and enmeshed their relationship was. Though Kinski has made dozens of movies, he probably remains best known for the five he made with Herzog: Aguirre: The Wrath of God, Woyzeck, Nosferatu the Vampyre, Cobra Verde, and Fitzcarraldo. In this documentary/cinematic memoir, Herzog uses clips from these remarkable films, on-the-set footage, and personal recollections to create a portrait of Kinski as both a deeply passionate actor and a raving lunatic; it's hard to say whether he's defaming Kinski or being generous to this mercurial, erratic actor. There's no question that their relationship is fascinating; after their first movie (Aguirre, probably the best of their collaborations) they both described moments of wanting to kill each other--in fact, both agree that Herzog threatened to shoot Kinski at one point, though they differ on the details. Yet they went on to make four more movies, almost all of them under circumstances that would be difficult for the most serene personalities. My Best Fiend was inspired by Kinski's death, and probably the movie's weakest aspect is that we don't get Kinski's side of their friendship. But even though it's one-sided, it's still a remarkable portrait of two artists who were willing to go to extremes to capture their visions. Any fan of either will find this unique documentary indispensable. --Bret Fetzer

Product Description

MY BEST FIEND - DVD Movie

Customer Reviews

Most Helpful Customer Reviews

32 of 35 people found the following review helpful:

5.0 out of 5 stars I Miss Klaus Kinski Too, October 7, 2000

By 

carol irvin "carol irvin" (United States) - See all my reviews
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This review is from: Kinski: My Best Fiend [VHS] (VHS Tape)

German film director Werner Herzog and the late international film star, Klaus Kinski, had a deep love-hate relationship with one another. As artists, this fueled their work together and they will both be remembered primarily for their joint film efforts. Indeed, throughout the documentary made by Herzog, the one still alive, he seems to be lacking half of himself when he is onscreen. He also seems to be as much trying to reclaim the best parts of himself as much as he is trying to come to final terms with his relationship with Kinski. Unfortunately, those best parts probably died with Kinski. Each man believed the other one was mad and a megalomaniac. Certainly neither man was like a "normal" person if you recall their film work together, all of it superb but obsessed. Every time Kinski's face comes onto the screen in the documentary, I remembered how beautiful or ugly he could make himself appear. His face is one artists everywhere would love to paint, draw, sculpt... whatever. That people were drawn to him and repelled by him off-camera, in equal measure, should really come as no surprise. That he could embody both characteristics within seconds of one another before the camera defined his brilliance as an actor. I think Kinski got the better end of the deal. He lived life exactly under his own terms for 56 years and then died, apparently of natural causes, totally spent. It was probably like a regular person's living to be 100! Herzog, however, is left to go on and it is clear that he is not the artist he once was without his muse, his best fiend, Kinski. This was an absolutely fascinating film and I highly recommend it.

14 of 15 people found the following review helpful:

5.0 out of 5 stars AMARCORD, October 9, 2001

By 

Daniel S. "Daniel" (Geneva, Switzerland) - See all my reviews

This review is from: Kinski: My Best Fiend (DVD)

For those of you who consider, like me, that Werner Herzog is one of the great filmmakers of the last 30 years, MY BEST FIEND is essential. Thanks to Anchor Bay, we've already had the chance to hear Herzog commenting AGUIRRE or NOSFERATU for instance. Now, we can apprehend the strange ties of friendship that existed between the visionary director and his favorite actor.

In this documentary, Werner Herzog returns to Germany for a visit to his own mother's appartment where he met Klaus Kinski in the mid-fifties. Kinski had already a strange behaviour then, living naked in a little room with dead leaves all over the floor. Next, Herzog takes the train to Peru in order to watch again the landscapes of AGUIRRE and FITZCARRALDO and to interview indian actors of these movies. At last, he comes back to Czechoslovakia where he directed WOYZECK and NOSFERATU in 1978-1979.

The movie also presents interviews of Claudia Cardinale (Fitzcarraldo) and Eva Mattes (Woyzeck), a "behind the screen" approach of AGUIRRE and FITZCARRALDO as well as Mick Jagger's performance in the role of Fitzcarraldo before Jason Robards's illness stopped the production.

A DVD for your library.

15 of 17 people found the following review helpful:

5.0 out of 5 stars Don't believe everything..., September 4, 2003

By 

Bill (Shelton, WA USA) - See all my reviews

This review is from: Kinski: My Best Fiend (DVD)

I detect a strong streak of playful embellishment in Herzog's accounts of Klaus Kinski's childishness and egomaniacal behavior. Perhaps that's because the first time I saw Werner Herzog in front of a camera was in his own acting role in Harmony Korine's bizarre film Julien Donkey-boy, in which Herzog's ample talents for script-less bullsh*tting were showcased. In My Best Fiend, I again sense similar moments of ad-libbed fabrication while listening to Herzog's various outlandish and defaming Kinski anecdotes. Not that Herzog's penchant for hyperbole detracts from the enjoyment of the film or from the mythic proportions of his collaboration with Kinski. But, if one considers this film alongside the deprecating rendering of Herzog contained in Kinski's autobiography, one begins to suspect a mutually-mischievous game of smearing one another publicly --just a twisted sense of humor shared by two close friends. With this gonzo-documentary, Herzog prevails eternally with a post-mortem vilification of his long-time friend and artistic co-conspirator.

No doubt, Kinski was a nut. But probably more in the vein of Andy Kaufman than Caligula Caesar. The film clips from Kinski's "Jesus Speech" stage shows, documenting his unshakable adherence to character and his tantrums directed at the audience, remind me a lot of Kaufman on the pro-wrestling circuit. There's also clearly a good deal of acting involved in Kinski's other ostensibly spontaneous rages caught on film. Particularly, the footage of the actor raving maniacally on the set of Fitzcarraldo struck me as a complete put-on. It seemed almost to have been an elaborate anthropology experiment designed to observe the native tribal people's reaction to mental illness. The Indians were clearly impressed with the film crew's calm handling of the "situation", though it's telling --if Herzog is to be believed-- that they later offered to kill the madman for him. It occurred to me while watching this "behind-the-scenes" account that the entire filming of Fitzcarraldo could be regarded as such an experiment.

Herzog alludes to Kinski's womanizing prowess in deadpan comedic fashion. As he introduces one of Kinski's former leading-lady co-stars, Herzog jabs that she was the only one to say anything nice about him. The interview that follows is peppered liberally with oblique sexual insinuation.

At one point in the film, as a contemplative Herzog sits on a train (while revisiting filming locations in South America), there is a voice-over of Kinski ranting, presumably taken from one of the "Jesus Speech" shows. The subtitles indicate that Kinski is detailing the hideous fate that awaits those who commit the egregious sin of slander. How wonderfully poetic, considering the nature of this film: Herzog uses Kinski's own words to mockingly taunt him in his grave!

Perhaps the strangest part of this movie is the outtake from Fitzcarraldo, filmed before Kinski had replaced Jason Robards as the lead, complete with Mick Jagger as the goofy sidekick! Unreal. Could that be a put-on too? I really don't know what to believe anymore!