Koo Koo/Def, Dumb & Blonde [Import]

Debbie Harry | Format: Audio CD

Product Details

• Audio CD (July 14, 2009)
• Original Release Date: 2009
• Number of Discs: 1
• Format: Import
• Label: BGO Records
• ASIN: B0025AY46Y
• Average Customer Review: 3.8 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #109,801 in Music (See Top 100 in Music)

Track Listings

1. Jump Jump

2. The Jam Was Moving

3. Chrome

4. Surrender

5. Inner City Spillover

6. Backfired

7. Now I Know You Know

8. Under Arrest

9. Military Rap

10. Oasis

11. I Want That Man

12. Lovelight

13. Kiss It Better

14. Maybe For Sure

15. Calmarie

16. Get Your Way

17. Sweet And Low

18. He Is So

19. Brite Side

20. Bugeye

See all 21 tracks on this disc

Editorial Reviews

Digitally remastered two-fer from the Blondie vocalist and Punk/New Wave icon containing her first and third solo albums: Koo Koo (1981) and Def, Dumb & Blonde (1989). 21 tracks total. BGO. 2009.

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

3.0 out of 5 stars incomplete, August 13, 2009

By 

W.H. - See all my reviews

Amazon Verified Purchase

This review is from: Koo Koo/Def, Dumb & Blonde (Audio CD)

I love Deborah Harry (with or without Blondie), and it's great to have her first solo album, 1981's Koo Koo, back in print and digitally remastered. The album is very much of its time, but I hesitate to call it "dated" because I enjoy it so much. The stripped-down sound is worlds away from Blondie's at it gave Harry a voice of her own.

Her third solo album, 1989's Def, Dumb, & Blonde is also great but for a completely different reason than her first album. Eight years after Koo Koo's release, it served as a welcome return for Harry to a fuller, poppier Blondie-esque sound.

The problem with this edition's Def, Dumb, & Blonde is that it only has eleven tracks. The cd version released in 1989 and re-released in 2005 has fifteen. I understand that the original vinyl album released in 1989 had only eleven, and the four extra tracks were bonus tracks appearing only on the cd. Why didn't BGO re-release the original cd version, as opposed to the shorter lp version? There's plenty of room for all fifteen tracks on this cd.

If both Koo Koo and Def, Dumb, & Blonde were here in their entirety, I would give this 2-disc set five stars. Since D,D, & B is incomplete, I can only give it three stars.

(The missing tracks are Bike Boy, I'll Never Fall In Love, Comic Books, and Forced To Live.)

Serious Deborah Harry fans might want to buy this 2-cd set for Koo Koo (it costs less than used copies of previously released editions) and buy the fifteen-track version of Def, Dumb, & Blonde seperately. More casual fans could make do with this set alone or with Harry's greatest hits album, Most of All.

3 of 3 people found the following review helpful:

4.0 out of 5 stars EXCELLENT "2 FOR 1" COMBO!, October 1, 2009

By 

Anthony G. "Classic Rock Fan" (New York City) - See all my reviews

Amazon Verified Purchase

This review is from: Koo Koo/Def, Dumb & Blonde (Audio CD)

Okay, since I'm a Blondie/Debbie fan since 1978, I'll throw my hat into this...

For anyone wondering, BUY THIS COLLECTION IF YOU WANT A BRAND NEW REMASTERED VERSION OF DEBBIE'S 1ST SOLO ALBUM. DO NOT WASTE YOUR MONEY ON THE OTHERS HERE ON AMAZON...TOO DAMN EXPENSIVE. SO HAPPY WE HAVE AN ALTERNATIVE! ALSO, IF YOU HAVE A COPY OF DEF, DUMB, AND BLONDE, BUY THIS ONE ANYWAY, SINCE IT'S THE TRUE REMASTER AND NOT JUST A REISSUE FROM 1989, LIKE THE ONE WOUNDED BIRD RECS. RELEASED 4 YEARS AGO. THE DIFFERENCE IN SOUND IS VERY OBVIOUS.

