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La Perdida [Paperback]

Jessica Abel
3.8 out of 5 stars  See all reviews (20 customer reviews)

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Book Description

May 20, 2008
From the Harvey and Lulu award–winning creator of Artbabe comes this riveting story of a young woman’s misadventures in Mexico City. Carla, an American estranged from her Mexican father, heads to Mexico City to “find herself.” She crashes with a former fling, Harry, who has been drinking his way through the capital in the great tradition of his heroes, William S. Burroughs and Jack Kerouac. Harry is good—humored about Carla’s reappearance on his doorstep—until he realizes that Carla, who spends her days soaking in the city, exploring Frida Kahlo’s house, and learning Spanish, has no intention of leaving.

When Harry and Carla’s relationship of mutual tolerance reaches its inevitable end, she rejects his world of Anglo expats for her own set of friends: pretty-boy Oscar, who sells pot and dreams of being a DJ, and charismatic Memo, a left-wing, pseudo–intellectual ladies’ man. Determined to experience the real Mexico, Carla turns a blind eye to her new friends’ inconsistencies. But then she catches the eye of a drug don, el Gordo, and from that moment on her life gets a lot more complicated, and she is forced to confront the irreparable consequences of her willful innocence.

Jessica Abel’s evocative black–and–white drawings and creative mix of English and Spanish bring Mexico City’s past and present to life, unfurling Carla’s dark history against the legacies of Burroughs and Kahlo. A story about the youthful desire to live an authentic life and the consequences of trusting easy answers, La Perdida–at once grounded in the particulars of life in Mexico and resonantly universal–is a story about finding oneself by getting lost.


From the Hardcover edition.

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Editorial Reviews

From Publishers Weekly

Starred Review. Carla Olivares, a young Mexican-American woman, goes to Mexico City to try to get in touch with her Mexican side. She's got her own, distorted ideas about what that means, and her annoyance with an old boyfriend who's leading his idea of the romantic expatriate life (by hanging out exclusively with other expats) makes her even more nervous about coming off like an outsider. She starts hanging out with a bunch of local lowlifes and blowhards who feed her guilt about being a privileged "conquistadora." They talk big (about stardom and revolution), but barely scrape by on petty crime—which eventually becomes not so petty, and sucks Carla into a vortex of fear and violence. Abel's published several books of her shorter comics stories, but for her first long-form graphic novel she's developed a new, impressively assured style, built around bold, rough brushstrokes. She's got a telegraphic command of body language—her characters' faces are simplified to the point where their eyes are usually just dots—and the backgrounds nicely evoke the architecture and heat of Mexico City. What really makes the story compelling, though, is Abel's sensitivity to character and dialogue—Carla is the narrator, but she's hardly a heroine, and the way crucial meanings are lost in translation ratchets up the dramatic tension. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

Grade 10 Up–Twenty-something American slacker Carla moves to Mexico, land of her long-lost father. She crashes at the apartment of her ex-boyfriend, a wealthy, WASPy American who socializes mostly with people like himself. Carla soon meets some locals, wannabe revolutionary Memo and wannabe DJ Oscar. After moving in with Oscar, she becomes less engaged in society, rarely interacting outside of this limited group. As she becomes even less involved, her naïveté allows some horrible events to occur. While readers see the writing on the wall long before Carla catches on, she is still a sympathetic heroine. This is Abels first full-length graphic novel after her Artbabe comic and collections (Fantagraphics), and its both simple and ambitious. The black-and-white artwork is sketchy, but evocative. The story is intricately plotted and suspenseful. The decision to write the first chapters dialogue in Spanish, translated at the bottom of the panels, is interesting. Later, when Spanish is spoken predominantly, all of the dialogue is in English, putting words that were actually spoken in English in brackets. This not only reflects Carlas move into Spanish, but also allows readers to feel more strongly her lack of knowledge upon arriving in Mexico. The lengthy glossary defines Spanish words, phrases, vulgarities, and characters and places referenced in the text. Abel has successfully portrayed characters both on the fringes of society, and those who wish that they were.–Jamie Watson, Harford County Public Library, MD
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 288 pages
  • Publisher: Pantheon; Reprint edition (May 20, 2008)
  • Language: English
  • ISBN-10: 0375714715
  • ISBN-13: 978-0375714719
  • Product Dimensions: 6.6 x 0.9 x 8.5 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #165,430 in Books (See Top 100 in Books)

