|
|
11 of 11 people found the following review helpful:
5.0 out of 5 stars
A classic, June 26, 2000
Idiosyncrasy. Remember that? The raw virtuosity of King Crimson, the literacy of early Genesis, the sheer emotional intensity of Van der Graaf Generator? (Not to mention the pseudo-artistic but fun pyrotechnics of ELP and the sympathetic but occasionally over-the-top ramblings of Yes!) Well, there were other bands as well. Equally unique, in many ways equally wonderful, but somehow never as successful or enduring. Gentle Giant's one, and Caravan's another. Caravan's music is difficult to describe to the newcomer. It's unique. Terms like whimsical, magical and quintessentially British come to mind, but none of those really capture the essence. What does, then? Well, Pooh. And Alice. And that curiously heroic Hobbit, Bilbo. All those hopeless British traits, melancholy and longing and mild self-deprecation, caught up in one. And beautiful music, sculptured by organ (the old-fashioned kind, Hammond), accentuated by synchronous guitar and interspersed with flute, occasional saxophone and determinedly simple, but often wonderful lyrics. And all of this, spiced, obviously, by a pinch of the era: the early 70's. That, at least, is what Caravan's like on In the Land Of Grey And Pink. And because of this, Grey and Pink is Caravan's best album by far. They'd already produced the extraordinarily titled If I Could It All Over Again, I'd Do It All Over You (Caravan was never a group to eschew curious titles!) and that's the next one you'll want to get, if you like Grey And Pink. After that, things unfortunately go downhill, though there's enough to enjoy if, by now, you're Caravanserai'd. This is one of my favourite albums of all time. I keep returning to it, as the years go by. It's a classic.
|