Most Helpful Customer Reviews
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16 of 16 people found the following review helpful:
5.0 out of 5 stars
flying colors for flying masks, July 7, 2007
Although Burkina Faso lies between two nations, Mali and Cote d'Ivoire, whose art stands tall in the canons of African sculpture most sought after in the West, Burkina art has been given short shrift by museums, dealers and collectors, and in literature. As a result, long after important older objects had largely vanished from the lands of the Dogon, Bamana, Senufo and Baule, ancient masks, figures, and metalwork could still be
found in Burkina Faso. Author and collector Tom Wheelock had the good fortune to stumble upon this fact in the early 1970s. Persevering through chicanery and art market snobbery he assembled the largest collection of Burkina art in the world over the course of the next three decades. In this remarkable book, Land of Flying Masks, Tom Wheelock shares highlights from his collection in clean, bold images, with informative text and stunning field photography by Professor Christopher Roy, This is not a book of masterpieces- although there are more than a few- it is unique and long overdue survey of the traditional art of a single African nation lovingly rendered. Besides the flying masks one will find gorgeous baskets, stools, rings, hats, pots and musical instruments. A catalog with color thumbnail images and copious identifications takes up a substantial number of pages. For those of us who love African material culture in all its variety, particularly those passionate about the art of West Africa this book is an absolute must.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Superb Presentation Of Wonderful Objects , August 31, 2008
Hardback, 12" x 10 ", 471 Pages, 557 objects presented in full-color in full-page format. All 557 items are repeated in color thumbnails with concise and informative descriptions.....I own over 200 books on Tribal Art, and this is quite simply one of the best books on African Art I have ever seen. The quality of the selected sculptures is matched by the quality of the photographs, presentation, format and paper. Burkina Faso boasts some of the very best West African art, and the collection of Thomas Wheelock, unlike some private collections, is of a consistently high standard. Superb and essential.
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