More About the Author

Cartoonist and writer Jessica Abel is the author of two textbooks about making comics, Drawing Words & Writing Pictures and Mastering Comics (First Second Books), written in collaboration with her husband, the cartoonist Matt Madden; and the graphic novel La Perdida (Pantheon Books). She's also the co-writer of the graphic novel Life Sucks. Previously, she published Soundtrack and Mirror, Window (Fantagraphics Books), two collections that gather stories and drawings from her omnibus comic book Artbabe, which she published between 1992 and 1999. She collaborated with Ira Glass on Radio: An Illustrated Guide, a non-fiction comic about how the radio show This American Life is made. Abel won the Xeric Grant, both the Harvey and Lulu awards for "Best New Talent" in 1997; La Perdida won the 2002 "Best New Series" Harvey Award. She teaches at New York's School of Visual Arts and is at work on a new science fiction comic series called Trish Trash: Rollergirl of Mars, for Dargaud France. Madden and Abel are also series editors for The Best American Comics. They live in Brooklyn, New York, with their two children.

Customer Reviews

Most Helpful Customer Reviews
18 of 20 people found the following review helpful
5.0 out of 5 stars Essential April 23, 2006
Format:Hardcover
Jessica Abel crams heaping handfuls of story into each chapter of her gripping tale of self-discovery and self-deceit, an excellent, completely engaging and essential graphic novel that belongs on every discerning comics fans' bookshelf.

Carla, Abel's titular "la perdida" -- lost girl -- is a half-Mexican twenty-something who moves to Mexico City on a whim, looking to get in touch with her Mexican roots by fully immersing herself in the culture, quickly rejecting her fellow American expatriates in favor of two natives who (with a peculiar mix of selfish sincerity) embrace her: Memo, a Communist pseudo-intellectual, and Oscar, his good-looking if somewhat simple-minded friend. The first three chapters are Carla's story of trying to fit in and find her place in a culture that is completely foreign to her and not always welcoming, despite and in spite of her half-Mexican blood, and Abel does an excellent job of establishing a rather large cast of supporting characters so that in the fourth chapter, when things take a dramatic shift that in lesser hands would qualify as jumping the shark, she's able (no pun intended) to pull it off without derailing everything that's come before. Because she tells the story from Carla's perspective looking back on what happened, the reader is cued into details that Carla herself is missing at the time, so as events unfolded, I found myself cringing at some of her choices while always remaining engaged with her story. When it ended, somewhat abruptly, I found my head spinning a bit, chock full of images and anecdotes from Carla's experience as if she had shared them with me personally over coffee.

Abel's artwork, dense and subtly detailed, took about 15 pages for me to get used to before I was fully drawn into the story, as the back-and-forth prologue and discordant opening sequence forced my eyes to linger on each panel much longer than I'm used to doing. There's also the Spanish-English translation that crowds many of the panels in the first chapter which adds to its density -- and also helps non-Spanish readers, myself included, to further identify with Carla's situation -- but the extra effort is rewarded throughout the story, and it quickly becomes clear why it took five years to finish the story because there's not a single wasted panel in it. Like Blankets, the first long-form (non-superhero) graphic novel to really blow me away, and Black Hole, the most recent one to do so, La Perdida is everything great sequential art should be.
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10 of 12 people found the following review helpful
3.0 out of 5 stars Not bad, but not brilliant July 20, 2006
By MT
Format:Hardcover
I read and heard a couple rave reviews about La Perdida, but I have to say I was disappointed. I speak Spanish and have spent time in Mexico City, so I agree that Abel gets a lot of the details right, but I found that the characters were types who didn't really develop. That is, I'm sure, part of what Abel wanted to convey...characters trapped in an approach to life without much insight into themselves or others, so it's possible I had the wrong expectations for La Perdida. The book does effectively show a woman struggling to find herself and does make make us wonder about how many women form relationships with men with so little insight into the power they give up and the jerks the guys are. But, overall, I think that creating a lurid comic book surface was a way to avoid developing fully human characters having real interactions. But, it's a pretty good graphic novel. You might enjoy the movie "Y Tu Mama Tambien" by Alfonso Cuaron if you want drugs, sex and swearing, but also insight into human characters and a brilliantly vivid picture of Mexico.
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8 of 10 people found the following review helpful
3.0 out of 5 stars Gorgeous artwork... Irritating story February 10, 2007
By Esther
Format:Hardcover
I am a fan of indie comics (that is, not superhero stuff-Persepolis, Blankets, Peepshow, etc), so I was very excited to find La Perdida, especially because it was done by a woman. The artwork is sumptuous: rough brushwork, great expressions, evocative landscapes, especially the view of Mexico City on page129. Hats off to Ms Abel for this.

