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59 of 63 people found the following review helpful:
5.0 out of 5 stars
historical fiction about tapestries is actually interesting!, March 29, 2004
This review is from: The Lady and the Unicorn (Hardcover)
"The Lady in the Unicorn" is Tracy Chevalier's fourth novel. She is the author of the best selling (and recently a major motion picture) "Girl with a Pearl Earring". Tracy Chevalier seems to write the same sort of novel each time, but because the subjects are different, the ways the novels play out are different. The technique that Chevalier uses is that she takes a painting that I presume she likes (or is just interested in). She learns as much of the backstory of the painting as possible and then writes a fictional novel about how this painting came about and who the artist and subjects are. In the two Chevalier novels I have read now, this has turned out to be much more interesting than it may at first sound. The story in "The Lady and the Unicorn" is set in 15th Century Paris and Brussels. Nicolas des Innocents has been commissioned to create a set of tapestries for a minor member of the French nobility Jean Le Viste. This seems simple enough: Commission, Paint, Weave, Complete. What sets this novel apart is in the telling. Nicolas is a talented artist, but rather arrogant about his art. He mainly paints miniatures in great detail and has never had to design a tapestry (it takes a different sort of skill to design a tapestry). But Nicolas is also a lusty man. Months prior he had impregnated a maid at Le Viste's estate and this time he has his eye on a young woman named Claude. It also seems that Claude has her eye on Nicolas. There wouldn't be any trouble (or much) if it didn't turn out that Claude is Jean Le Viste's eldest daughter and heir to the estate. Now any tryst must be secret, but Claude's mother knows something is afoot so she works to keep them apart so Claude may keep her virginity and be an eligible bride with the estate as a dowry. The scene later shifts to the weavers who will actually make the tapestries. Nicolas defies all custom and is personally involved in nearly all aspects of the making of the tapestries. He is no less lusty now that he is away from Claude, but we get to see more of his character as this section of the novel progresses. Throughout the novel we see how Nicolas's inspiration for the tapestry evolves and why he is creating the tapestries quite the way that he is. We get glimpses into the lives of the weavers, Nicolas, as well as Claude. This novel is told with multiple narrators in such a way that the shift in narration feels appropriate and smooth and these shifts serve to better advance the story and keep it moving along. The opening of "The Lady and the Unicorn" felt a little crude with Nicolas's crass sexual interest in Claude, but as the novel wore on there became fewer crass lines and everything felt natural. For a novel about tapestries (but really about relationships), this one was fairly fast paced. Considering the quality of both "Girl with a Pearl Earring" and "The Lady and the Unicorn", I think I'm going to have to give Chevalier's other two novels a try. This one was well worth the read.
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59 of 64 people found the following review helpful:
3.0 out of 5 stars
Interesting history that often reads like bad romance, March 12, 2004
The plot of this book is well-described above so I won't repeat it here. The high points of this novel are the rich period detail -- the differences between how members of various social classes lived, the role of women in France and Belgium during the Renaissance, the interaction between art and politics, and, most of all, the creation of art, especially tapestries and how they differ from painting. The characters are particularly well-developed and it is very easy to care for them. I especially liked the blind daughter of the weaver and how Chevalier got into how she perceived the world and how the world of her day perceived her and her "flaw." It is extremely easy to empathize with the Lady Genvieve, stuck in a loveless marriage with nothing but her religion to cling to, her daughter Claude and her importance to her father solely as a means to his social-climbing, and the family of weavers whose work on the series of tapestries of the book's title will either make them or break them, and somehow ends up doing both. I bought this book on audio, and there are two shortcomings that keep me from giving it a higher rating, one inherent in the book itself, the other having to do with the audio reading. The first problem I have with the book is that it often reads like a bad romance novel, especially when dealing with the sexual awakening of Claude. Yes, she is a 14 year-old girl and we are hearing or reading, as the case may be, her point of view, but everytime I heard these passages I kept imagining a paperback with Fabio on the cover. I almost got into an accident driving and listening to this book as I was giggling pretty hard in places. The book is also quite repetitive and felt rather short, more like a padded novella. The issue I had with the audio version had to do with Robert Blumenfeld's reading of some of the male roles. The protagonist of the book, Nicolas des Innocents is supposed to be arrogant and conceited, especially in his attitude toward women and non-Parisians. But Blumenfeld reads Nicolas' passages in such an oozingly snobby and condescending voice, that is hard to imagine him seducing any woman, let alone the many of this book. The general snobby quality of his voice also comes through with some of the other characters and doesn't always suit them so well, although he does better with the secondary characters. It is especially noticable because Terry Donnelly, who reads the female voices, does such a marvelous job. She sounds like a girl on the brink of womanhood when reading Claude's thoughts, she sounds like a weary middle-aged noblewoman when reading the passages narrated by Claude's mother, Genivieve, and she sounds like a wise working-class woman when reading as the weaver's wife. It's such a wonderful performance that Blumenfeld's just doesn't hold up to it, especially since the sound quality on his parts isn't as good. In short, this a great book for someone interested in Renaissance art and life and is basically good. If you are interested in women in the middle ages and the Renaissance in Europe and want to listen on audio, I'd recommend instead Barnes and Noble's series of audio tapes of books by Alison Weir, including her book on Eleanor of Acquitaine and the Six Wives of Henry the Eighth. They are extremely well-written and wonderfully narrated. Had I not heard these series, I might have enjoyed "The Lady and the Unicorn" audio book more, but having heard great books about the era, I can only rate this one as merely good.
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20 of 21 people found the following review helpful:
4.0 out of 5 stars
Will Pick Up Ms. Chevalier Again!, February 15, 2004
This review is from: The Lady and the Unicorn (Hardcover)
Ms. Chevalier's "The Lady and the Unicorn" was a deftly woven tapestry of words that tied together several different individuals via one character named Nicolas des Innocents a very talented but vain artist. This story is told from the view point of several of the characters (each chapter is a character in the story) on the design and creation of a very important tapestry which depicted the seduction of the Unicorn by a lady. From the birth of the design by Nicolas for a very important partron in Paris to the weaving of the design by a family of weavers in Brussels this story covers the life of Nicolas and how his randy self effects everyone that he comes into contact with. This was a well told tale that kept me glued to the pages. Ms. Chevalier is a very talented author who chooses her inspiration for her stories from vivid works of art. This story will grab you from the very beginning and you will be drawn to the very interesting and at times funny characters that inhabit this little make belive world. I highly recommend this book as an entertaining way to pass an afternoon.
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