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Korngold - Die tote Stadt
 
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Korngold - Die tote Stadt

Erich Wolfgang Korngold , Leif Segerstam , Katarina Dalayman , Thomas Sunnegardh , Royal Swedish Opera Chorus and Orchestra , Tomtberga School Children's Choir , Anders Bergström , Ingrid Tobiasson , Per-Arne Wahlgren , Hilde Leidland , Anna Tomson , Ulrik Qvale , Lars-Erik Jonsson Audio CD
4.5 out of 5 stars  See all reviews (4 customer reviews)

Price: $18.56 & eligible for FREE Super Saver Shipping on orders over $25. Details
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MP3 Download, 17 Songs, 1997 $15.98  
Audio CD, 1997 $18.56  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         


Disc 1:

Samples
Song Title Time Price
listen  1. Die tote Stadt, Op. 12: Act I: Behutsam! 7:12$0.89 Buy Track
listen  2. Die tote Stadt, Op. 12: Act I: Frank! Freund! 7:58$0.89 Buy Track
listen  3. Die tote Stadt, Op. 12: Act I: Nur deiner harr ich, niemals Verlorne!0:55$0.89 Buy Track
listen  4. Die tote Stadt, Op. 12: Act I: Rosen - so ists rechts! 1:44$0.89 Buy Track
listen  5. Die tote Stadt, Op. 12: Act I: Wunderbar! 4:32$0.89 Buy Track
listen  6. Die tote Stadt, Op. 12: Act I: Gluck, das mir verblieb10:38Album Only
listen  7. Die tote Stadt, Op. 12: Act I: Marietta! 8:40Album Only
listen  8. Die tote Stadt, Op. 12: Act II: Prelude 7:28$0.89 Buy Track
listen  9. Die tote Stadt, Op. 12: Act II: Was ward aus mir? 4:43$0.89 Buy Track
listen10. Die tote Stadt, Op. 12: Act II: Wohin? Frank - du? 2:37$0.89 Buy Track
listen11. Die tote Stadt, Op. 12: Act II: Schaume, schaume 8:40Album Only


Disc 2:

Samples
Song Title Time Price
listen  1. Die tote Stadt, Op. 12: Act II: Mein Sehnen, mein Wahnen11:08Album Only
listen  2. Die tote Stadt, Op. 12: Act II: Du machst mir eine Szene? 9:24Album Only
listen  3. Die tote Stadt, Op. 12: Act III: Prelude 2:44$0.89 Buy Track
listen  4. Die tote Stadt, Op. 12: Act III: Dich sich ich, Bild! 4:08$0.89 Buy Track
listen  5. Die tote Stadt, Op. 12: Act III: Du hier?22:03Album Only
listen  6. Die tote Stadt, Op. 12: Act III: Die Tote-wo-lag sie nicht hier 9:51Album Only


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Frequently Bought Together

Korngold - Die tote Stadt + Korngold: Die Kathrin + Korngold - Der Ring des Polykrates / Siebel
Price For All Three: $59.18

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  • In Stock.
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  • Korngold: Die Kathrin $24.12

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  • Korngold - Der Ring des Polykrates / Siebel $16.50

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Product Details

  • Audio CD (August 5, 1997)
  • SPARS Code: DDD
  • Number of Discs: 2
  • Label: Naxos
  • ASIN: B0000014BE
  • In-Print Editions: MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #97,049 in Music (See Top 100 in Music)

 

Customer Reviews

4 Reviews
5 star:
 (2)
4 star:
 (2)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

21 of 22 people found the following review helpful:
4.0 out of 5 stars RICHLY ROMANTIC, May 25, 2002
By 
MOVIE MAVEN (New York, NY USA) - See all my reviews
This review is from: Korngold - Die tote Stadt (Audio CD)
If you are at all familiar with Erich Wolfgang Korngold's wonderful scores for Hollywood films (arguably, the most famous would be "The Adventures of Robin Hood" and "The Sea Hawk" both of which starred Errol Flynn), the musical language of his opera
DIE TOTE STADT will not disappoint nor surprise you.

