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Korean Film: History, Resistance, and Democratic Imagination
 
 
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Korean Film: History, Resistance, and Democratic Imagination [Hardcover]

Eungjun Min (Author), Jinsook Joo (Author), Han Ju Kwak (Author)

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Book Description

0275958116 978-0275958114 April 30, 2003
Despite its rise in the global market, recent political progress, and a surging interest worldwide, Korean films are relatively unknown and rarely studied. This new work begins by investigating the history, industry structure, and trends of filmmaking in Korea, going on to examine how Hollywood films have affected both Korean mainstream and nonmainstream film industries in terms of both means of production and narrative. Moreover, the authors analyze the ways in which Korean films of recent years have represented the modernization process in Korea itself, as well as the ideological implications that arise from the cinematic constructions of Korean imagination. More than a mere chronological account of Korean cinematic history, Korean Film attempts to consider the films as a popular cultural form that have a life beyond their theatrical runs: stars, genres, and key movies become part of any culture's identity, and in their narratives and meanings can be located evidence of the ways in which a culture makes sense of itself. Korea has never before been given such an extensive treatment of this central idea, and here for the first time, the nation's culture and cinema are merged into one discussion that both reflects and shapes our understanding of it.

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Customers buy this book with Seoul Searching: Culture and Identity in Contemporary Korean Cinema (Suny Series, Horizons of Cinema) $31.95

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Editorial Reviews

Review

“The three Korean authors of this carefully researched, thoughtful book are well equipped to introduce their subject to English-speaking audiences. They approach the Korean film industry chronologically, conveying a sense of the continuing interrelationship between the history of the region and the growth and (sometimes) paralysis of its film industry....The plot synopses, descriptions, and evaluations of many films should prove useful to readers with no opportunity to view the movies. The bibliography includes both English and Korean sources. Highly recommended. All collections; all levels.”–Choice

“[a] valuable new addition to the growing body of English-language scholarship on Korean cinema....[o]riginal examples of (con)textual analysis of significant Korean films throughout are fascinating.”–History: Reveiws of New Books.

About the Author

EUNGJUN MIN is Associate Professor of Communication at Rhode Island College.

JINSOOK JOO is Professor of Film Studies at Chung-Ang University in Seoul, Korea.

HAN JU KWAK is an independent researcher.

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Inside This Book (learn more)
First Sentence:
Despite its rise in the global market and its recent political progress, Korea is still an understudied country. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Taste of Heaven, Third World, United States, Black Republic, Third Cinema, Sunwoo Jang, National Cinema Movement, Single Spark, Jangho Lee, Latin America, Pig Fell, Jopsikot Dangsin, Kwangju Uprising, Fatal Attraction, Peace Market, Changho Bae, Hong Kong, Kwangsu Park, Rule of the Game, Sangok Shin, First World, Gorae Sanyang, Motion Picture Promotion Corporation, National Assembly, Seoul Cine Group
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