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The Lake Shore Limited [Deckle Edge] [Hardcover]

Sue Miller (Author)
3.5 out of 5 stars  See all reviews (87 customer reviews)

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Book Description

April 6, 2010
Four unforgettable characters beckon you into this spellbinding new novel from Sue Miller, the author of 2008’s heralded best seller The Senator’s Wife. First among them is Wilhelmina—Billy—Gertz, small as a child, fiercely independent, powerfully committed to her work as a playwright. The story itself centers on The Lake Shore Limited—a play Billy has written about an imagined terrorist bombing of that train as it pulls into Union Station in Chicago, and about a man waiting to hear the fate of his estranged wife, who is traveling on it. Billy had waited in just such a way on 9/11 to hear whether her lover, Gus, was on one of the planes used in the attack.

The novel moves from the snow-filled woods of Vermont to the rainy brick sidewalks of Boston as the lives of the other characters intersect and interweave with Billy’s: Leslie, Gus’s sister, still driven by grief years after her brother’s death; Rafe, the actor who rises to greatness in a performance inspired by a night of incandescent lovemaking; and Sam, a man irresistibly drawn to Billy after he sees the play that so clearly displays the terrible conflicts and ambivalence of her situation.

How Billy has come to create the play out of these emotions, how it is then created anew on the stage, how the performance itself touches and changes the other characters’ lives—these form the thread that binds them all together and drives the novel compulsively forward.

A powerful love story; a mesmerizing tale of entanglements, connections, and inconsolable losses; a marvelous reflection on the meaning of grace and the uses of sorrow, in life and in art: The Lake Shore Limited is Sue Miller at her dazzling best.

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Questions for Sue Miller on The Lake Shore Limited

Q: The Lake Shore Limited takes its title from the famous train, but it is also the title of a play embedded within this novel--a play about a terrorist bombing of that train as it pulls into Union Station in Chicago, and a man waiting to hear whether his estranged wife is among the survivors. Billy Gertz, the woman who's written the play, has waited in just such a way on 9/11 to hear whether her lover, Gus, was on one of the planes used in that attack. Was there one event in particular that sparked the idea for The Lake Shore Limited?
A: Yes. The spark came from a friend who had a relationship that would have ended sooner than it did had not her lover’s brother died on 9/11. While this situation is not like the one I created for Billy, my fictional playwright, the situation started me thinking about the far reach of such an event; and the variety of responses that play out around it, even at some distance. And the way in which the responses may be based in feelings that might be not the expected one--i.e., the way in which sometimes we're called on to enact something we don’t feel, and the discomfort and sense of alienation from ourselves that comes from that.

Q: Much of the book centers around the characters’ reactions to Billy’s play, "The Lake Shore Limited." How and why did you structure the book as, in essence, a play within a play?
A: As I began to include some of the lines from the play and create scenes in rehearsal, it began to seem more important to me. It began to seem central to the book, actually. I began to see the book as at least in part a kind of speculation on how the experience of art can be transforming in life--for those who create it, as Billy and also Rafe, the actor, do; and for those who take it in and ponder it and ask about its connections to their own lives. And then, I suppose, I just got interested in the play, too--in writing it, at least the part you read in the book.

Q: The viewpoint in The Lake Shore Limited flips amongst four characters, two male (Rafe and Sam) and two female (Leslie and Billy) all of whom are at various ages and stages of their life. Why did you choose to cast the book in this way?
A: I wanted the book to look at the way this play strikes a variety of people. I had Billy nearly from the start of thinking about the book, and Leslie came next, because I knew I wanted two versions, two understandings, of what the real story was about Billy and Gus, with the play mediating between them. But I wanted to broaden the impact of the play, too--to have it speak not just to the people directly involved, but to others, with other stories. Rafe and his life came next, more or less in a rush of notemaking and writing. Sam’s was last, and most complicated to develop--though I knew from the start about his connection with Leslie.

Q: You so eloquently write about the interior lives of people who are trying to understand their feelings, their relationships, themselves. How do you create such three dimensional characters, each with their own vivid and complicated pasts?
A: Now THIS is the kind of question I like, wrapped neatly in a compliment. And I think I’ve started an answer with my response to the last question. But let me also say that this is one of the most pleasurable aspects of writing for me—the construction of lives and histories. The process of imagining them so deeply as to feel I actually know these other people, these other stories. A way of escaping myself, I suppose.

Q: You teach English at Smith College. What is the best advice you give to aspiring writers?
A: Read.

Q: Tell us a little about your writing process--how you write, when, etc.?
A: I make a lot of notes before I write. I want to know what I’m doing. Where I’m going. I want to feel that I’m working on a whole thing, the idea for which I have clear in my mind--the way perhaps an architect would know what he wanted to do without knowing every detail of it from the start; or a composer might know what he wanted a piece of music to do, the way he wanted it to move, without knowing all the themes in it.

I write in longhand for the first draft, typing it in when I feel ready to work on revision. Sometime that’s a small piece--a chapter--sometimes a longer chunk of the book. I type it in, pull it out and write all over it again in longhand, type it in again, pull it out, etc. etc.

I try to write in the morning, before I get enmeshed in the demands of daily life--though those are all easier now that I don’t have responsibility for a child. Towards the end of a book, I write longer days.

