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7 of 7 people found the following review helpful:
5.0 out of 5 stars
I found it haunting, unforgettable, and touching., October 16, 1997
The thing I love about Tolkien's Lord of the Rings is that he convinces me that he is not being whimsical, and that he is not making it up as he goes along. For me, "Lives of the Monster Dogs" has the same quality. I found it convincing. The city of Rankstadt, the dogs' opera, the genuinely horrifying depiction of the young Augustus Rank--I think these will stick in my mind forever. It does not surprise me at all that the book does not work for everybody. And, yes, I thought the ending was weak. Still, I wish Cleo and Lydia the best. I hope that Ludwig will meet "I, Claudius" in some literary Valhalla; I believe they would like each other. And I will certainly look for the ruins of Neuhundstein the next time I find myself in New York City after 2011. Is it just my imagination, or does something about the expression and bearing of the author, as shown on the back flap of the cover, resemble that of the monster dog on the front cover?
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Enthralling and disturbing, January 5, 1998
This book is the intriguing story of an artificially created race of super-intelligent, slow-maturing dogs with prosthetic hands and voice boxes who descend upon a bemused New York City in the early 21st century. Created by the disciples and descendents of a disturbed and driven 19th century Prussian scientist, the dogs revolt against their human masters in 1999, leave their Canadian wilderness encampment and eventually arrive in the Big Apple. As a group, the dogs are both recluses and publicity hounds (pun intended), lovers of life yet driven by a sense of impending doom. They befriend and are befriended by a young female writer, and they change each others' lives. The work is filled with dazzling juxtapositions: the diary of a 19th century Prussian madman and of a 21st century journalist; the notes of a "monster dog" and the libretto of an opera about their history written by another dog. There are occasional lapses in style and pace, but they can scarcely mar this driven and impressive work. I must admit that my personal interest both in dogs and in the New York neighborhood described so perfectly by Bakis - where my daughter lives - enhanced but did not determine the book's impact on me. Taking a dog to the dog run in Washington Square Park will never seem the same again! The sense of impending tragedy that pervades the book should not dissuade anyone from reading it. It left me shaken but inspired. -Richard H. Rosichan
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4 of 4 people found the following review helpful:
3.0 out of 5 stars
To me, 3-stars means "good", and that's it for this book., June 21, 1998
I'm not a sci-fi/fantasy reaser, normally. I went into this book with an open mind, and enjoyed the idea quite a bit. All along, even after the first chatper or two, I thought that having the idea is nice, but what will she do to gel the idea into a full story? A complete idea? To fully marry the plot, characters, and action into something coherent and real, insomuch as this type of book can be? Well, she fell a little short, but did had some success. The shortfall was the point of the story. Oh, I could see the overall point by reading the book jacket, but that isn't enough. Where is the meat to the book? The depth? There are simply too many holes in the story, which I won't delve into since others already have, for the story to be fully realized. Despite the years that she spent writing this, it needs more work, and is typical of the great-idea, average-execution that one often sees in writing, film, and the other arts. But, Bakis' creativity is a huge strength. I came close to giving up until I got to the opera. How beautiful! I know it was funny -- the mere idea of the Monster Dog Opera is. But, the opera also did more to advance the story of the dog's background, the point of their suffering, the acuteness of their moral dilemnas, the contradictions of their history, and in highlighting the difficulties that the dogs would ever have in fully becoming a part of human society, than did any of the fairly dull conversations, and attempted conversations, between Cleo and Ludwig. That section alone made the book worthwhile for me. As to whether or not the reader of this review will like it -- who knows? But, I will at least read the jacket of her next book, and come back to this forum for recommendations. Not great, but promising.
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