Customer Reviews

Lady in a Cage

5 star:		(23)
4 star:		(16)
3 star:		(1)
2 star:		(1)
1 star:		(1)

 

 

Walter Grauman directs star Olivia DeHavilland, as a woman who is trapped in her own home, when the power is cut on her electric elevator. She is recovering from a hip injury, and cannot reach out for help beyond screaming, and ringing an alarm hooked up the the elevator.

The story is in black and white, and this adds to the mood, like in Alfred Hitchcocks "Psycho". Sure, they could've used color for this 1964 film, but you'll see for yourself why the lack of color, matches the noir and bizarre mood here.

DeHavilland is over-dramatic, but superb too, as the "Lady" of the title, her facial expressions are so fitting of her consuming exasperation at the frustrating situation. You can feel the sweat as she swelters in the summer heat, trapped helplessly. DeHavilland also has her son Malcomb, from whom she ponders a letter while trapped. She finds out that sonny boy, whom she idolizes with a devout reverence, hates her. She agonizes over his plea "Release me from your love", leading to the great exclamation "I AM a MONSTER!"Wait, it gets even better.

As DeHavilland rings her alarm relentlessly, hoping someone will save her, she attracts the attention of an old pathetic semi-mute wino, wandering around the neighborhood. He comes into the house, ignores DeHavillands' pleas, and steals her wine cellar contents instead. He leaves, and comes back with a shady lady played by Ann Southern, who further ransacks the house. DeHavilland can't believe what's happening. That's just the start.

The nerve jangling intensity increases, upon the arrival of three beatnik punks, one geeky weirdo clownish guy, a positively filthy looking girl, and her abusive group leader boyfriend, an early role for a then 26 year old future star, James Caan. When this trio of trouble enters, the real show begins, as they let Southern and the wino know, they're in charge. All sorts of games begin, especially wild, is the psycho-sexual headgames an insidious Caan inflicts upon DeHavilland, as he enters the "cage" and starts in on her son, and the kind of mother he speculates she is. Caan is slimy, sinister and completely lacking in moral compunction, as are his two cohorts. You will watch this with a very uneasy feeling and you will be left with that feeling after viewing this as well. For a movie that was released in 1964, it is even shocking by TODAY'S standards. Way ahead of it's genre in that era, it stands up to the test of time quite well as a high quality, unique suspense thriller.

"Lady In A Cage" is a sad social commentary about isolation, cruelty, and dysfunctional sociopaths that is so far ahead of it's time, it must be seen, to be believed. The graphically gory and shocking ending, only adds to the surreal nightmarish feel of what has led up to the culmination of all the gruesome events of a horrid day. This is a definite must for anyone who wants to see a film unlike any other, and a truly shocking one in it's time, and today.

An invalid is trapped in her private elevator while a local gang ransacks her house. Unfairly underappreciated psychological thriller was way ahead of its time, but today it serves as a painfully accurate depiction of the senseless violence that exists in our society. Acting, writing, direction, and cinematography all achieve consistently high standards; Hollywood legend Olivia de Havilland is perfection in one of her best latter-day screen roles. Ann Sothern steals just about every scene she's in as an overweight hustler, and James Caan effectively displays the animal magnetism that later helped to make him a star.

Unpleasant yet always fascinating LADY IN A CAGE stars Olivia as a wealthy widow who's trapped in her home elevator while she's being terrorized by various street people and hoodlums. Considered shockingly violent and not very successful upon it's initial release in 1964, this movie has practically cult status among afficianados. James Caan is impressive as a young tough as is Ann Sothern in her role as a fat floozie.

