12 of 14 people found the following review helpful:
5.0 out of 5 stars
Ulysses, January 3, 2003
By A Customer
This is a neglected but absolutely gorgeous novel. If you've read James Joyce's "A Portrait of the Artist as a Young Man," you'll find this novel of a young woman's coming of age in an Irish convent a fascinating contrast. Highly recommended.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
First-rate novel, February 18, 2006
Kate O'Brien's The Land of Spices tells the story of a woman who betrayed herself as a young girl--becoming a nun as a reaction to the shock of discovering her father's homosexuality. O'Brien brilliantly shows how Catholic doctrine made it impossible for the protagonist to interpret her father's homosexuality as anything other than a violent betrayal. In cutting off her father whom she loved more than anyone in the world, the protagonist cuts herself off from her own heart and proceeds to live an emotionally hollow existence as a nun. While rapidly rising through the ranks of the international order she belongs to, she is appointed to run a convent in Ireland. As an Englishwoman in Ireland, she feels more lost than ever and yearns to quit her post. Then she begins to have a relationship with a 5 year boarder, who is there because of her own family problems. The little girl reminds her of being a happy little girl with her father. As the nun grows to love the young girl, she gains the ability to understand that she still loves her father and that she has made a terrible mistake, both in judging him and in choosing life as a nun out of fear. This is a moving book well worth reading.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Coming of Age in an Irish Convent, December 29, 2010
In a convent school in the Ireland of the 1930s, O'Brien weaves the parallel tales of a sensitive young pupil and the lonely mother superior who sees promise in her. Anna Murphey, daughter of an alcoholic father, weak mother, and dictatorial grandmother, finds solace only in the companionship of her younger brother, Charlie. Away at school from a young age, Anna's academic talents create a barrier between her and her classmates, and they run her afoul of certain of the most jealous nuns. Compounding Anna's problems is the fact that she is emotionally isolated from her mostly useless family. Her drunk father, her dominating grandmother, and her spineless mother all exist outside of Anna's emotional world.
O'Brien is clearly cognizant of the dangers of convent education for sensitive young women like Anna. The book suggests that loneliness and unhappiness is the lot of the thinking, feeling woman, as epitomized by Anna and the mother superior. Loneliness is endemic. The only happy women in the book are some of the simpering, unthinking elder students.
The book also provides a strong indictment against the provincialism of Irish nationalism. The Irish nationalists in O'Brien's work are univerally short-sighted and unsure of why they support their cause. In short, they are incapable of seeing the forest for the trees.
This is an interesting, thinking novel, which provides a fascinating look at life in a convent school.
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