LOVE [Vinyl] [Limited Edition]

The Beatles | Format: Vinyl

Product Details

• Vinyl (May 8, 2007)
• Number of Discs: 1
• Format: Limited Edition
• Label: Capitol
• ASIN: B000M06SU4
• Also Available in: Audio CD  |  Vinyl
• Average Customer Review: 4.2 out of 5 stars  See all reviews (632 customer reviews)
• Amazon Best Sellers Rank: #30,538 in Music (See Top 100 in Music)

Editorial Reviews

From Amazon.co.uk

It begins with a twittering of birdsong lifted from "Across the Universe." And once the triple-tracked a capella harmonies of "Because" enter, followed by snatches from "A Hard Day's Night" and "The End," leading into a fired-up "Get Back," it becomes obvious that this is far more than just another Beatles compilation. This is Love, conceived by the Fabs' former producer George Martin and son Giles as a stageshow soundtrack to Cirque de Soleil's Las Vegas spectacular of the same name, but appears to have taken on a life of its own. Whereas the Beatles' last release, 1, delivered the (over?) familiar hits in a nice, simple package, Love is a mélange of the familiar and obscure, all literally mixed together in one 78-minute audio collage which succeeds in reminding the listener just why the Beatles truly are, as Lennon put it, "toppermost of the poppermost." There's no new Beatles material per se, but the songs are all approached differently--some are cut together in a flawlessly mixed medley (check out "Being for the Benefit of Mr. Kite!/I Want You/Helter Skelter"), some reassemble different backing tracks and vocal performances to create new spins on old classics; but all the songs are revitalized considerably. Even in its weakest moments (which probably work better in the context of the show itself), Love is still a formidable prospect, and one has to admire Martin's willingness to go out on a limb with such a project. While purists may complain that the cut 'n' paste nature of the project is simply tampering with perfection, at the very least it'll make them reach for the originals and enjoy them all over again. For newcomers and everyone else, it makes a fine listen, both in its sonic clarity (the actual tracks are the best they've sounded on CD) and audacious nature. --Thom Allott

More from the Fab Four

The Capitol Albums, Vol. 2	Revolver	Sgt. Pepper's Lonely Hearts Club Band
Anthology 1	Anthology 2	Anthology 3

Product Description

Japanese pressing of the standard version of the album. Apple. 2006. --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

311 of 320 people found the following review helpful:

4.0 out of 5 stars Beatles' extravaganza is a magical mystery tour..., November 21, 2006

By 

jazzmusikeditor (U.K.) - See all my reviews

This review is from: Love (Audio CD)

Of all the possible posthumous incarnations for the Beatles, here's one of the most unlikely - as soundtrack to a Las Vegas circus.
It isn't any old circus, admittedly, but Canada's arty, super-acrobatic Cirque du Soleil, whose current Las Vegas show, "Love", is modelled on the story of the Beatles and characters from their songs: "Eleanor Rigby", "Sergeant Pepper" et al.
More importantly, "Love-the-show" - the result of George Harrison's friendship with Cirque founder Guy Laliberte - involved producer George Martin disinterring the group's master tapes from the Abbey Road vault for he and his son Giles to remix and remodel.
The results blast "Love" audiences from a state-of-the-art surround-sound system that includes speakers in individuual seats.
And the first thing "Love-the-album" does, at least in its DVD surround-sound format, is to blow you away with sheer sonic wizardry. Set to a noisy dawn chorus, complete with fluttering wings, the three-part vocal harmonies of 'Because' arrive with the clarity of an ice blue sky. The chugging introduction to 'Get Back' hurtles out of the mix like a train. The pumping fairground organs of 'Mr Kite' reek of steam and sawdust. Hearing many of the familiar tracks is like viewing an old masterpiece after cleaning: the light is brighter, the shadows deeper. Here, the trebles tingle while the bass end booms.
Some of this is painstaking technical restoration. After the Beatles swapped touring for the studio, they and Martin became experts at squeezing a quart of sound into a pint pot, extending the limits of four- and eight-track recordings by 'bouncing down' tracks.
Today's technology has let the Martins reverse the process, giving instruments and voices more autonomy. Ever notice the pizzicato violins on the middle 8 of 'Something'? You will now.
The ambitions of "Love" go beyond renovation, however. Its 26 tracks are set in an ambient flow of sound collages distilled from hours of Beatles tapes and containing fragments and echoes of 130 songs in all. Frequently the effect is ghostly, as the stalking strings of 'Glass Onion' and a snatch of 'Nowhere Man' drift like ectoplasm down a corridor. 'I Want to Hold Your Hand' - one of the few numbers from the moptop days - surfaces from a scratchy haze of screaming.
The most ambitious songs emerge most improved. There is not, after all, much to be done with the rock'n'roll retro of 'Lady Madonna', whereas 'Strawberry Fields' and 'I am the Walrus' sound more than ever like avant-garde masterpieces. Harrison's 'While My Guitar Gently Weeps' (the slower version from Anthology 3) is given a sumptuous string setting by Sir George.
Throughout, the McCartney/Starr rhythm section has never sounded so heavy, or the group's vocal harmonies so sharp and affecting.
"Love" vindicates the Beatles' status as master musicians and conceptualists. Not only for the spirit of optimism they embodied but artistically, they remain the act to beat. On this evidence, no one else comes close.
My favourite track is 'Here Comes the Sun/The Inner Light'.

