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Der Kuhhandel
 
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Der Kuhhandel

Weill Audio CD
4.0 out of 5 stars  See all reviews (2 customer reviews)


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Product Details

  • Audio CD (April 16, 1995)
  • Number of Discs: 1
  • Label: Capriccio
  • ASIN: B000001WVI
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #325,763 in Music (See Top 100 in Music)

 
1. Der Kuhhandel, operetta: Act 1. Schockschwere Not!
2. Der Kuhhandel, operetta: Act 1. Du lieber Gott was machen wir
3. Der Kuhhandel, operetta: Act 1. Vortreefflich!
4. Der Kuhhandel, operetta: Act 1. Ich wohne auf der anderen Seite des Flusses
5. Der Kuhhandel, operetta: Act 1. Ich muß jetzt gehn
6. Der Kuhhandel, operetta: Act 1. Seit ich in diese Stadt gekommen
7. Der Kuhhandel, operetta: Act 1. Seht, wie die Sterne strahlen
8. Der Kuhhandel, operetta: Act 1. Triffst du mich abends
9. Der Kuhhandel, operetta: Act 1. Quartet. An das Volk von Santa Maria
10. Der Kuhhandel, operetta: Act 1. Reprise. Ich muß jetzt gehn
11. Der Kuhhandel, operetta: Act 1. Finale. Der Herr General
12. Der Kuhhandel, operetta: Act 2. Fandango. Weiß fällt aufs Feld der Schnee
13. Der Kuhhandel, operetta: Act 2. Ich habe eine Kuh gehabt
14. Der Kuhhandel, operetta: Act 2. Finale. Was, du glaubst?

 

Customer Reviews

2 Reviews
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 (2)
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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
4.0 out of 5 stars The missing link!, May 31, 2007
By 
krebsman (New York, NY United States) - See all my reviews
(VINE VOICE)   
Amazon Verified Purchase(What's this?)
This review is from: Der Kuhhandel (Audio CD)
For more than six decades the career of Kurt Weill has puzzled lovers of musical theatre. His early work in Germany sounds so very different from his American work. How did he get from there to there? I believe DER KUHHANDEL supplies the missing link. This operetta was written after Weill fled Germany but before he came to America. With a libretto by fellow German émigré Robert Vambery, this operetta takes place in a mythical Latin American country and concerns a military dictatorship. The title literally translates as "The Cow Dealer." The phrase "cow dealer" in German is really more akin to "horse trader" in English in that it indicates a smooth operator whose dealings are not always on the up-and-up. The show was adapted (quite liberally) into English by Reginald Arkell and Desmond Carter in 1935 as "Kingdom for a Cow" and quickly flopped in London's West End. The show was never recorded and the music was for the most part forgotten. Its failure was a source of deep distress for Weill, who worried that he would not be successful outside Germany. As a result all but a few of his American collaborators carried the cachet of being Pulitzer Prize winners.

But the music for DER KUHHANDEL is a revelation. The score utilizes primarily Latin rhythms, but it sounds about as "Latin" as Weill's tangos in THREEPENNY and HAPPY END. The music is extremely melodic and accessible but has echoes of his German scores and flashes of his American scores to come. One song sounds like a combination of phrases from "September Song" (KNICKERBOCKER HOLIDAY) and "Matrosenlied-Tango" (HAPPY END)! The score also contains bits and pieces I recognized from THREEPENNY OPERA, STREET SCENE and LOST IN THE STARS. There are probably other borrowings that I will discover with repeated listening.

I have fallen in love with this score and would recommend it without hesitation to Weill fans. My only quibble is that I wish the recording had used a more natural musical comedy approach and less of the throaty operatic and artificial style of singing, which manages to rob the music of a lot of the humor. But it's great to have a recording of this score at long last. Four stars.
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4.0 out of 5 stars An excellent, underrated Weill, October 20, 2010
By 
Fergus Bremner "Don John" (Princeton, NJ United States) - See all my reviews
(REAL NAME)   
This review is from: Der Kuhhandel (Audio CD)
So eclipsed by Dreigroschenoper and Mahagonny that it's almost a "lost" Weill work.
I concur with krebsman: this is not to be missed.
The last of Weill before he becomes an American wage slave.
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