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Ladies First: Women in Music Videos (Studies in Popular Culture Series)
  
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Ladies First: Women in Music Videos (Studies in Popular Culture Series) [Paperback]

Robin Roberts (Author)

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Book Description

Studies in Popular Culture Series January 1996

Queen Latifah's lyrics tout female superiority. Salt 'n Pepa energize with eroticism. Julie Brown's unsettling version of a campus queen dethrones the mainstream icon. Martina McBride's song of liberation gives new meaning to Independance Day. Today in the music video industry such women artists have assumed a remarkable and refreshing new presence.

Although many popular videos have been condemned for sexism, the medium has experienced a striking change. Both in repertoires and in performances the politics of feminism has moved to the front row. More and more, women are being presented as strong and positive.

Ladies First takes a close look at this exciting phenomenon and shows how both on and off screen strong females have assumed larger roles in the industry. Whether their songs are country, rock, or rap, the ladies of contemporary music video continue to assert, confront, and challenge.

Demolishing stereotypes, today's singers expose the flawed images that have restricted women. They condemn male dominance. They assert the right of women to be sexual and to express sexuality. In country music, they rely on the power of sincerity and storytelling. In rap songs they self-promote, reach out, and give uplift. Their lyrics are skillful, clever, and infectiously appealing, and their inviting sense of humor makes a large audience embrace them and their messages.

--This text refers to an alternate Paperback edition.


Editorial Reviews

From Library Journal

The debate still rages regarding the role of women in music videos. Some say this largely promotional medium exploits women; others argue that it manipulates the viewing public in general. This book operates from yet another premise by examining the ways in which music videos send strong feminist messages and portray the complex challenges women face in modern society. Roberts (English, Louisiana State Univ.) has done her research. Citing sources from Angela Davis to Herbert Marcuse, she examines numerous genres and types of presentations by and about women?country, rap, and alternative, humorous and Afrocentric. Specific analyses of musical styles, lyrics, setting, and plot are offered for a fairly eclectic range?from Julie Brown to Queen Latifah to the MTV fare of Beavis and Butt-Head. Along the way Roberts scrutinizes gender issues, messages, and aesthetics. Unfortunately, the book's scholarly tone and serious approach make it more appropriate for students of feminist issues and contemporary media than for casual readers. For large circulating libraries with extensive collections on modern culture.?Carol J. Binkowski, Bloomfield,
Copyright 1996 Reed Business Information, Inc.

From Booklist

Roberts' painstakingly researched effort makes some serious points about the portrayal of women in, and women's creative involvement with, music videos. Alas, seeking some kind of ultimate truth in pop music is like nailing liver to the wall. Up to the challenge nevertheless, Roberts documents major milestones in music video's development--things like Jill Sobule's "I Kissed a Girl," which brought explicit lesbian sex to MTV--and expatiates on them in terms that, though lost on Beavis and Butthead, speak to the academically inclined aficionado. Roberts' language occasionally gets a little heavy, but her comprehensiveness as she covers vids ranging from rap to rock to country is unassailable. The ultimate point of the book is to show the rising presence and prominence of feminism in music videos, and the last three chapters examine feminist videos in detail. This is vital reading for understanding where pop music is going now that it is no longer just a boy's game, and a video of germane excerpts comes with every copy of the book. Mike Tribby --This text refers to the Hardcover edition.

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