Kundun: Music From The Original Soundtrack [Soundtrack]

Philip Glass (Composer) | Format: Audio CD

Product Details

• Composer: Philip Glass
• Audio CD (November 25, 1997)
• SPARS Code: DDD
• Number of Discs: 1
• Format: Soundtrack
• Label: Nonesuch
• ASIN: B000005J4V
• In-Print Editions: MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (24 customer reviews)
• Amazon Best Sellers Rank: #20,683 in Music (See Top 100 in Music)
  • #26 in Music > Dance & DJ > Techno > Minimal Techno
  • #90 in Music > Jazz > Avant Garde & Free Jazz

Customer Reviews

Most Helpful Customer Reviews

17 of 17 people found the following review helpful:

5.0 out of 5 stars Vintage Glass with Tibetan Instruments, April 28, 1999

By A Customer

This review is from: Kundun: Music From The Original Soundtrack (Audio CD)

This is vintage Glass. If you like "Koyaanisqatsi", you should like "Kundun". Like all of Glass's work, this one takes some time to get into, but once you've heard it, it becomes compelling, hypnotic, even addictive.

One of the reviewers below complains that this music isn't Tibetan enough. This is like complaining that Beethoven doesn't use Flemish folk songs enough. If you want traditional Tibetan music, buy some. If you want Philip Glass, buy "Kundun".

It's true that the music is vaguely reminiscent of "Koyaanisqatsi". This is not necessarily a bad thing, "Koyaanisqatsi" being one of Glass's greatest works.

Some of the music is also reminiscent of Bernard Herrman's score for "Journey to the Center of the Earth". Since Glass is a Minimalist instead of a Romantic like Herrman, however, don't expect to hear the great bursts of emotion you find in "Journey to the Center of the Earth". On the other hand, Herrman followed the action of the movie so closely that his score sounds like a series of unconnected pieces. "Kundun" is far more unified, and you feel like you've heard a symphony when it's over.

One of the reviewers complains that the orchestra doesn't seem to contain many Tibetan instruments. I wonder how many Westerners can recognize Tibetan instruments when they hear them. If you look at traditional non-Western instruments all over the world, you find the same general themes over and over again: flutes (like the Andean pan-pipes), horns (like the Tibetan horns heard in this music), drums, and stringed instruments (like the Chinese biba or the Japanese koto). It takes a sensitive ear to hear the difference between one of these instruments and the Western equivalent.

13 of 13 people found the following review helpful:

5.0 out of 5 stars Hypnotic, November 30, 2001

By 

G. Sawaged - See all my reviews
(REAL NAME)   

This review is from: Kundun: Music From The Original Soundtrack (Audio CD)

I may be in the minority of the reviewers here, in that I have never seen the movie "Kundun". I picked up this cd because it looked interesting (I know...u can't judge a book, or cd in this case, by it's cover), but I am a great experimentor and I love 'discovering' different forms and types of music. And this looked intriguing and different. I thought it might be hard to get into, but not at all. From the opening track I was spellbound. I find the whole album to be very dark and mysterious...captivating, hypnotic and spellbinding. It is unlike any soundtrack that I own, and I love it. I've been playing it straight for the last 3 days, and the more I hear it the more I find to like. It's a wonderful cd to relax and meditate too. It is very soothing. Now I just have to see the movie too. :)

8 of 8 people found the following review helpful:

5.0 out of 5 stars Stands on its own as a dark, enchanting suite, August 27, 1999

By 

Clayton W. Hibbert (Seattle, WA, USA) - See all my reviews
(REAL NAME)   

This review is from: Kundun: Music From The Original Soundtrack (Audio CD)

While I found Philip Glass's music a bit distracting while watching the film, the score by itself is incredibly beautiful. It's more accessible than some Philip Glass works, carrying very definite melodies and themes.

The horror of the Tibetan tragedy is painted in dark musical strokes, contrasted with delicate bells and chimes which can only represent the implacable dignity of the Tibetan people.

This score tells the sobering story in its own way, perhaps in a more emotionally compelling way, than does the film. Not to be missed. A true tour de force.