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Know The Situation
 
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Know The Situation

DoofgoblinAudio CD
4.0 out of 5 stars  See all reviews (1 customer review)

Price: $23.76 & eligible for FREE Super Saver Shipping on orders over $25. Details
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MP3 Download, 17 Songs, 2004 $8.99  
Audio CD, 2005 $23.76  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Carrot Jab 2:59$0.99 Buy Track
listen  2. Stove Hot 1:42$0.99 Buy Track
listen  3. Cake Mac0:57$0.99 Buy Track
listen  4. Gardensend 2:12$0.99 Buy Track
listen  5. Crawdaddy 2:00$0.99 Buy Track
listen  6. Saxident Jazz Diaper 2:57$0.99 Buy Track
listen  7. Fun In The Sun 2:51$0.99 Buy Track
listen  8. Alldeigh 2:06$0.99 Buy Track
listen  9. Timber 1:49$0.99 Buy Track
listen10. Duermle Unnerchyle 1:57$0.99 Buy Track
listen11. Ticks And Chiggers 1:57$0.99 Buy Track
listen12. HungerSweats 4:03$0.99 Buy Track
listen13. The Days As Of Late 3:43$0.99 Buy Track
listen14. Sonte Tone 7:41$0.99 Buy Track
listen15. Forfla 1:28$0.99 Buy Track
listen16. Elephant In The Room 8:46$0.99 Buy Track
listen17. I Miss You Allreadeigh24:35Album Only


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Product Details

  • Audio CD (March 1, 2005)
  • Original Release Date: March 1, 2005
  • Number of Discs: 1
  • Label: Unschooled Records
  • ASIN: B00078VYIM
  • In-Print Editions: MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #952,743 in Music (See Top 100 in Music)

Editorial Reviews

About the Artist

Like an unscratchable itch or an uneasy memory, the sonic escapades of Doofgoblin (nee John Gulino) are a thorn in the side of would-be easy listeners. Gulino produces dense and complex hyper-pop music that caters to nail biters and short attention spans, in which rural thematics penetrate a thicket of electronic techno-noise and order subtly disguises itself as mechanized chaos. His is not electronic music that builds to a climax after several minutes of predictable cues. Gulino bounces the listener from point to point in a rapid succession of razor-sharp melodies, hemorrhaging bass lines, and a veritable circus of percussive insanity. Tight orchestration wrestles with digital catastrophe; moments of anarchy and humor arise and disappear. Meanwhile, the dysfunctional relationship between noise and time plays itself out over a tortured, if grassy, field.

As a Connecticut youngster, Gulino absorbed the early sounds of Megadeth, Metallica, and Anthrax (often directly from a speaker placed on his chest as he lay in bed); later years found him turning to a diet of experimentalism through the likes of Ween and the Residents. In 1999, after earning a degree in guitar performance, Gulino moved to Oakland, CA to steep himself in the Bay Area’s strange brew of musical styles, flavored by a constantly changing panoply of local and visiting bands: Idiot Flesh, Melvins, Thinking Fellers Union, Matmos, and Kit Clayton. Gulino’s background in metal and noise improvisation, via several self-released albums of four-track acoustic guitar ditties, gradually evolved into a praxis of computer-based synthesis informed by Autechre and Aphex Twin. Yet the swirl of influences in Gulino’s electronic composition ranges widely, from the tasty pop bites of Thingy and Pinback to the ironic opacity of Steely Dan, from the carnivalesque atmospherics of the Residents to the DIY ethos of Oakland art-rock denizens like Sleepytime Gorilla Museum and Rube Waddell.

2001 saw Gulino self-release his first full-length as Doofgoblin, titled II, then light out for the territory of rural Virginia, trading scene for scenery. The effects of country living were apparent in his next release, 2002’s Char Lotties Ville, which blazed a spooky backwoods trail and got Doofgoblin noticed by Chapel Hill, NC-based Unschooled Records. After contributing a track to the new label’s compilation, Enter, Gulino delivered the full-length Marblebarrel in September 2003 and quickly followed with a CD EP, Album RL, in March 2004. The two garnered a raft of favorable reviews, with Angry Ape describing "a bastardised sound-clash of eccentric ideologies, processed noise and fractured samples" and Igloo Magazine declaring that "Gulino's definitive style is sure to raise the bar for up-and-coming electronic musicians". Gulino supported the Unschooled releases with tours on both coasts, playing with acts like I Am Robot and Proud, Random Number and Headphone Science, and unnerving audiences with extended improvisations, high energy album song renditions, and live sound experiments. Back home in Virginia, his increased reclusiveness resulted in an explosion of new material, ultimately to be known to the outside world as Know the Situation.

Recent months have seen Gulino channel his meticulous sense of composition and surprising humor into the terra incognita of video art, sure to be a bonus for Doofgoblin enthusiasts. Though active since 1998 in various online electronica communities, Gulino has always resisted the consumerism of the gearhead, as well as the product-minded critics who complain that Doofgoblin songs are "too short", preferring instead to subvert expectations about harmonic structure and the nature of time through a compositional process that renders almost everything obsolete as soon as it is completed.


 

Customer Reviews

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Average Customer Review
4.0 out of 5 stars (1 customer review)
 
 
 
 
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Most Helpful Customer Reviews

1 of 2 people found the following review helpful:
4.0 out of 5 stars Igloo Magazine's REVIEW, December 2, 2005
This review is from: Know The Situation (Audio CD)
Review by: Pietro Da Sacco at [...]
(04.08.05) John Gulino (a.k.a. Doofgoblin) has been quite busy over the past year or so, releasing leftfield electronic music that defies categorization. Marblebarrel (Unschooled, 2003) delivered subdued digital fluctuations while Album RL (Unschooled, 2004) manifested his knack for obtuse, mechanical compositions. Next to Songs From The Blue Ridge 7" EP and the now out-of-stock Live@Nature release, both on Unschooled, it's quite clear that Doofgoblin is out to make a drastic statement in his musical career.

Not only does he reveal the gravitational pull of digital experimentation, Doofgoblin also applies accentuated field-recordings buried within sampled electrical tones throughout his body of work. You can find evidence of this unique application on "I Miss You Allreadeigh," a 5-minute, syncopated kaleidoscope of slithering percussion that slowly decomposes --the hidden track tucked at the end drastically unleashes the digital fury of Doofgoblin's oeuvre. Watch out for that. Elsewhere you'll find particle fragments spread above clipped rhythms as featured on "Alldeigh" and the rather short-lived "Gardensend." But it's when Doofgoblin blurs the edges of his sound factory that you begin to realize why almost each track on Know The Situation is no more than 3-minutes in length. Rather than displaying elongated melodic constructions, the ideas nurtured within this album tend to unleash organic components that eventually form the entire product. In effect, knowing the situation, and accepting the strange electronic manipulations is only one piece of the fabric that is microscopic in nature but macroscopic in depth. Consider it an exercise in listening, and so, by digesting tracks like "Saxident Jazz Diaper" and "Stove Hot," you can easily appreciate the significance of such an album in this century.

By defocusing the ear, Doofgoblin has seamlessly created a world full of experimentation and odd permutations in sound engineering. It's the combination of extracted effects, chaotic minimalism and passionate reconfiguring that allows Know The Situation to unfold a myriad of unusually organic presentations. Mind-boggling.
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