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3 of 3 people found the following review helpful:
4.0 out of 5 stars Ned knew everybody who mattered and can't resist telling us
Astonishing autobiography that also serves as a cultural history of the post-war literary and musical worlds of New York and Paris.
Published on April 21, 1999

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6 of 7 people found the following review helpful:
2.0 out of 5 stars Slogging through the self-pity to find the diamonds
The beginning of this book is fantastic. Mr Rorem has decided that there are but two esthetics in this world, and that everything can be applied to either one or the other. When he writes, as he did there, in the present, speaking of himself in the present, Mr Rorem is at his best, but when he begins to delve into his youth the reader is forced to wade through a trough of...
Published on January 6, 1997


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6 of 7 people found the following review helpful:
2.0 out of 5 stars Slogging through the self-pity to find the diamonds, January 6, 1997
By A Customer
This review is from: Knowing When to Stop: A Memoir (Hardcover)
The beginning of this book is fantastic. Mr Rorem has decided that there are but two esthetics in this world, and that everything can be applied to either one or the other. When he writes, as he did there, in the present, speaking of himself in the present, Mr Rorem is at his best, but when he begins to delve into his youth the reader is forced to wade through a trough of self-pity and self-hatred. There is very little to like about the younger Ned Rorem, and had there not been the occasional spurt of wisdom and humor I doubt I would have finished this mammoth tome. The most enjoyable sections were Mr Rorem's recollections of his associations with other stars in the twentieth-century musical firmament, most especially Leonard Bernstein and Aaron Copland, as well as Martha Graham. I have the feeling that I would both like and enjoy Mr Rorem as he lives today, but I would have avoided him had he and I been young contemporaries.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Ned knew everybody who mattered and can't resist telling us, April 21, 1999
By A Customer
Astonishing autobiography that also serves as a cultural history of the post-war literary and musical worlds of New York and Paris.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars One of the great literary self-portraits., November 19, 2000
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Augustus Caesar, Ph.D. (Eugene, Oregon United States) - See all my reviews
This review is from: Knowing When to Stop: A Memoir (Hardcover)
Most people who would be interested in reading "Knowing When to Stop" are probably familiar with Rorem's diaries. His memoir ends the year he first started the journals contained in "The Paris Diaries," and "Knowing When to Stop" not only fills the autobiographical, pre-diary gap, but also stands as one of most extraordinary self-portraits ever written. Rorem recounts, in his graceful, inimitable style, his childhood, musical training, early sex life (of course), his first years in Europe and, most absorbingly, his friendships with some of the most famous artists, both musical and otherwise, of the century. Bernstein, Cage, Katchen, Thomson, Copland, Boulez, Capote, Paul and Jane Bowles--Rorem describes them with sympathy and insight. Rorem's own mortality hangs shadowlike over every page of "Knowing," and his assessments of his work and life are penetrating and brutally honest. All in all, one of the best books I've ever read and a poignant, profound meditation of life and art.
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9 of 14 people found the following review helpful:
1.0 out of 5 stars Not Knowing When to Stop, September 27, 1997
By A Customer
I still remember the day I passed by the bookstore window and saw Ned Rorem's new book "Knowing When to Stop" in the window. I literally doubled over with laughter right there on the street, and immediately ran into the store to buy it, thinking that Rorem had finally developed a sense or irony. Imagine my disappointment...
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Knowing When to Stop: A Memoir
Knowing When to Stop: A Memoir by Ned Rorem (Hardcover - September 1, 1994)
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