Although clearly a Twentieth Century work, it is completely tonal, richly romantic and lush with hints of Richard Strauss and Puccini. "Marietta's Song" is the one famous aria in this rarely performed work. (You can hear it done beautifully on one of Renee Fleming's recent operatic recital cd's.) The New York City Opera had a huge financial and critical success with Frank Corsaro's production many seasons ago, but that has not prompted that company to regularly revive it, nor has it been produced by the Metropolitan Opera within recent memory.

This performance on the Naxos label is amazing in that the sound, for a live performance, is full and vivid. All the performers do well, with special marks going to the Swedish soprano, Katarina Dalayman. The tenor,Thomas Sunnegardh, in the extremely taxing leading role, sings, for the most part, beautifully and very strongly.

From what I can glean from the synopsis which has obviously been translated by someone whose first language is not English, this is a story much like that of the Hitchcock classic film, "Vertigo:" a man is so obsessed with a dead woman that he persuades his new romance to "become" his lost love. Sadly, for people like me who approach this opera with no knowledge of a production or another recording, the libretto is only printed in German--there is no English translation.

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14 of 14 people found the following review helpful:
5.0 out of 5 stars Wonderously exciting!, September 29, 2005
By 
BDSinC "Music lover" (Calgary, Alberta, Canada) - See all my reviews
This review is from: Korngold - Die tote Stadt (Audio CD)
Until this recording came out, I knew very little about this opera. I knew the plot, and I was familiar with only one "aria" from it recorded by Leontyne Price. Well, what a joy to hear the complete work. It is a 20th century opera but one of such beauty, one that is a joy to listen to without having to do a million hours of preparation to figure out the intended musical conception. One is not forced to listen to strained singing, barking, speech-singing, or any of those less than lovely sounds often associated with modern 20th century opera. It grabs you instantly.

NAXOS, to me, is far more successful in their sound reproduction in live performances than in their studio recordings. Their balance of singer and orchestra is incredible, but without sacrificing the subtle nuances of the orchestra by having the singers recorded too closely. I have always loved the energy of live performances, and this only adds to this opera. All the singers are excellent, as is the orchestra, the conducting, and the production itself. The Stockholm opera has done a masterful job of presenting this work.

And for an aside, the great "Marietta's Lied: Gluck, das mir verblied" recorded so awesomely by Leontyne Price is in reality a duet! And how wonderfully it is performed here, and those soaring lines we so often feel fit the soprano so well are actually sung by the tenor, and they still take your breath away.

The opera was beautifully written and here beautifully performed. Such a work really is a treat to hear, and I am sure a treat to witness (sadly, I have never seen this opera).

One won't go wrong buying this opera, especially if you are just coming to 20th century operas. This one has enough of the "old lyrical way of doing things" to please you instantly, and enough of the "new way of doing things" so you don't think you are listening to a very old opera but something quite new and exciting.

All around excellent recording
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17 of 18 people found the following review helpful:
4.0 out of 5 stars Plenty of good reasons to buy, October 8, 2000
By 
NPW (Paris France) - See all my reviews
This review is from: Korngold - Die tote Stadt (Audio CD)
This "other" recording of Di tote Stadt has quite a lot going for it. A definite live (Swedish Royal Opera 1996), it has some of the flaws live recording can bring - occasional stage or audience noise, very occasional lack of coordination between pit and stage (or the offstage children's choir). And maybe tenor Sunnergardh shows the strain more than Kollo with Leinsdorf, although Kollo himself is not exempt in this punishing role. But the Naxos set has advantages too. While the RCA sound is indeed lush, the Naxos recording brings out more detail, both of harmony and orchestration, drawing the work closer to the Schoenberg of the Gurrelieder and to Zemlinsky than to Richard Strauss. The live performance has more drama, is closer to the stage than to oratorio, and the characters therefore are more human, more engaging. So those who already have the RCA set should buy this to compare; and those who don't know the work can safely spend a very small sum of money to start with this bargain box.
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