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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Didn't like it at first, but now?, July 19, 2001
This review is from: Kiss & Tell (Audio CD)
The smooth jazz elements didn't grab me at first but I kept on listening because I have admired Martin in the past. I'm sure glad I did. This is a wonderful album with great playing. This guy blows me away. I thought The Odd Couple and Five O would be hokey. Wrong. Both include some awesome solos and really fulfill. Each song on further listening reveals great treasures. Some of it is a little commercial for me. But the package as a whole is special. Enjoy
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4 of 4 people found the following review helpful:
3.0 out of 5 stars
mass appeal = $, April 11, 2005
This review is from: Kiss & Tell (Audio CD)
This is a fine smooth-jazz type recording. Taylor is a brilliant artist and anything he does is beautiful. BUT - my heart lies with his amazing solo, chord-melody work. In particular, the 1992 recording "Artistry" (produced by Steve Howe of Yes fame). "Artistry" is astonishing, often sounding like two great jazzers playing together. You can't blame him for looking to make some bucks off the American smooth jazz fan base, but for my money, give me the one man with the ten fingers that sound like twenty. He's arguably the best there is.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Testing the water?, April 17, 2001
This review is from: Kiss & Tell (Audio CD)
When I saw the lineup and noticed the change of label, warning bells rang. Though I suspected this would be a different take on the Taylor I knew from Linn Records, I put the CD on with an open mind. If you can put prejudices aside and jugde this album on its own merits, you could not help but enjoy it. The players are top drawer and, while it is not quite as obvious a showcase for Taylor's phenomenal technique, he proves that smooth jazz is a hat that fits as comfortably as mainstream. Notable contributions include Jay Ashby's superb vocal doublings ('Garden of Dreams' and 'Sunstep'), Whalum's distictive sax, George Garzone's too-brief appearance, tasteful and so-in-tune, (as well as some subtly added strings), on 'You've Changed'. And there's a bonus track to boot! Who could ask for anything more? While I'm certain that some purists would be dismayed at Taylor's change in direction, I don't blame him for testing the smooth jazz water. Just so long as he doesn't forget he still has a mainstream fanclub.
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