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Most Helpful Customer Reviews
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Masterful performances,
By
This review is from: Korngold: Concerto; Rózsa: Concerto; Tema con variazioni; Waxman: "Carmen" Fantasy (Audio CD)
The Rózsa violin concerto is one of my favorite pieces and this is, beyond all doubt, the best recorded performance of this far-too-neglected work. I do have one quibble with Maestro Heifitz's performance: he rushes the central theme of the middle movement a bit; I would love to have heard him "sing" it a bit more, at a slighltly slower tempo -- a bit more tenderness and longing -- because it is such a moving melody.
The other pieces on this disc are also wonderful, especially the Korngold. I respectefully disagree with the earlier reviewer about the Korngold being too cliché and corny, but as the old Romans said, "De gustibus non disputandum est." If you are a Heifitz fan, or these three great masters of film music, you can't go wrong with this CD.
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Transport to Heaven via Violin,
By
This review is from: Korngold: Concerto; Rózsa: Concerto; Tema con variazioni; Waxman: "Carmen" Fantasy (Audio CD)
Brilliant music played by a brilliant musician. I put it on the CD player in my office when I'm having a tough day and it makes all the annoyance fade away!
5 of 6 people found the following review helpful:
5.0 out of 5 stars
Heifetz does in fact have a heart,
By Steve Missal (Scottsdale, Arizona United States) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Korngold: Concerto; Rózsa: Concerto; Tema con variazioni; Waxman: "Carmen" Fantasy (Audio CD)
I'm tired of reading reviews that pan Heifetz for either playing too fast or too coldly. Yes, sometimes I think he pushes the envelope a bit on tempo (the end of the first movement is a case in point), but lack of nuance? Missed opportunities for expression? Unless you are deaf, he has these in spades, albeit not always like other violinists. Perhaps that is the problem. He is unique in his sound and approach. Average, even very good violinists pull and yank at passages until the line of the music is broken and my interest wanes. I ask this question: would you return to a recording more than once? Competent ones are just that, competent. Great recordings make you return endlessly. And this is a great recording. The Rozsa is a gem that is not often heard, sadly. Whether Heifetz worried about someone hearing him play a wrong note is beside the point. Who cares? I don't know of other performers practicing in public. Do you?
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