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La Dolce vita


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Playback Region 2 :This will not play on most DVD players sold in the U.S., U.S. Territories, Canada, and Bermuda. See other DVD options under “Other Formats & Versions”. Learn more about DVD region specifications here

Special Features

  • Interview exclusive de Magali Noël et Michel Ciment
  • L'histoire de la Dolce Vita
  • Version sourds et malentendants

Product Details

  • Actors: Marcello Mastroianni, Anita Ekberg, Anouk Aimée, Yvonne Furneaux, Magali Noël
  • Directors: Federico Fellini
  • Writers: Federico Fellini, Brunello Rondi, Ennio Flaiano, Pier Paolo Pasolini, Tullio Pinelli
  • Producers: Angelo Rizzoli, Franco Magli
  • Format: Anamorphic, Full Screen, NTSC
  • Language: Italian (PCM Mono), French (PCM Mono)
  • Subtitles: French
  • Subtitles for the Hearing Impaired: French
  • Region: Region 2 (Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Run Time: 174 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (182 customer reviews)
  • ASIN: B00004VYJ5
  • Amazon Best Sellers Rank: #582,159 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "La Dolce vita" on IMDb

Customer Reviews

Like this film, the best thing is to just jump in and experience it.
R. Rosener
The film is much more than that, it's Fellini's statement about him as an artist and how he wants to make movies as both real life and fanciful art.
Jenny J.J.I.
As in most any Fellini movie, there are many terrific scenes, bizarre people, and brilliant imagery.
Randy Keehn

Most Helpful Customer Reviews

169 of 177 people found the following review helpful By Robert Moore HALL OF FAMETOP 500 REVIEWERVINE VOICE on January 8, 2003
Format: DVD
The is a movie of stunning images that taken together provide a stunning and ironical montage of "the good life." In fact, by the end I was reminded simultaneously of Thoreau's statement that the mass of people live lives of quiet desperation and Kierkegaard's belief that the natural condition of human beings is that of despair. There is no plot. The movie consists of a series of loosely or unconnected scenes with little or not attempt to link them. Many of the scenes are stunning. Some are disturbing. None of them are boring, which is remarkable given the length of the film (166 minutes).
The beginning is memorable, with a helicopter flying over Rome with a statue of Christ hanging underneath. A celebrity journalist, portrayed brilliantly by Marcello Mastroianni (the original producer, Dino de Laurentiis, pulled out of the project when Fellini refused to cast Paul Newman in the lead role), is following the statue in order to write about it, but he and his team get distracted by women sunbathing in bikinis on a rooftop. In this and many other scenes, the tremendous gap between traditional and historical symbols of meaning and current preoccupation with mere pleasure is articulated. The overwhelming sense in the film is of the tremendous triviality of these people's lives and the loss of moral purpose. There are only two exceptions in the film: Marcello's close friend Steiner, whose life is a search for meaning and truth, and a young girl Marcello first meets at a restaurant where she is a food server and then sees again in the last few moments of the film. But Steiner's search is a futile one, leading him not merely to kill himself but his two children as well. And the young girl is not merely a symbol of innocence, but of innocence lost, not to be found again.
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144 of 155 people found the following review helpful By mackjay on September 13, 2004
Format: DVD
LA DOLCE VITA is neither terrible nor overrated. There is something to be said for the pretty large number of film fans who love this one. It is an episodic film, but that is a feature of much of Fellini. In several films, Fellini builds his meaning in this way: not so much with a single continuing plot, but with a series of smaller stories that add up to a total collection of ideas.

Maybe the secret (if there is one) of LA DOLCE VITA's appeal is that it's so darned interesting all the time. This especially applies to the plot concerning Steiner. Steiner is the key figure in the film, apart from Marcello himself, who is Fellini's and the viewer's counterpart. What Steiner represents to Marcello is of prime importance. The young reporter sees the older man as a perfected, idealized version of himself. He longs to emulate Steiner and is convinced this man knows how to live life fully. There is irony aplenty in the entire Steiner narrative. When Marcello brings his wife to the Steiner party, they meet a few interesting, but mostly insufferablty pretentious 'intellectual' types. (the famous Fellini 'careless' post-dubbing of dialogue in this scene particularly amusing: it seems to add to these characters' disconnection from a true self, as though they don't even realize what they are actually saying). Steiner himself associates with these people, yet does not truly seem to be one of them. He feels trapped by his own pretentious circle of intellectuals. When Marcello tell him how much he envies and admires him, Steiner replies:

"Don't be like me. Salvation doesn't lie within four walls. I'm too serious to be a dilettante and too much a dabbler to be a professional.
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30 of 31 people found the following review helpful By Rachel Newman on June 8, 2000
Format: VHS Tape
From its unforgettable opening image of Jesus flying over the rooftops of Rome to its conclusion at the desperate party that will never end, "La Dolce Vita" is a beautiful, disturbing and mesmerizing film which follows the movements of one tabloid writer (Marcello Mastroianni in the quintessential role of his career) as he first reports on and then becomes one of the dissipated pleasure-seekers among the wealthy elite of Rome. Fellini is at the height of his powers here, combining the earthiness of his earlier masterpiece, "La Strada" and the yet-to-come surrealism of "Juliet of the Spirits" to wonderful and totally satisfying effect. I have watched it many, many times and always find something new.....in the visuals, the dialogue, the hypnotic rhythm set to Nino Rota's perfectly jaded musical backgrounds. One striking image follows another......the midnight revelers with candles in the crumbling castle....Steiner's party with it's assortment of strange, self-obsessed souls....the bored socialite's joyless dance at the club where Marcello begins his long night......the voluptuous American movie star (Anita Ekberg)descending from her plane.......the wild dance led by the satyr-like "Frankie" with Ekberg on his shoulder......the "miracle children" leading the crowd on a merry chase in the rain... I know of no other film that more powerfully engages mind and senses than Fellini's eternal tale of the Eternal City, "La Dolce Vita." How sweet it is.
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34 of 36 people found the following review helpful By Amazon Customer on October 15, 2001
Format: DVD
My favorite Fellini film, combining the brilliant kaleidescopic parading of faces that characterize his later films with the humanistic neorealism of his earlier work. Told in a series of all-night parties that each end with the recognition of dawn, the movie tells the story of a tabloid writer who has risen to the top of his profession only to be dragged down because he can't find any sustaining meaning in the glitz and glamour.
But the story line, although more important here than in later Fellini films, is really just a device to put actors on the screen, and nobody does this better. The cast is real reason to see this; Mastroianni in the role of his life, Anouk Aimee as a bored rich woman, and Anita Ekberg spilling out of her dress as an American actress are merely the most famous - every single performance, even by the most trivial of parts, is astounding and some of the best ever captured on film. My personal favorite is the clown trumpet player with the balloons at the Cha-Cha Club - in the middle of his performance he flashes one quick look at Mastroianni that speaks volumes.
Unfortunately, the only version I have ever seen is in a standard screen ratio that is obviously badly panned - in a film this full of images there is almost more panning than actual camera movement going on, and still too much is happening off-screen. This movie needs badly to be letterboxed and given a new subtitle translation - but in the meantime, even if you have to settle for the poor VHS version, just enjoy what we have, from the awesome set pieces like the chasing of the Madonna and the final party, to the amazing Nino Rota score and the haunting organ melody of "Patricia".
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Does anyone know the title of this Italian film??
The movie your looking for is RoGoPaG. I know it is available on region 2 dvd.
Mar 24, 2010 by Michael Papa |  See all 3 posts
play in USA Be the first to reply
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