Q: What’s next for you?
A: I’ve signed a contract with Knopf for a new novel I’ve described to them, so I’ll be working on that for a few years. I’d like to try, anyway, to write Billy’s play--"The Lake Shore Limited." And I have a two-year-old granddaughter I’d like to spend as much time with as I can.

From Publishers Weekly

Four people are bound together by the 9/11 death of a man in Miller's insightful latest. Leslie, older sister and stand-in mother to the late Gus, clings to the notion that Gus had found true love with his girlfriend, Billy, before he was killed. But the truth is more complicated: Billy, a playwright, has written a new play that explores the agonizing hours when a family gathers, not knowing the fate of their mother and wife who was aboard a train that has been bombed. The ambivalent reaction of the woman's husband has shades of Billy and Gus's relationship, particularly the limbo she's been in since he died. Rafe, the actor playing the ambivalent husband, processes his own grief and guilt about his terminally ill wife as he steps more and more into his character. Finally, there's Sam, an old friend Leslie now hopes to set up with Billy. While the plot doesn't have the suspense and zip of The Senator's Wife, Miller's take on post-9/11 America is fascinating and perfectly balanced with her writerly meditations on the destructiveness of trauma and loss, and the creation and experience of art. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

  • Hardcover: 288 pages
  • Publisher: Knopf; First Edition edition (April 6, 2010)
  • Language: English
  • ISBN-10: 0307264211
  • ISBN-13: 978-0307264213
  • Product Dimensions: 6.6 x 1.1 x 9.5 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (87 customer reviews)
  • Amazon Best Sellers Rank: #475,265 in Books (See Top 100 in Books)

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Customer Reviews

87 Reviews
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Average Customer Review
3.5 out of 5 stars (87 customer reviews)
 
 
 
 
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34 of 36 people found the following review helpful:
4.0 out of 5 stars Will be reading more by this author in the future, May 6, 2010
This review is from: The Lake Shore Limited (Hardcover)
I read "The Good Mother" years ago and haven't read anything by Sue Miller since that time. Based upon my experience with this novel, I need to go back and read what she has written in between that first novel and this latest one.

In "The Lake Shore Limited", the story is told from the point of view of four main characters. First we have Billy who is a playwright originally from Chicago. There is Leslie, the much older sister of Gus who is the man Billy lived with in Boston and Sam, who is a friend and neighbor of Leslie's. Finally, we have Rafe, the man playing the lead role in the play Billy has written about a man waiting to find out if his wife was on a train that was hit by a terrorist attack. All their stories become interwoven and the reader is allowed to come to know each one of them intimately and what their individual hurts and wounds are.

A beautifully written character study of mature adults (as it relates to age) who are reflecting back upon their lives and revisiting their life paths. How did they end up in the relationships they are in? What do they wish they had done differently over the years? What do they want from this point on? This is not an action-packed or quick, easy novel but one that should be savored along the way. For the older reader who has the perspective of time, this will definitely strike a chord. While sometimes these types of books can feel like navel-gazing, this one manages to be introspective without wallowing. It's more of an honest reflection of what is good and bad without much filter.

If you enjoy Elizabeth Berg, Anne Tyler, and Anna Quindlen, this novel would be a good one to try.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars Engrossing, well-paced, beautiful, May 7, 2010
This review is from: The Lake Shore Limited (Hardcover)
Other reviewers have described the play-within-a-play feature of the plot, which I enjoyed. All in all, I found this book to be engrossing, well-paced, and beautifully written, as I found other Sue Miller books to be. (I personally find it so jarring to see "leisurely" used as an adverb, but I know it's accepted now...)I finished it in 2 days, and am on my way to drop it into a book-loving friend's mailbox. I think Miller presented the 9/11 aspect well, which many writers have failed to do, and I believe a message of the book was this: How DO we use our tragedies and traumas to move our lives forward; how do we transform such events into our own art, into a life fully-lived? By the skillful way she explores all the main characters' actions and interactions, she intriguingly begins to answer these questions. I know some reviewers didn't "like" the characters; I liked them all. I'd love to see a sequel in which Leslie, Rafe, Billy, and/or Sam are featured. All their stories were touching and real to me. One other small complaint: the generic-looking cover art. (If it was supposed to be Billy and Reuben, the proportions were way off!) Mary Lee Moser, author,There and Back: A Journal Companion for Special Needs Parents
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18 of 24 people found the following review helpful:
3.0 out of 5 stars Even a bad Sue Miller..., March 25, 2010
This review is from: The Lake Shore Limited (Hardcover)
Customer review from the Amazon Vine™ Program (What's this?)
I think Sue Miller is an incredible writer. Her prose is lyrical, she has a beautiful way of making characters human, and ultimately she tells a great story.

I found this disappointing and didn't even make it through - a first for me with Miller. She divides the narration between the characters, and each part gives you a little more of the story, an artful move, but that slow exposition and the coldness of some of the characters made it difficult for me to engage with them.

But ultimately I think I missed the tension I never knew I'd loved in her work. I think of The Senator's Wife, which somehow manages to make the relationship between a new mother and a stroke-stricken Senator a page-turning stay-up-all-night read, and this just pales in comparison. Publishers Weekly called that one "emotionally urgent", and I think that's what's missing here.

If you appreciate beautiful writing and love character-driven novels, I'd recommend just about any Sue Miller novel other than this one. But then again, even a bad Sue Miller is better than a poke in the eye with a sharp stick.
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