Emma Kirkby sings Handel, Arne, Haydn & Mozart [Original recording reissued]

George Frideric Handel (Composer), Wolfgang Amadeus Mozart (Composer), Joseph Haydn (Composer), John Frederick Lampe (Composer), Thomas Arne (Composer), Christopher Hogwood (Conductor), Academy of Ancient Music (Orchestra), Emma Kirkby (Performer), Steven Lubin (Performer), Christopher Hirons (Performer) | Format: Audio CD

Product Details

• Performer: Emma Kirkby, Steven Lubin, Christopher Hirons
• Orchestra: Academy of Ancient Music
• Conductor: Christopher Hogwood
• Composer: George Frideric Handel, Wolfgang Amadeus Mozart, Joseph Haydn, John Frederick Lampe, Thomas Arne
• Audio CD (July 14, 1998)
• Number of Discs: 2
• Format: Original recording reissued
• Label: Decca
• ASIN: B000009DG1
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #261,388 in Music (See Top 100 in Music)

Editorial Reviews

Audio CD

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

5.0 out of 5 stars The divine voice of Emma Kirkby, June 7, 2000

By 

Lars Hinnum - See all my reviews

This review is from: Emma Kirkby sings Handel, Arne, Haydn & Mozart (Audio CD)

An outstanding collection of Italian, German and English arias, beautifully sung by my favourite soprano voice Emma Kirkby - the diva of renaissance and baroque music. All the arias are enchanting, especially "Rise, Glory, rise" an aria from Arne's opera "Rosamond". The conducting and playing of Christopher Hogwood and his team of period-performance specialist The Academy of Ancient Music are as always superb.These are all arias to have one wanting to go back to the complete operas. Strongly recommended.

18 of 18 people found the following review helpful:

5.0 out of 5 stars Mysterious Beauty, November 18, 2001

By A Customer

This review is from: Emma Kirkby sings Handel, Arne, Haydn & Mozart (Audio CD)

Classical music is one of the greatest joys in life. Opera on the other hand, is often too melodramatic to stomach. But there is nothing more enchanting than an Aria. On this 2 CD set, Emma Kirkby sings in sweet exultation. Her voice expresses power and agility yet a limpid tranquility. Clarity is the greatest achievement of any musician. With the aid of precision accompaniment on period instruments, shameless perfection is delivered. She soothes the soul longing for beauty. Her marvelous Soprano is rendered on 25 tracks in this eclectic ensemble. If you are a champion of Handel or a devotee of Mozart, you should not hesitate to purchase this CD. Emma Kirkby will have you beaming with delight and pining for more. Surely it will be one of the brightest of your collection.

16 of 16 people found the following review helpful:

5.0 out of 5 stars All hail the Queen of Early Music!, October 26, 2004

By 

cherubino (Houston, Texas United States) - See all my reviews
(VINE VOICE)   

This review is from: Emma Kirkby sings Handel, Arne, Haydn & Mozart (Audio CD)

I had the pleasure recently of attending a recital with Miss Kirkby and Fretwork, here in Houston. I had heard of her, but wasn't all too familiar with her voice. Then, I decided a couple of days before the performance that I would buy one of her discs, for her to autograph. Honestly, I chose this two-disc recital because it had a nice picture of her, with space for her to autograph!

I am happy to say that I chose what is surely one of the most pleasant soprano recitals on the market. Her voice is essentially "white," as opposed to a full operatic voice with vibrato, etc. Nonetheless, what she does with this ample selection of music, esp. Mozart, is truly incredible.

Rise, Glory, Rise, as mentioned by at least one other reviewer, is nothing short of stunning. I like the way she sings, "Bid the drum, bid the drum," with much enthusiasm. The orchestration is spectacular baroque, with the expert conducting of Hogwood, who conducts on the entire recital. (I had the pleasure to hear him conduct Ariodante here in Houston a couple of seasons back, at HGO).

Speaking of Ariodante, there is an aria from that opera, as well as other Handel arias on the first disc. Now, those of us who cut our operatic teeth on Joan Sutherland or Beverly Sills may not appreciate Emma Kirkby at first. Being used to Joan's upward transpositions, interpolated high notes, and intricate cadenzas, it took a couple of listens to appreciate Kirby's rendition of Tornami a Vagheggar. We must remember that the Sutherland and Sills interpretations took lots of liberties that Handel didn't necessarily intend!

While I do enjoy the first disc, I relish the second disc from start to end. First, there are two arias from Haydn's Creation. The orchestration is sublime, and Emma calms us with her "cooing" in the second selection. Then comes Mozart, which fills the rest of the second disc. Kirby's L'amero, Saro Costante is a miracle. To give you an example, I have heard Leontyne Price's interpretation, and had previously dismissed hte aria as a bore. Kirkby, however, sounds so sweet and virginal, so much so that you can really picture a young lady singing about fidelity. The purity and exquisiteness of Kirby's singing will melt you.

Another joy is Voi Avete Un Cor Fedele. Kirkby isn't a coloratura fanatic like our beloved Sutherland,but when she does coloratura, it is enthralling. Here, she uses rapid coloratura, a la Cecilia Bartoli, to stunning effect.

It would have been easy to choose a lot of Mozart standard arias, like Matern aller Arten. However, Emma steers clear of those chestnuts on this recital, instead treating us to lesser-known works. Just when you start to settle in the second disc, she melts you again with arias in German, from one of Mozart's lesser-known operas. The first of these three arias moved me to tears. Words simply can't express the purity of her tone, and the tender care she lavishes on the text! Beguiling, to say the least.

Finally, there is Non Temerte, Amato Bene. I first heard this aria on a recently-issued two-disc recital of Teresa Berganza. While Berganza charms us with her warm tone and vibrato, Emma Kirkby's interpretation is no less valid.

Even if you don't particularly care for the current early-music revival, any lover of the human voice and operatic arias should buy this treasurable recital.