From Library Journal
If ever a series could elucidate the many forces active in contemporary art, it is Phaidon's "Themes and Movements." Divided into three major sections beginning with a survey by cultural critic and curator Brian Wallis, the book defines land and environmental art and places it in a broader context. The second section, presented by critic and editor Kastner, contains classic examples of work starting in 1947 with a maquette by Isamu Noguchi and ending with a 1996 proposal by Mark Dion. Each work is illustrated chronologically with expanded captions noting intention, process, and exhibition history. The last section is loaded with articles, reviews, and artists' statements that directly support both the survey and the works. A book like this is badly needed to consolidate a subject that has often been scattered into many categories; here Smithson, De Maria, and Christo appear alongside Ukeles, Mendieta, and Chin. Some of the artists are more conceptual while others are more sculptural, but nearly all have taken their work outside the museum setting. A virtual tour of an exhibition that spans more than four decades and thousands of miles; highly recommended for academic and large public libraries.ASusan M. Olcott, Columbus Metropolitan Lib., OH
Copyright 1999 Reed Business Information, Inc.
About the Author
Jeffrey Kastner, based in New York, is a writer on art and culture. Senior editor of Cabinet magazine, he is a former senior editor of ARTnews, and contributing editor of Art Monthly. As well as lecturing on art in America and Europe, Kastner has contributed reviews and essays on contemporary art and popular culture for numerous magazines, including Artforum, Art & Design, Flash Art, The Economist and frieze. Brian Wallis is Chief Curator and Director of Exhibitions at the International Center of Photography, New York. As well as curating, he has taught Critical Theory at Yale University and was McCracken Fellow at New York University. Wallis has authored and edited numerous books on contemporary culture, among them Art After Modernism (New Museum/David Godine, 1984), Blasted Allegories (New Museum/MIT Press, 1986) and Constructing Masculinity (Routledge, 1995). In 1996 he curated the exhibition 'Counterculture: Alternative Information from the Underground Press to the Internet' at Exit Art in New York. Wallis was formerly senior editor of Art in America and a curator at the New Museum of Contemporary Art, New York, where he organized serveral exhibitions including a Hans Haacke retrospective in 1986.
--This text refers to the
Paperback
edition.