Neil Spencer

96 of 110 people found the following review helpful:

4.0 out of 5 stars A musical landslide of Beatleology., November 26, 2006

By 

Y. Dharnidharka "D" (Middlebury, VT USA) - See all my reviews
(REAL NAME)   

This review is from: Love (Audio CD)

Along with the Amazonian rainforest, there can be few natural resources which have been ransacked like the Beatles back catalogue. Anthologised, lobotomised, and generally pillaged in the pursuit of commercial gain, public demand appeared to have finally exhausted itself with the middling response to 2003's unfortunately titled "Let It Be... Naked".

Until now. Prompted by a long-term friendship between George Harrison and Cirque De Soleil's founder Guy Laliberté, and given the blessing of the Axis Powers (Paul, Ringo and Yoko), Love is the latest addition to that bulging catalogue.

Essentially the soundtrack to the Cirque show launched in Las Vegas last July, "Love" is a jaw-dropping 80- minute mash-up of The Beatles' more accessible tunes, slavishly compiled by Giles Martin and overseen by father George, all delivered in sumptuous 5.1 surround sound.

Those fearing a train-wreck along the lines of Twin Freaks - The Freelance Hellraiser's remix assault on the Wings back catalogue - can rest easy.

Starting off with "Because", it segues into the drum solo from "The End", hammers into the opening riff from "Hard Day's Night" and then lurches straight into "Get Back" before you can splutter "Stars On 45".

From there it's a musical landslide of Beatleology ( "Eleanor Rigby", "A Day In The Life", "Here Comes The Sun" ), all overlaid with snippets from every nook and cranny of their back catalogue.

So we get "Drive My Car/The Word/What You're Doing" as one continuous ebb'n'flow of mid-period drugginess, "Come Together/Dear Prudence" as an acid-fried soundscape and - best of all - the cosmic drones of "Tomorrow Never Knows" and "Within You Without You" fitted together like a glove.

Wherever a song is allowed to stand alone ("Back In The USSR", "Revolution"), it arrives with double-tracked vocals, stripped back instrumentation or - why not? - the faint tinge of sitar.

If the scale is almost beyond comprehension, "Love" also represents a sonic Da Vinci Code for Beatles trainspotters, who could spend the rest of their lives arguing over whether the snare sound is derived from "No Reply" or "Paperback Writer".

Completists will enjoy a newly unearthed demo version of "Strawberry Fields Forever", but it is the Martins' obsessive quest for innovation which deserves the garlands.


Paul Moody
www.uncut.co.uk

211 of 249 people found the following review helpful:

5.0 out of 5 stars A GREAT RELEASE to that will please all generations of BEATLES FANS!, November 21, 2006

By 

Paulo Leite (Lisbon, Portugal) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Love (Audio CD)

In the Music Industry, few releases generate the controversy among fans as the release of a new Beatles album. There are those who welcome it and those who, for some justifiable reason, reject it. This is my take: The Beatles have an extensive catalogue of great songs (perhaps the greatest catalogue in Music History...) anyway, we all know that half of them are dead and we will never hear a new recording from them ever again. They are gone. Deffinately gone.

And yet, we fans never get tired of them. We always listem to their songs as if they were here. For us, they are not a band with half their members dead. They are very real and living. And deep inside I believe we never really think we'll never hear from them again.

LOVE is an album where several of the Fab Four's greatest songs were remixed, remade and adapted for a great show put on stage by Le Cirque du Soleil. Wisely, this soundtrack was made by George Martin himself... with Paul, George, Ringo and Yoko's blessing. I am sure that, like in everything regarding The Beatles' releases, all the people involved with this are hard working and serious people commited to give us nothing but the best treatment of the greatest material ever composed in pop music.

So, for me, this is a great thing and we'll never have anything better than this. People (like myself) may prefer the original songs... it's ok. But we must also understand that this new album is not meant to replace the older, original recordings. They are a just the soundtrack for a stage show... made by the best people we could think of... and made with the blessing of those could bless it. I was lucky evough to get a copy of this today... and after listening to it back to back... I was very very pleased to hear the great work they made.

All the songs sound beautiful with lots of new insights and several propositions that must work very well on the stage. This album gives a new view at these classic songs. For example... joining ELEANOR RIGBY (my favorite Beatles song) with a transitional use of JULIA is a very interesting proposition that the Beatles never thought of doing, obviously. Or the putting together of BLACKBIRD and YESTERDAY is another example of the experimentations made here.

The treatment of WHILE MY GUITAR GENTLY WEEPS is, I am sure, the thing that would end up happening with the song if the Beatles (in the end) did not go for the well know "heavier" approach we listen to on The White Album... and I'm glad George Martin did it here... because, since the Anthology, I'm sure we all thought of that.

This album is the closest thing we'll ever get to a new Beatles album... and it will certainly bring new fans into our club. I am very happy with it... and I am thankful that more than 35 years after these recordings were all made, people are still fiding in them new sources of inspiration. This album should NOT be mistaken for those hundreds of lousy cover/homage albums made by third rate people (The Beatles Salsa... or the Beatles go Reagge... etc)... or those bootleg albums whose sound quality leaves a lot to be desired.

Like the great Anthology series, the Capitol box sets, the "one" album, and the "Naked" album, Love is an obvious labour of passion, care, taste and love. It is a great celebration of the music we all love... from four musicians who are eternal.