Kiss of the Spider Woman [Paperback]

Manuel Puig (Author)

Book Description

Release date: April 3, 1991

Sometimes they talk all night long. In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

--This text refers to the Kindle Edition edition.

Editorial Reviews

Review

Novel by Manuel Puig, published in 1976 as El beso de la mujer arana. Mostly consisting of dialogue between two men in an Argentine jail cell, the novel traces the development of their unlikely friendship. Molina is a middle-aged homosexual who passes the long hours in prison by acting out scenes from his favorite movies. Valentin is a young socialist revolutionary, who initially berates Molina for his effeminacy and his lack of political conviction. Sharing the hardships of a six-month prison term, the two eventually forge a strong relationship that becomes sexual. In an ironic role reversal at the end of the novel, Molina dies as a result of his involvement in politics while Valentin escapes the pain of torture by retreating into a dream world. -- The Merriam-Webster Encyclopedia of Literature

Language Notes

Text: English (translation)
Original Language: Spanish

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Product Details

• Paperback: 288 pages
• Publisher: Vintage; First Edition edition (April 3, 1991)
• Language: English
• ISBN-10: 0679724494
• ISBN-13: 978-0679724490
• Product Dimensions: 5.2 x 0.6 x 8 inches
• Shipping Weight: 8 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (31 customer reviews)
• Amazon Best Sellers Rank: #47,682 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

25 of 26 people found the following review helpful

5.0 out of 5 stars for the footnotes March 31, 2004

By "xxfirexcrackerxx"

Format:Paperback

Since there are already so many reviews for this excellent book, I will limit my contribution to a few comments on the footnotes. They are not mere postmodern flourish, nor are they superfluous. They function in several ways. First, they mark a certain reception of psychoanalytic theory in Argentina. Secondly, although in the beginning they correspond to the story (in the tradition way that footnotes do -- as elaboration on a point that cannot be contained in the narrative) they begin to loose their direct correspondence as the story continues. This "unraveling" corresponds to the unraveling of the framing device (most importantly the telling of stories), which traditionally is a narrative structure that functions to hold sexual desire at bay. In other words, the footnotes lose their hold as the characters become closer, sharing more personal facets of their lives, and eventually becoming sexual. In this way the footnotes subtend the narrative in such a way as to track sexual desire and the confusing and contradictory aspects (and theories) that attend to it. I think it is essential to read the footnotes along with the narrative since they add to Puig's experimental narrative style. If they are confusing, that is the point. Unexpected desire, like love, always is.

11 of 11 people found the following review helpful

5.0 out of 5 stars Don't read this, read the book!! January 18, 2001

By Stephanie Zuercher

Format:Paperback

This book was recommended to my by a very enthusiastic friend, and I must say, having finished the book, I understand why. Roughly, the story is about two men in prison: Luis Molina, the homosexual window dresser, and Valentin Arruiga Paz. That, however, only begins to describe it. It's also about movies: Molina tells the plots of movies, partially to pass the time, partially because these movies -- living these movies -- is his escape. He prefers the movies from the forties and fifties, with the real divas, short hair, lots of blood-red lipstick . . . The movies aren't just time-passers, either: they reflect the events of the book.

The style is one of the most outstanding features of the book. It is almost entirely in dialogue, with some brief spates into play-format and a couple of police reports. It varies with the setting. There are also a couple of sections in stream-of-consciousness, where one receives Molina's movies as he thinks of them, no bothering with sentences. It all contributes to a wonderful effect.

I have, however, heard, that although this is the only translation available, it isn't the best. For example, Molina refers to himself as a woman throughout the book in the Spanish version. Although this isn't as possible in English, one could have made more of an effort, to preserve the feel of the original.

So go learn Spanish (if you don't know it already) -- but read this first!

10 of 10 people found the following review helpful

5.0 out of 5 stars One of the all-time greats... November 14, 1998

By A Customer

Format:Paperback

We tend to divide ourselves into groups: male, female, gay, straight, conservative, liberal... KOTSW reminds us that, underneath all of the labels, we are all human, and we can all change for the better when we want to. The simple power and beauty of this story overwhelmes me each time I re-read it. Puig created a pure microcosmos with his tale, and let it develop beautifully. I've gone through two copies in English, and my Spanish copy is in tatters. KOTSW is one of the most important stories of the latter half of the century, and should not go ignored.