From Krakow to Krypton: Jews and Comic Books (Paperback)

~ (Author)
Key Phrases: human torch, comics pros, comics creators, Stan Lee, Jack Kirby, Man of Steel (more...)

Editorial Reviews

Product Description

Jews created the first comic book, the first graphic novel, the first comic book convention, the first comic book specialty store, and they helped create the underground comics (or "Comix") movement of the late '60s and early '70s. Many of the creators of the most famous comic books, such as Superman, Spiderman, X-Men, and Batman, as well as the founders of MAD Magazine, were Jewish. From Krakow to Krypton: Jews and Comic Books tells their stories and demonstrates how they brought a uniquely Jewish perspective to their work and to the comics industry as a whole.

Over-sized and in full color, From Krakow to Krypton is filled with sidebars, cartoon bubbles, comic book graphics, original design sketches, and photographs. It is a visually stunning and exhilarating history.

From the Back Cover

From Krakow to Krypton: Jews and Comic Books Arie Kaplan

Since their creation in the 1930's comic books have become a part of our nation's vocabulary, forever changing the way we think about stories, pictures, and what makes a hero. In From Krakow to Krypton, Arie Kaplan unmasks the Jewish subtexts of these stories and showcases the unique contributions Jews have made to this American art form. The book features original interviews with legendary figures such as Will Eisner, Stan Lee, Jack Kirby, Al Jaffee, Neil Gaiman, Jerry Robinson, and Art Spiegelman, giving fans an inside look at the people behind the stories.

"Arie Kaplan has written a miracle of a book, as comprehensive as it is entertaining; a virtual Jew's Who of the comic book universe." --Larry Gelbart, legendary TV writer/screenwriter (M*A*S*H, Tootsie)

"In From Krakow to Krypton, Arie Kaplan threads together the disparate elements of comicdom--Jewish culture, geek culture, fandom, sci-fi, adolescent power fantasies, outsider art, and the New York City of reality and myth--and ties them all together .... A smart, fun book." --Danny Fingeroth, author of Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero

"A new and fascinating look at the history of comic books ... extremely well documented and profusely illustrated. You really don't have to be Jewish to thoroughly enjoy this trip down comic book memory lane." --Al Jaffee, long-time MAD Magazine contributor and author of the forthcoming Talltales. Arie Kaplan is a comedian, MAD Magazine writer, and author of the new comic book miniseries Speed Racer: Chronicles of the Racer. His other comic book credits include the DC title Cartoon Network Action Pack and the Papercutz series Tales from the Crypt. Arie lectures all over the country about comic books, comedians, and popular culture. He is the author of Masters of the Comic Book Universe Revealed! and he's also written for MTV, Cartoon Network, and PBS Kids.

See all Editorial Reviews

Product Details

• Paperback: 240 pages
• Publisher: Jewish Publication Society of America (September 10, 2008)
• Language: English
• ISBN-10: 0827608438
• ISBN-13: 978-0827608436
• Product Dimensions: 10.9 x 8.4 x 0.7 inches
• Shipping Weight: 2.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.9 out of 5 stars  See all reviews (8 customer reviews)
• Amazon.com Sales Rank: #66,842 in Books (See Bestsellers in Books)

  Popular in this category: (What's this?)

  #25 in

  Books > Comics & Graphic Novels > History & Price Guides

Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

5.0 out of 5 stars This book is fun!, November 9, 2008

By	L. King "Eclectic Reader" (Toronto Canada) - See all my reviews (REAL NAME)

If you enjoyed Michael Chabon's The Amazing Adventures of Kavalier & Clay then you'll love this delightful treatment of the influence of Jews and the Jewish experience on the evolution of the comic book experience. No, that's not really a Hebrew letter Shin instead of an S on Superman's chest, its an S for Siegel and his Canadian cousin Shuster, but Kal-El is Hebrew and Clark Kent is the quintessential immigrant trying to hide his past and blend in. And yes, the origin of the evil Magneto's animus against humans comes from his childhood experience as a holocaust survivor, though the book also points out that the conflict in ideology between Professor Xavier and Magneto owes more to the differences between Martin Luther King and Malcom X that was current at the time. Nor does the book neglect non-adventure comics such as Mad Magazine.

