Krishna Lila

DJ Cheb I Sabbah | Format: Audio CD

Product Details

• Audio CD (June 4, 2002)
• Number of Discs: 1
• Label: Six Degrees
• ASIN: B0000667O1
• In-Print Editions: MP3 Download
• Average Customer Review: 4.6 out of 5 stars  See all reviews (14 customer reviews)
• Amazon Best Sellers Rank: #92,893 in Music (See Top 100 in Music)
  • #16 in Music > Indie Music > World Music > Far East & Asia

Editorial Reviews

The UK's DJ Culture collides with Asian devotional bhajans on this enchanting outing from Algerian groovemaster DJ Cheb I Sabbah. Krishna Lila is the third in the artist's ethno-techno trilogy of Asian fusion albums, partially known for their daring approach of combining Northern Hindustani and Southern Carnatic Indian classical traditions - something rarely done on the subcontinent. One particular highlight on Sabbah's Krishna Lila is the exotic "Tum Bin Shyam" which skews more Middle Eastern than Indian, yet presents an entrancing atmosphere-building hammered dulcimer sound powerful enough to cause one to break into trance dance. Another high point is "Govinda" with its swirl of sinuous sitar chords, punctuating violin wails and light tabla beats. Special guests on Krishna Lila include: Karsh Kale, Bill Laswell, Deepak Ram and K. Sridhar.- Groovemaster DJ Cheb I Sabbah has another big hit on his third album Krishna Lila. Krishna Lila is a collaboration of several top musicians, as well as the master DJ Chad I Sabbah, of course.

Customer Reviews

Most Helpful Customer Reviews

36 of 37 people found the following review helpful:

5.0 out of 5 stars Beats and drones from another world.. marvelous., December 13, 2002

By 

spiral_mind (Pennsylvania) - See all my reviews

This review is from: Krishna Lila (Audio CD)

Where can I begin here? I know next to nothing about Indian music (save the Indian/jazz hybrid of John McLaughlin's Shakti). I don't recognize any of the musicians' names, and I'm not sure how to pronounce half the instruments. I don't know a raga from a tala from a polka. (Well ok, I do know THAT much.) But I've been addicted and entranced by Krishna Lila all the same; it's hypnotic, full of earthy beats and ethereal melodies, and as calming & relaxing as.. umm, something that's really calm and relaxing. I probably shouldn't be trying to write this while listening to the album, as it has a way of clearing my head and making me want to lie down for a nap.

Where was I? Earthy beats. Cheb Sabbah's approach is to blend traditional Indian percussion & melodies with some slight electronic touches, although he uses the techno element as a subtle enhancement to the rhythm that's already there rather than making it dominant. Through this disc it's barely noticeable; I hear nothing but acoustic instruments for the first several minutes until a subdued beat creeps into "Maname Diname." Sometimes it's a quiet bass bump, sometimes it's a barely-there snare sample or light electronic beat. The focus here is on the music itself, a remarkable group of Indian selections performed with a passion that shines even through the quietly subdued trance of the whole disc. The songs never need to rise above mid-tempo, revealing their strength in easy mood-building rather than bursting energy. The singing is sometimes in foreign words and sometimes in a simple wordless chant, but when it's there it's strangely compelling.. whether it's floating along with the quiet percussive rhythm or riding over everything as if stretching to the heavens. This is devotional music after all, and it's only fitting that there's something trancelike and otherworldly about it.

If you prefer the electronic elements to be a little more prominent, Sabbah's other albums are probably better choices - Shri Durga has more propulsive beats underpinning the traditional material, and Maha Maya features (most of) the SD album remixed by various club mixers and DJs. I also heartily recommend Tabla Beat Science, but that's for a different review. If you're in the mood for something refreshingly different, something exotic or just something mind-warmingly relaxing to chill to, look no further than Krishna Lila. Now excuse me, it's time for that nap.

22 of 23 people found the following review helpful:

4.0 out of 5 stars Playing with the Blue God, July 21, 2002

By 

Zak Kramer "Crazyquilt" (Ohio) - See all my reviews

This review is from: Krishna Lila (Audio CD)

It took me almost a year to decide I loved "Shri Durga." I don't know why, but it struck me wrong when I first bought it. I let it sit, then stuck it in again, and blam! The fact that I'd delved deeply into Indian classical (particularly Hindustani) likely had some effect. So when I happened upon "Krishna Lila" I was overjoyed. Then I stuck it in the player.

I was not disappointed. Slightly thrown off balance -- there are some significant differences from "Shri Durga" -- but luckily, the CD did not go the way of "Maha Maya" (which I didn't much care for.) In fact, quite the opposite: where "Maha Maya" consisted of remixes of pieces from "Shri Durga", many of which were, in my opinion, largely inferior to the originals, "Krishna Lila" is far more traditional, even acoustic, sounding.

Don't get me wrong -- this is not you're father's old Ravi Shankar album with modern production values. If my ears aren't mistaking me, dj Cheb i Sabbah did quite a bit of work. While "Maha Maya" was often overwrought electronica, "Krishna Lila" is a sublime, sometimes comparatively rough sounding, celebration of devotional music from the Indian subcontinent. And when I say 'rough,' I mean that in a GOOD way. It's the difference between a supergroup who gets together in a $1000/hour studio and a band that's been playing live for parties and on street corners for decades. The latter just has that STUFF that the former, for all its flash, never will. Also, unlike much Western music, which strives to make things as clean as possible, much Indian music purposefully "dirties" things -- the sympathetic strings of the sitar which add lush overtones is a good example, the raspy sound of much Indian violin compared to, say, Western classical technique is another.

So why only four stars, after I've gushed all over the screen? Because I have to admit that I missed the beats. I missed the transcendantal soundscapes of "Shri Durga" and the powerful, propulsive rhythms.

On the other hand, I deeply respect dj Cheb i Sabbah for showing such breadth & such subtlety, something really, really lacking in far too much electronic/dance music.

In other words, buy this CD. It may just change your life, and introduce you to musical worlds you'd never encountered before. But if you're looking to the newest DUN-DUN-DUN-DUN ravelectronicatrancewhateverit'scalledforthenextfiveminutes, you will be disappointed. If you're looking for potent beats and intense soundscapes, you'll be surprised, but, I think, pleasantly.

3 of 3 people found the following review helpful:

4.0 out of 5 stars thoughtful listening, March 28, 2005

By 

Michael J. Sax (Bilambil Heights,, NSW Australia) - See all my reviews
(REAL NAME)   

This review is from: Krishna Lila (Audio CD)

This is a complex piece of music, with a large range of sonic atmospheres, not all of them "pure pleasure", but all of them thoughtful in terms of where they take you. It can be a challenge to get to the core of what is truly being expressed in this ancient music. Strange sounds and feelings are contained therin, and I am still sitting with it and discovering where it goes. I give it 4 stars only because it doesn't just grab you and shake your soul--it seems to ask your intellect to get involved as well, leading to a more thoughtful listening experience. Although he has put a very slight western spin on some cuts,which I like, I think the average western ear may be challenged by this. Still, I like it lots, and if you are into worldbeat, this can open new doors for you.