The story is what's lacking. While artfully executed, the story halts occasionally because there are no indications of scene changes, or even flashbacks for that matter. While most of the time I can intuit this, I really stumbled in through the beginning when more flashbacks were employed. Then, I have to chime in with previous reviewers. It is incredibly frustrating reading about a main character, Carla, who has no self-respect nor awareness, and does nothing but unwittingly sabotage herself (and others). The men she chooses for her friendships and relationships are all fairly abusive (verbally); they clearly don't respect her. She chooses the crowd she does simply to compensate her overwhelming lack of identity. (She loves Frida Kahlo, but when her new Mexican friends mock Frida, Carla rips her poster of Frida down!) While that's fine okay in a coming-of-age story, there is NO redemption. You do not feel as if she's learned from her mistakes. She recognizes she's messed up, but in the end, she's simply wondering where her innocence (read stupidity) went!

This is incredibly frustrating. The events of the story are interesting; the characters, if a bit one-note, provide a fascinating point of view (for a capitalist American like me). And if nothing else, the setting is stunning. Abel's images of the city and foliage are gorgeous.

But this isn't a graphic novel I would recommend to first-time comics readers.
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Most Recent Customer Reviews
3.0 out of 5 stars Req'd for class
Story was good but the switch back and forth between english and spanish sometimes threw a curveball in the story for me.
Published 1 month ago by queenienirvana
4.0 out of 5 stars Lost Girl, Found.
La Perdita is the story of a young woman of Hispanic heritage who leaves her home of Chicago to go instead to Mexico City. Read more
Published 2 months ago by J. Edgar Mihelic
3.0 out of 5 stars Weel done story about an idiot
This is a beautifully rendered story with great artwork and decent writing in the service of a story about a horrible woman who is only rendered tolerable by the kind of abusive... Read more
Published 5 months ago by Tim Lieder
5.0 out of 5 stars Suspenseful page-turner
As a fan of female-centered graphic novels and of Mexican culture, I thoroughly enjoyed reading this. Read more
Published 8 months ago by I. Truemper
4.0 out of 5 stars One of Abel's Best
Although I can't quite give this one five stars, as it flounders ever-so-slightly at the end, this one really nails it in terms of capturing the essence of a young woman in search... Read more
Published 11 months ago by Jankanz
2.0 out of 5 stars Stay Perdida
The protagonist is the epitome of the "oblivious gringa" that travels
half a world away (in her mind) to Mexico (3rd world country
nonetheless) to "find herself". Read more
Published on January 5, 2011 by Domo85
4.0 out of 5 stars Mexico City Blues updated
La Perdida is a richly layered coming of age story based upon a young woman, Carla, backpacking to Mexico City to discover her 'authentic' Mexican roots. Read more
Published on August 14, 2010 by Nicholas Nahat
5.0 out of 5 stars no
better than some , not as good as others , somewhat predictable but then again arnet we all at times.
Published on January 7, 2010 by eugene scalzo
5.0 out of 5 stars A rich exploration of the intertwining of two vastly different...
The quest to find one's self--that mythical, magical journey of self-discovery--is difficult enough in the country in which you were born. Read more
Published on November 24, 2009 by GraphicNovelReporter.com
2.0 out of 5 stars Doesn't quite live up to the hype
Carla, the narrator, is really oblivious. She is charmingly oblivious when she can't hold a taco right in the first few pages, but becomes more and more frustratingly oblivious as... Read more
Published on February 7, 2009 by Amherst College student
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