The book doesn't stop with the early comic eras but come up nearly to the present, for example it discusses the influence of Marvel's heroine "Kitty Pride" on Joss Whedon's "Buffy the Vampire Slayer", now appearing in Dark Horse Comics. The illustrations are beautifully and lovingly reproduced in a glossy tone, either invoking fond memories if you've read the comics or a warm invitation to explore. Overall there is a nice balance between covering both the content of the comics and biographic material, quotes and stories about the writers and artists. I also enjoyed the historical timeline at the back.

You don't have to be Jewish to enjoy this book, just a fan of the comic book genre as a literary domain, however those interested in the social history of popular culture or the current crop of superhero movies will like it as well. Recommended.

2 of 2 people found the following review helpful:

5.0 out of 5 stars An informed and informative history that is packed with history and nostalgia from beginning to end, October 9, 2008

By	Midwest Book Review (Oregon, WI USA) - See all my reviews

Comic books have been an integral part of American popular culture since their invention as a mass market media in the early 1930s. The first comic books were simply collections of newspaper comics. It was Jewish writers and artists who took this new medium and expanded it as a form of popular literature that we know today beginning with the creation of such characters a Superman and Batman and the legions of superheroes and villains that were to follow down to this very day. What is less well known is that American Jewish writers and artists were also responsible for Mad Magazine, the graphic novel, the comic book convention, the comic book specialty store, and the underground comix movement of the 1960s and early 70s. In "From Kraow to Krypton: Jews And Comic Books", comedian and comic book writer Arie Kaplan provides an informed and informative history that is packed with history and nostalgia from beginning to end. Profusely illustrated throughout, "From Krakow To Krypton" is highly recommended for personal, academic, and community library "20th Century American Popular Culture" reference collections in general, and the personal reading lists of all comic book fans and graphic novel enthusiasts in particular.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Remarkable, September 17, 2008

By	Tim Lasiuta "Comic Fan 42" (Red Deer, Alberta) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

Once upon a time, I read comic books for enjoyment. I used to buy Howard the Duck, Spiderman, Batman, Nova, and the 1970's Marvel westerns. That was then, this is now.

At the tender age of 40 plus, I finally learn that the creators of my favorite books were Jewish! Not that it made a difference to my enjoyment that Bob Kane, Stanley Lieber, Larry Lieber, Jack Kirby, Jerry Siegel, Joe Shuster, and so many others had a Judaic background, but now that I know that, some pieces have fallen into place.

Arie Kaplan has written "From Krakow to Krypton", and explores the Jewish mythologies one more time. Danny Fingeroth, in "Disguised as Clark Kent", also took on the monumental task of studying the origins of the characters and their circumstances with relation to Jewish teaching. Both books are marvelous, and come across a little differently. "Krakow to Krypton" breaks the development of the comic book age into Golden, Silver, and Bronze with discussions centering on different topics and the logical progression from Eisner to Lee to Spiegleman.

While comic books were not overtly Jewish, the concept of `strange visitor from another planet' and the `last survivor' reflect the Jewish transition during passages to America to escape oppression. Images like Clark Kents' bespectacled, book worm, mild mannered was stereotypical of being Jewish. Even the name, Kal-el, while it sounded neat to readers of the time period contained Hebrew. Roughly translated, it means "All that God is". Jewish readers would have picked up on that, while others would miss that entirely. The myth of Golem could even be read into Superman (as Eisner did).

What is remarkable about this book is the depth of the discussion and the obscure examples of Judaic references in specific issues. For instance the prayer by the Thing from Fantastic Four (2002) is outstanding. Joe Kuberts' Ragman, Yossel: April 19, 1943, and Caper by Winnick make Kaplans' point beautifully. Throughout the life of Will Eisner, his work evokes a certain aura of Jewishness, and if we consider "Contract With God", "Zion", and the Spirit, the influence is powerful. If we add into the mix, the X Men by Stan Lee, Jack Kirby, and Chris Claremont, the aliens within us theme is even stronger.

I was mesmerized by the easy to read, easy to digest, and most importantly, the passion that Kaplan displays for his subject. Well chosen art accompanies the book, yet I hope the final pictures are taken from flat books (not bound in hardcover).

Viewed as a series of two books, Krakow and Disguised should be primary sources for truly academic discussions why comics aren't just for kids anymore.

I highly recommend "From Krakow to Krypton", just after morning prayers.