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Kish Kash
 
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Kish Kash

Basement JaxxAudio CD
4.0 out of 5 stars  See all reviews (68 customer reviews)

Price: $9.99 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Biography

DJs Simon Ratcliffe and Felix Buxton started Basement Jaxx after hosting a popular club night in London during the 90s. They turned their attention to making their own music and released debut album Remedy in 1999. It was a huge success, with singles "Red Alert" and "Rendez-Vu" both reaching the Top 5 of the UK charts. Their second album was named Rooty after the club nights they used to run. It… Read more in Amazon's Basement Jaxx Store

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Product Details

  • Audio CD (October 21, 2003)
  • Original Release Date: 2003
  • Number of Discs: 1
  • Label: Astralwerks
  • ASIN: B0000DD56E
  • Also Available in: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (68 customer reviews)
  • Amazon Best Sellers Rank: #86,156 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

A squiggly, delirious house-pop classic that’s easily among the best albums of 2003, this British production duo’s third album is an interesting parallel to Outkast’s Speakerboxxx, as both albums make their funk the P-Funk, Parliament and Prince looming large throughout, but always in innovative ways. No album (and it is an album, a satisfyingly cohesive and narrative whole) of any genre in recent memory has done the guest vocalist thing as perfectly or as eclectically. Meshell Ndegeocello delivers two of her finest and sexiest performances yet; Lisa Kekaula from garage-soul rockers the BellRays revs up her delicious, Tina Turner -y vocals to near bursting point on "Good Luck." Meanwhile, ‘N Sync's JC Chasez remakes himself as a sort of electro-punk Michael Jackson on "Plug It In"; and speaking of electro-punk, on the anthemic "Cish Cash," Siouxsie Soux herself returns to show all the Liquid Sky’d-out denizens of Williamsburg and Berlin what a postpunk diva really sounds like. This is joyous music as innovative as it is bootylicious. With all its genre-defying tricks, Kish clearly owes a debt to the millenarian bootleg craze, but these songs are more than novelty mash-ups, they’re songs, and this is an album you’ll play years from now. --Mike McGonigal

Product Description

Japanese edition of the UK dance act's third album features 15 tracks including 1 exclusive Japanese bonus track, 'Acid Luv' (Twilite Mix). CBS. 2003. --This text refers to an out of print or unavailable edition of this title.

 

Customer Reviews

68 Reviews
5 star:
 (26)
4 star:
 (28)
3 star:
 (5)
2 star:
 (6)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (68 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

23 of 25 people found the following review helpful:
5.0 out of 5 stars Kish Kash Splash., October 26, 2003
By 
This review is from: Kish Kash (Audio CD)
Basement Jaxx is a duo I've always admired, but I never thought they totally deserved all the praise the press lavishes upon them. For sure, they released two really solid albums of jumpy, nervous disco featuring club anthems like "Romeo" and "Rendez-Vous." Are they pretty good? Yeah. But are they knock-me-out brilliant? Nah. However, the London duo's third outing, "Kish Kash," could be the disc that finally justifies the hype. I think it's their best album yet. This time around, the Jaxx rope in a slew of guest vocalists, and they all make great impressions on this disc. Like the songs on their predecessors "Rooty" and "Remedy," the grooves on "Kish Kash" bounce from edgy house to acid-dipped funk that recalls George Clinton and Prince. Meshell Ndegeocello makes two vocal appearances, the better of which is the sensual, clap-your-hands-together jam "Right Here's the Spot," while goth queen Siouxsie Sioux lends her vocals to the abrasive title track, a rush of punk energy Avril Lavinge and Pink would die for. JC Chasez of, ahem, NSYNC makes a near-unrecognizable appearance on the funky "Plug it In," while "Supersonic" (featuring Totlyn Jackson) is an out-there slab of electronica that also stands out. "Kish Kash" is, in my view, the duo's most consistent joint to date, and it easily eclipses their last two efforts. Grade: A-
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6 of 6 people found the following review helpful:
4.0 out of 5 stars The Jaxx Lose Control, October 24, 2003
By 
destro909 (Edmonton, AB Canada) - See all my reviews
This review is from: Kish Kash (Audio CD)
Basement Jaxx loses control of this album in two major ways. First, the songs on Kish Kash are more wild than any of their previous work. You can tell they enjoyed the success of "Where's Your Head At", and have taken that concept to a whole new level here.

The first three songs on this album are great. "Good Luck" explodes in a typical Basement Jaxx way, practically dragging your feet out to the dance floor with it's disco styles. Hitting you right after is "Right Here's the Spot", a brilliant piece of funk/hip-hop. After one of their signature interludes, the Jaxx move into "Lucky Star", one of their best and most insane songs to date.

I have to admit, after hearing these songs I thought the Jaxx had made another 5-star album. But to my dismay, the rest of the album degenerates as the Jaxx seem to lose control of their own work. "Supersonic" sounds like an outtake from Fatboy Slim's last album. "Plug It In" is a decent song, but would have been much better if the backup singer had replaced JC Chasez. The music in "If I Ever Recover" is awesome, but the song is ruined by the horrible vocals. "Cish Cash" is another mediocre song, and seems out of place on this album. "Tonight" is an interesting song which at first reminds you of "Rendez-Vu", but heads off in a much slower direction.

Then the Jaxx restore our faith in them. Though "Hot N' Cold" is probably one of the simplest songs on the album, it saves the 2nd half with it's Neptunes-like beats. "Living Room" is another simple, yet effective song. The album then finishes with "Feels Like Home", a decent closer which unfortunately drags a little.

Compared to other house music, Basement Jaxx is still revolutionary and a cut above the rest. However, Kish Kash is not nearly as good as Rooty or Remedy. So I give this album 4 stars, but am disappointed because I know they can do better.

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9 of 11 people found the following review helpful:
4.0 out of 5 stars Excellent, but..., January 29, 2004
By 
Gary Peterson (San Diego, California USA) - See all my reviews
(TOP 500 REVIEWER)   
Amazon Verified Purchase(What's this?)
This review is from: Kish Kash (Audio CD)
Basement Jaxx appeared on my recommended list several times and I finally yielded and bought their new "Kish Kash" CD. It's an excellent album. All the songs are catchy, enjoyable and with a good solid danceable beat. "Cish Cash" is my favorite track, and it's exquisite! The whole album strikes me as being very enjoyable party music and it would be at it's best played loudly in a room full of dancing people. Unfortunately, that's not the way I listen to music.

Perhaps it's just me, but I have difficulty listening to this CD. Basement Jaxx present a complex and cluttered soundscape. Too complex and cluttered, in my opinion. In places this disc sounds as if it was recorded in a crowded and noisy room, perhaps with a couple competing stereos off in the distance. In other places it sounds "fuzzy," as if I was trying to listen to my stereo through a foam-rubber room divider. In still other places I wonder if there's something wrong with my speakers, but my speakers are new and of reasonable quality and they sound perfectly good with other electronic CDs. I take it that Basement Jaxx have deliberately produced this cluttered and distorted soundscape, and some people might even prefer it that way. My aging ears have problems with it and I long for cleaner and clearer sound. Yet the songs are excellent, and everything comes together in perfect fashion on "Cish Cash."

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Kish Kash is Basement Jaxx's third studio release.
Felix Buxton and Simon Ratcliffehave been a member of Basement Jaxx.

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