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As a Connecticut youngster, Gulino absorbed the early sounds of Megadeth, Metallica, and Anthrax (often directly from a speaker placed on his chest as he lay in bed); later years found him turning to a diet of experimentalism through the likes of Ween and the Residents. In 1999, after earning a degree in guitar performance, Gulino moved to Oakland, CA to steep himself in the Bay Areas strange brew of musical styles, flavored by a constantly changing panoply of local and visiting bands: Idiot Flesh, Melvins, Thinking Fellers Union, Matmos, and Kit Clayton. Gulinos background in metal and noise improvisation, via several self-released albums of four-track acoustic guitar ditties, gradually evolved into a praxis of computer-based synthesis informed by Autechre and Aphex Twin. Yet the swirl of influences in Gulinos electronic composition ranges widely, from the tasty pop bites of Thingy and Pinback to the ironic opacity of Steely Dan, from the carnivalesque atmospherics of the Residents to the DIY ethos of Oakland art-rock denizens like Sleepytime Gorilla Museum and Rube Waddell.
2001 saw Gulino self-release his first full-length as Doofgoblin, titled II, then light out for the territory of rural Virginia, trading scene for scenery. The effects of country living were apparent in his next release, 2002s Char Lotties Ville, which blazed a spooky backwoods trail and got Doofgoblin noticed by Chapel Hill, NC-based Unschooled Records. After contributing a track to the new labels compilation, Enter, Gulino delivered the full-length Marblebarrel in September 2003 and quickly followed with a CD EP, Album RL, in March 2004. The two garnered a raft of favorable reviews, with Angry Ape describing "a bastardised sound-clash of eccentric ideologies, processed noise and fractured samples" and Igloo Magazine declaring that "Gulino's definitive style is sure to raise the bar for up-and-coming electronic musicians". Gulino supported the Unschooled releases with tours on both coasts, playing with acts like I Am Robot and Proud, Random Number and Headphone Science, and unnerving audiences with extended improvisations, high energy album song renditions, and live sound experiments. Back home in Virginia, his increased reclusiveness resulted in an explosion of new material, ultimately to be known to the outside world as Know the Situation.
Recent months have seen Gulino channel his meticulous sense of composition and surprising humor into the terra incognita of video art, sure to be a bonus for Doofgoblin enthusiasts. Though active since 1998 in various online electronica communities, Gulino has always resisted the consumerism of the gearhead, as well as the product-minded critics who complain that Doofgoblin songs are "too short", preferring instead to subvert expectations about harmonic structure and the nature of time through a compositional process that renders almost everything obsolete as soon as it is completed.
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Most Helpful Customer Reviews
1 of 2 people found the following review helpful:
4.0 out of 5 stars
Igloo Magazine's REVIEW,
This review is from: Know The Situation (Audio CD)
Review by: Pietro Da Sacco at [...](04.08.05) John Gulino (a.k.a. Doofgoblin) has been quite busy over the past year or so, releasing leftfield electronic music that defies categorization. Marblebarrel (Unschooled, 2003) delivered subdued digital fluctuations while Album RL (Unschooled, 2004) manifested his knack for obtuse, mechanical compositions. Next to Songs From The Blue Ridge 7" EP and the now out-of-stock Live@Nature release, both on Unschooled, it's quite clear that Doofgoblin is out to make a drastic statement in his musical career. Not only does he reveal the gravitational pull of digital experimentation, Doofgoblin also applies accentuated field-recordings buried within sampled electrical tones throughout his body of work. You can find evidence of this unique application on "I Miss You Allreadeigh," a 5-minute, syncopated kaleidoscope of slithering percussion that slowly decomposes --the hidden track tucked at the end drastically unleashes the digital fury of Doofgoblin's oeuvre. Watch out for that. Elsewhere you'll find particle fragments spread above clipped rhythms as featured on "Alldeigh" and the rather short-lived "Gardensend." But it's when Doofgoblin blurs the edges of his sound factory that you begin to realize why almost each track on Know The Situation is no more than 3-minutes in length. Rather than displaying elongated melodic constructions, the ideas nurtured within this album tend to unleash organic components that eventually form the entire product. In effect, knowing the situation, and accepting the strange electronic manipulations is only one piece of the fabric that is microscopic in nature but macroscopic in depth. Consider it an exercise in listening, and so, by digesting tracks like "Saxident Jazz Diaper" and "Stove Hot," you can easily appreciate the significance of such an album in this century. By defocusing the ear, Doofgoblin has seamlessly created a world full of experimentation and odd permutations in sound engineering. It's the combination of extracted effects, chaotic minimalism and passionate reconfiguring that allows Know The Situation to unfold a myriad of unusually organic presentations. Mind-boggling.
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