KOO KOO, from 1981, is a pretty good album. It's interesting, but a very different kind of animal from what Debbie had been giving us since 1976 w/ Chris and the boys; which is odd, considering how diverse her music w/ Blondie was. Like many others have said over the years, many of the songs sound like B-sides to A-sides: They're interesting, somewhat avant-garde, but not particularly hooky or memorable in the way that her previous output was. I'll put it this way...it's an odd follow-up to Blondie's masterpiece AUTOAMERICAN, which featured excellent forays into Art Pop, Punk/New Wave, Disco, Funk, Jazz, Reggae, Broadway show tune, and Rap. This is also a diverse album as well, going from New Wave, to Funk, to R&B/Jazz, Reggae (in The Police vein), Mid-Eastern-flavor, to Disco/Dance w/ a little Rap for good measure. It's very 1981, yet it sounds very artsy by today's standards...its style is rather timeless, like so much of Deb's music(I was alive and well in 1981, though only 7 yrs. old and this was my 1st time hearing the entire album 28 yrs. later, and it sounds contemporary and dated at the same time). As always when a leader of a group goes solo for the 1st time, the material and execution is incredibly crucial. Debbie and Chris Stein teaming up w/ Chic was not a mistake or mis-pairing; it's just that the songs aren't as important or memorable as everything that she did before or after, except most of 1986's ROCKBIRD, which, excepting a few tracks, was not a good album. There are some songs I hear on KOO KOO, and wish the production had been more textured, or more lyrics were added to the songs, or other voices, instruments, etc. Some of the songs sound unfinished or incomplete. No clear endings of thoughts or themes. The production is very minimalist on some songs, and it's jarring after coming from Mike Chapman's gorgeous, lush sound paintings. It's definitely worth buying and hearing. I also think the reception of the album was affected by the singles they released. I believe "Jump Jump" should've been the 1st single (a good intro for Deb's solo work, but not SO different from her previous stuff), then "Backfired" (Disco/Dance from Chic), then "Chrome" (beautiful vocal) for the New Wave fans, then the beautiful, Jazzy "Now I Know You Know" (one of Debbie's best vocals in her career; a great display of her range, and maybe the greatest of the highlights from the album), then "The Jam Was Moving". Blondie fans at large wouldn't have been as put off w/ these releases. The joke is, Debbie and Chris were trying to distance themselves from the pull of Blondie and the group's music, but the best songs on this album are the ones that are the most Blondie-esque. Go figure.

The opposite is true for 1989's D,D,&B: I feel that this is Debbie's best solo album, w/ NECESSARY EVIL a close second. Here, the Blondie and Deborah Harry personae are fused together. This album really feels and sounds like the 1st Blondie album after THE HUNTER. You could swear the drumming is Clem Burke. The backing voices are the rest of the boys. Since Mike Chapman produced much of the album, the Blondie style is even more apparent, though you're aware this is a Debbie album. The vocal and sonic textures are a complete opposite to the seemingly intentional hollowness of KOO KOO. Honestly, I don't make much of a distinction between the two faces of Debbie. I don't think Deborah Harry has ever held back on style or experimentation w/ Blondie, so I don't see her solo albums as being complete oppositions to the group's work. The best part of this album is that Debbie's voice is probably the strongest it's ever been. Her range is just as good at 43 as it was when she was in her 30s. Not many artists can say that. Highlights of the album are every song, for her personality as an actress of songs takes centerstage; but of greatest note are "Maybe For Sure", "Calmarie" "Get Your Way", "Sweet & Low", and "He Is So" (Debbie's voice sounds like an instrument on this one...this could easily have been on a Blondie album...classic Harry/Stein on this one). The only two drags of this collection are: No lyrics, and not all of the extra songs from D,D,&B are included, which means you need to own the Wounded Bird Records edition to hear the other songs, which are just as good as these included here.

The remastering sounds excellent.

4.0 out of 5 stars Two CDs, not one, November 2, 2011

By 

J.S. - See all my reviews

Amazon Verified Purchase

This review is from: Koo Koo/Def, Dumb & Blonde (Audio CD)

Just to clarify: Although Amazon has this listed as a single CD, I was very pleased to find that this is a two CD package, with all of KOO KOO on one disc, and the shorter (vinyl?) version of DEF, DUMB AND BLONDE on the other disc. It definitely plays better with the albums separated.

KOO KOO, while no masterpiece, is hardly a musical disappointment, and had one of the most striking album cover images of the '80s. The grooves from Chic trio Nile Rodgers, Bernard Edwards and Tony Thompson are solid and well produced. Harry's voice is spirited and she sounds like she's having fun working with some new musicians. But there's definitely an X factor missing ... nothing sounds like a hit, and none really succeeded. However, "Backfired" is funny and sassy, and "Now I Know You Know" is as sultry as anything Harry has cut in her entire career. Reggae song "Inner City Spillover" has some truly weird lyrics!

DEF, DUMB AND BLONDE sounds a world away, made almost ten years after KOO KOO. The original U.S. CD was better, which had a total of 15 songs compared to this version. It suffers from a frilly, let's-have-fun! 80s production and Harry also sounds like she's somewhat surrendered and defeated, after the failure of Blondie's THE HUNTER, and of second solo album ROCKBIRD. There's a sense that her time had kind of come and gone to this album, which always makes it sound kind of sad to these ears.