Olivia de Havilland is a pampered poetess with a bad hip trapped in her private elevator during a 4th of July power outage. Her cries for help are answered by 3 brutal killers who torment her like a caged animal. The story is a fascinating character study of a spoiled woman transforming into a savage in ten sweltering hours. It is also an open social commentary on the increasing violence and carelessness of the early sixties. Like "Whatever Happened To Baby Jane," "Lady In A Cage" has a unique story, a fantastic, tortured leading lady, and an ensemble of side villains that meet surprising fates. It's better than you might have heard. Definitely recommended for horror buffs and collectors of early sixties psychological thrillers. END

I remembered seeing this movie on TV when I was a kid...I think it was on one of those late-night horror movie shows. I remembered it as being one of the scariest movies I had ever seen then, and after renting it as an adult, I have to say it still packs a pretty powerful punch. Olivia DeHavilland's over-acting doesn't deter from the film's shock value. For 1964, it was a rather harsh film. Probably the most unsettling part of the movie, though, is the revelation about her son...a situation that never really resolves itself. After several viewings the message becomes clear, and may just force you to realize some harsh truths about yourself as well. The cage was a metaphor for isolation...she kept her son in a cage of sorts, and society had kept Randall and his fellow goons in a different kind of cage...all with tragic and tormenting results! Not a movie for young kids, but a movie with a much, much deeper meaning than I first realized. An underrated and underappreciated masterpiece that demands several viewings. But don't watch it alone!

At least four films deserve to be enshrined in the "camp shocker" hall of fame: "Whatever Happened to Baby Jane?" (Davis and Crawford), "Die! Die! My Darling" (Tallulah Bankhead), "Hush, Hush, Sweet Charlotte" (Davis and De Havilland), and the just-released-on-DVD, "Lady in a Cage," with Olivia de Havilland. The cage is a private, in-home elevator. De Havilland is trapped between floors during a power outage, and a number of low-life characters enter her home to steal, terrorize and make our caged lady's life a living hell. The young James Caan is one of the really bad guys, and the wonderful Ann Southern is one of the exploiters who ends up being terrorized by Caan and company. The titles are 60's brilliant and the film score does the suspense proud. De Havilland is over-the-top hammy in many scenes and quite good in others; that's the beauty of these shockers when they have serious performers of a certain age and era doing a little Grand Guignol number. This one runs a tight 94 minutes and the time really flies, which is a tribute to the skill of director Walter Grauman. Here's a wonderful black and white camp shocker that is quite creepy in retrospect. De Havilland, who is around 88 today, is the only surviving female lead of the four films I mentioned above. I would have loved to see Davis, Crawford, Bankhead and De Havilland on Inside the Actor's Studio discussing these masterpieces of the macabre, because they truly don't make actresses or films like these any longer. Give "Lady in a Cage" a try. You'll be glad you did.

The symbolism is rampant in this flick, and the metaphors are carefully painted. Olivia's performance was a revelation to me, as I've never seen her in anything other that Gone With the Wind. She's one hell of an actress. The suspense is without relief throughout the film, but the ending is absolutely superb. There is one 2 second shot of film at the end that is so horrifying, it will stay with you for days!

All the computer generated, over-produced, gratuitous terror of today's horror movies can't compare to this masterpiece. This movie relies on excellent acting, excellent dialogue, an excellent plot, and the "sheer terror" (with apologies to Marlon Brando) of the depths of human depravity to which humans are capable of sinking. Watch this movie, but if you have an elevator in your house, do not use it if you are the only one home!

I love this movie. It's sort of like a whacked-out version of "Panic Room." The DVD presentation looks very good. But come on Paramount, when are you going to start living up to the standards set by Warner Bros.? This film is crying out for a campy commentary, or a featurette, a trailer, something. We are all glad that this is finally available on DVD at a resonable price and that it looks so darn good, but start including Enhanced Content on your DVD releases. Please!!!

Well,I don't think you people can't believe I'm only 16,you know that means I don't really appreaciate old classic movies.I started watching this one as a joke,nothing to do but as soon as I started watching it I couldn't stop.The story is just excelent.I never thought I would find such a great plot in a movie like this.I was surprised for the excelent acting and how real this movie looked.I mean,imagine all the problems that developed after an elevator accident.The movies was shocking and interesting.I learned not to judge things by its cover.Tragically,I didn't watched the ending but I watched enough to say that this movie is simply a classic.I'm going to watch it again because this movie really got a lot of things to offer.This is a treasure!