8 of 9 people found the following review helpful:
4.0 out of 5 stars
Seclusion is not so secluded, anymore, September 4, 2004
This review is from: Kraftwerk: Man, Machine and Music (Paperback)
Kraftwerk may be one of the few popular bands in the world who have retained a mysterious aura around them. Although it is becoming evident now, thanks partly to Pascal Bussy's work under review here, that this image was engineered by them as a kind of Kraftwerk ethos and band creed, it is also one of their hallmarks-that they did not sell out to the media and popularity contests, retaining their uniqueness while still influencing hordes of bands since the mid-1970s, when they first sprang into prominence in Germany and beyond. The founding members of the band, Messrs Ralf Huetter and Florian Schneider, rarely give interviews to this day, are very isolated and private individuals; in recent years, Kraftwerk as a band has churned out close to nothing in terms of releases, leaving widening gaps between their releases. Before their amazing 1974 LP and single "Autobahn," they played a unique brand of "krautrock" music that they have since disowned-their three LPs from this period are still not officially available on CD, and they don't play songs from this era in their concerts.
In August 2003, this status-quo changed momentarily, when Kraftwerk released an all-new LP entitled Tour de France Soundtracks, though anyone remotely familiar with their releases would have found that this LP basically echoed what they had released back in 1983 as a single, of the same title and cover artwork! Indeed, the song "Tour de France," tucked into the back of the LP, was a re-recording and remixing of the same "Tour de France" song released in 1983. They toured; one begs to ask the question of whether or not there will be more from Kraftwerk after this or not; their last LP before this came out in 1991, with no light shed on what went on for twelve long years.
Bussy's biography of the band was first published in 1993; it was subsequently revised in 2001, and another 2004 edition is in the offing. It is a revealing and fascinating portrait of what Bussy terms "one of the most fascinatingly beguiling and influential music groups of all time" (p. 12). It traces the origins of Kraftwerk, not only with its founding members, but also in the musical scene of Germany in the late 1960s and early `70s; hence, it is also an interesting piece of cultural history. The history of Kraftwerk itself is also traced, mostly in the context of their LP releases (of which there are eleven, not including singles). Bussy has succeeded in essentially restoring (or disclosing, depending on your viewpoint) the humanity behind the "Man Machines" or "Robots" from Düsseldorf.
His biography, understandably, remains limited by Kraftwerk's own self-secrecy, so the reader seeking to find juicy details of their working methods in the Kling Klang studio, or what really happened to the planned 1983 Technopop LP and its relationship to the 1986 Electric Café LP, for example, will not glean much because Huetter and Schneider have not exactly been forthright about such things. Details about their personalities had to be pieced together through second-hand testimony, which is always a little shaky for accuracy. It was up to Bussy to investigate such things on his own; indeed, in the Preface to the 2001 edition, he compared his efforts to a police investigation, where one clue would somehow turn up more clues to piece the Kraftwerk enigma together. It appears that the most social and open band member was Karl Bartos, who left in 1990, give or take, frustrated by the slow pace of music-making stemming from his day job. An aside: one should check out Bartos' solo work under his band name Electric Music, and also his self-named 2003 solo release.
Bussy, despite these shortcomings, has succeeded in spotlighting Kraftwerk. His writing is also excellent, so there is no fear of reading a dry, turgid account. Like Kraftwerk's music, Bussy's biography shall definitely shine on. Every fan should take the time to read this book.
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2 of 2 people found the following review helpful:
1.0 out of 5 stars
Book offers nothing new, August 11, 2009
This review is from: Kraftwerk: Man, Machine and Music (Paperback)
This book is more like a distillation of all the various magazine articles and interviews with Ralf Hutter over the last 25 years. If you are a Kraftwerk fan there is nothing new in here. The book by ex-drummer Wolfgang Flur has more dirt and juicy tidbits. This is a real hack piece of writing.
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