Lantana 2001 R CC

Amazon Instant Video

(101) IMDb 7.4/10
Available in HD
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Psychiatrist Valerie Somers disappears one night; Det. Leon Zat is called to investigate; his wife has been getting advice from Somers.

Anthony LaPaglia, Geoffrey Rush
2 hours 1 minute

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Product Details

Genres Drama, Mystery
Director Ray Lawrence
Starring Anthony LaPaglia, Geoffrey Rush
Supporting actors Barbara Hershey, Kerry Armstrong, Rachael Blake, Russell Dykstra, Daniela Farinacci, Peter Phelps, Leah Purcell, Glenn Robbins, Manu Bennett, Melissa Martinez, Owen McKenna, Nicholas Cooper, Marc Dwyer, Puven Pather, Lionel Tozer, Glenn Suter, Natasha Guthrie, James Cullington
Studio Lionsgate
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

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Customer Reviews

Lawrence's exacting attention to detail gives the film a textured and deeply layered feel so that one has the sense of real life fully lived.
Dennis Littrell
A lot of why it works is because you're conditioned to think certain character will behave in certain ways, because movies are usually predictable.
Some of the most affecting moments of the film, in fact, are those in which John and Valerie strive to reconnect and put their marriage aright.

Most Helpful Customer Reviews

39 of 40 people found the following review helpful By Dennis Littrell HALL OF FAMETOP 1000 REVIEWERVINE VOICE on May 8, 2003
Format: VHS Tape
In this starkly realistic examination of love and infidelity among the thirtysomething crowd from down under we learn that you may desire to cheat on your spouse, but it's better if you don't.

Leon Zat, a police detective played with an original and striking demeanor by Anthony LaPaglia, cheats on his wife and finds that his adultery compromises not only his marriage but his performance on the job. He becomes irritable and flies off the handle at things of little importance, and becomes consumed with guilt.

He is not alone. The marriage of John Knox (Geoffrey Rush) and psychiatrist Valerie Somers (Barbara Hershey) is falling apart as Knox seeks something from the outside and Somers is torn apart with the suspicion that he is having a homosexual affair, perhaps with one of her clients. Meanwhile Jane O'May (Zat's adulteress played by Rachael Blake) finds that she needs a man, or maybe two, other than her estranged husband. Even Sonja Zat (Kerry Armstrong) feels the pressure and yearns to feel attractive, perhaps with younger men.

More than halfway through we have an apparent murder and an investigation during the course of which some of the adulteries come to light and cause the participants to examine themselves and their lives closely.

Andrew Dovell wrote the subtle, richly attired script, full of penetrating dialogue and an uncompromising veracity, adapting it from his play Speaking in Tongues. Ray Lawrence directed in an unusual but compelling manner in which the scenes are sharply focused and cut to linger in our minds. Again and again I was startled with just how exactly right was something a character said or did.
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28 of 29 people found the following review helpful By Reviewer on July 6, 2002
Format: DVD
One of the defining characteristics of the human condition is the inevitability of change, both physically and emotionally. Though most would deny it, one is not the same person at forty years of age that they were at twenty; the emotional growth one undergoes over a period of time dictates that it cannot be so. Unlike the changes one experiences during puberty and adolescence, however, that emotional growth is unceasing. It may be said, in fact, that "change" within that context is the only real constant in life; and the effects of this perpetual state of flux on any particular individual is determined by that individual's experiences and derived from a personal frame of reference. And the challenge of coping with the changes in our own lives forms a common thread that binds us together as a species, and it is those challenges and the ways in which we respond to them that forms the basis for director Ray Lawrence's affecting drama, "Lantana," in which he explores the disparate ways that individuals, dissimilar and yet the same, strive to deal with this thing we call "Life."
Police officer Leon Zat (Anthony LaPaglia) is at a crossroads in his life. In the parlance of Pink Floyd, he has grown numb, though not "comfortably." He has a wife, Sonja (Kerry Armstrong) and two children, and though he loves Sonja, this "numbness" that has left him devoid of feeling has driven him to an affair with Jane O'May (Rachael Blake), who has recently separated from her husband, Pete (Glenn Robbins). Unlike Leon, however, Jane admittedly no longer loves her husband, and has no intention of taking him back. Sonja, meanwhile, affected by the emotional distance Leon has put between them, is seeing a therapist, Dr.
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30 of 32 people found the following review helpful By MICHAEL ACUNA on December 19, 2001
The year 2001 will go down in film history thus far at least, as the watershed Year of the Adult Thriller and "Lantana" is the latest example of this sub-genre. Others this year would be "Burnt Money," "In the Bedroom," "Dinner Rush," and "L.I.E." to name several.
All the Adult Thrillers have one or more of the following in common: a crime (usually a murder), several plot lines, mis-connection among the various characters, though they may be connected by marriage or birth and literate scripts involving adult material.
"Lantana's" central character, Leon Zat (Anthony LaPaglia) is a police detective conflicted about his impending middle age, his marriage and his recent affair ("2 night stand") with Jane (Rachael Blake) who has just broken up with her husband. Leon's wife,Sonja (Kerry Armstrong)knows something is wrong and is seeing a psychiatrist, Valerie Somers (Barbara Hershey) who turns up missing one day and sets the movie in motion.
Along the way we witness some of the finest, most profound dialogue and ensemble acting of this year. As in "In the Bedroom," the pathos comes from character not situation: the actor interpreting, ingesting really the core of the character and using the script as a jumping off point; improvising, in a way, his reactions based on the "facts" of the storyline.
Anthony LaPaglia is a genuine revelation here. In his work thus far where/how was he hiding this amazing depth of talent? His Leon Zat is a macho, confused, rabidly sexual, violent yet tender and loving man who finds himself at a crossroads in his middle life: he loves his wife and family, he loves his work but he's thinking of chucking it all to do...what?
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