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Special Features
Editorial Reviews
Amazon.com
Each of the four stories find their protagonists confronted by spirits that compel them to (respectively) make amends for past mistakes, maintain vows of silence, satisfy the yearnings of the undead, or capture phantoms that remain frightfully elusive. As each tale progresses, their supernatural elements grow increasingly intense and distant from the confines of reality. With careful use of glorious color and wide-screen composition, Kwaidan exists in a netherworld that is both real and imagined, its characters never quite sure they can trust what they've seen and heard. Vastly different from the more overt shocks of Western horror, the film casts a supernatural spell that remains timelessly effective. --Jeff Shannon
Product Description
Customer Reviews
Kwaidan was made in the mid-1960s, and at the time, it was the most expensive Japanese film ever made. It was a big success at the Cannes Film Festival, where it won the Special Jury Prize. The film is a collection of four ghost stories, told with a decidedly Japanese flair. The first story is about a man who abandons his wife only to return years later. The second story is about a man's encounter with a snow vampiress. The third story, my favorite, is about a monk who gives nocturnal recitals for mysterious and ghostly hosts. The last story is about a man who drinks down a ghost. That's all you really need to know, as the stories are quite straight-forward. It is the manner in which they are told and photographed that makes them so powerful.
The pacing is very deliberate and slow but gives you plenty of time to appreciate the numerous beautiful images that appear on-screen. The director, Kobayashi, filmed Kwaidan in a very surrealistic fashion, and the entire soundtrack was post-dubbed. As such, the sound effects come and go in very unexpected ways, like nervous twitches. This lends a further eerie atmosphere to the film.
The DVD is by Criterion, so you can expect a great transfer. And the transfer is absolutely stunning! Just look at the trailer (included on the DVD) and compare with the quality of the film itself, and you will be amazed.
... Read more ›There is surely little I can add to what's already been said here about this film. So maybe what I have to say boils down to a YES vote for the pacing, atmosphere and story content of Kwaidan. But I will venture a few comments.
Unlike some other reviewers, I don't consider the first two tales, Woman of the Snow and The Black Hair-- nor the last tale, In a Cup of Tea-- negligible. Your pulse and breathing slows, the pitch of your senses drops an octave and even time seems to step off its treadmill to oblivion as you enter into the warp and weft of Kwaidan through The Black Hair. Over all, the director showed great ingenuity in the way he 'shot around' moments that could have been sunk by the formative level of special effects at that time. (How many films of this vintage are ruined for modern viewers by the universal presence of the veritable zipper in the back of the monster suit? Nearly all. This film avoids that pitfall, and yet still manages to give you something awesome to look at. --In other words, the director didn't just lazily avert his camera's gaze, as low budget horror films of the time often do, and fall back on what became an abused old saw that "the audience can always supply stronger horrors in their mind than I could for them." The director gives us plenty to look at and remember visually later.)
Woman of the Snow develops a poignant relationship between a wife-- who is not what she appears-- and her husband. Their story is sweet. You hope they prosper as a family, while you fear otherwise. A tone that is basically domestic and anti-horrific is set.
... Read more ›
