8 of 10 people found the following review helpful:
1.0 out of 5 stars
Wholly unimpressive, February 16, 2009
This review is from: In the Land of No Right Angles (Paperback)
Though she starts off strong with beautiful descriptions, Beal's character-driven travelogue peters about in the first hundred pages. The reader is left turning page after page hoping that something of interest will happen--and while much is hinted at, and promised, while revelations seem constantly to be just another few paragraphs away, nothing is ever delivered. Every time you suspect a soul-baring conversation is about to take place, one of the three ultimately unlikable characters shrugs and says "I'll tell you later."
No, no they won't.
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3 of 3 people found the following review helpful:
1.0 out of 5 stars
Thin and sophomoric, November 8, 2010
This review is from: In the Land of No Right Angles (Paperback)
I found none of the characters in this book to be developed into anything beyond trite cliches. This leads to a second major problem - the ridiculous and unrealistic "relationships" among the characters. We're asked to believe that deep bonds exist between the narrator and Maya, Will, Nick, and Nepal. None are even remotely convincing. Love the setting, but this reads like a puffed-up undergraduate short story.
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7 of 9 people found the following review helpful:
4.0 out of 5 stars
"Here I could feel the deep, silent tick of geologic time beating through me.", August 12, 2008
This review is from: In the Land of No Right Angles (Paperback)
Beal's novel is filled with contrasts as twenty-year-old Alex Larson treks from Kathmandu to distant villages,, the stark beauty of the Nepalese countryside, the majestic Himalayas, tiny huts that dot the barren roads, bustling cities crowded with bicycles and weary travelers, Buddhist temples, a distant landscape barely touched by progress. With limited time left on her visa, Alex agrees to do a favor for her bachelor friend, Will, 32, delivering Maya, a lovely young woman seeking work in the city and a future far from the small expectations of her village home, to the bachelor waiting in Kathmandu. Will has offered to use his many connections to find appropriate employment for Maya. Delighted with her change in fortune, Maya bonds in friendship with Alex as they journey together, temperamentally sympathetic and congenial in one another's company.
The relationship alters slightly when Will enters the picture. Sensing his romantic interest in Maya, Alex feels awkward, out of place. But Will implores her to stay with them, even as he applies himself to his seduction of the girl, Maya emotionally ambivalent about leaving home and the violent death of her brother in a demonstration, given to sudden bouts of tears ("I think I might die!"). Strangely enough, the threesome settles into routine, Will early establishing his male dominance and resistance to commitment, Maya apparently unruffled by his frequent absences. The author delicately balances these pivotal characters: Alex's good intentions and generous nature, often bordering on the codependent; Will's inability to deny himself the many pleasures of the city, including an abundance of exotic women; and Maya's enigmatic response to her changed circumstances, part innocence, part wisdom, a young woman on the cusp of her life but with very limited opportunities.
Forced to leave because of the expiration of her visa, Alex must deal with her own issues back in the states, returning to Nepal in 1994 and 1998, her frayed connections to Maya ever more tentative. While Alex matures with time, she reviews her first meeting with Maya with nostalgia, her own enthusiasm and naiveté striking in retrospect. Although both women are still quite young, Maya's survival is mired in an indifferent, often dangerous world. Finally locating her young friend in Bombay, Alex is stunned by the grim realities of the city, so different from her first experience of this part of the world, Bombay "a whole self-contained subculture based on degradation". Beautifully capturing the ancient culture that first attracted Alex, cities gradually poisoned with urban sprawl, Maya epitomizes beauty and promise, the truth more difficult for Alex to digest, the worldly Will seeming to always escape unscathed. Beauty, innocence and corruption coexist in a place where Alex and Maya first came together, when the future, and Maya, shimmered with hope. Luan Gaines/2008.
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