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Larks Tongues in Aspic - 30th Anniversary Edition Remastered

King CrimsonAudio CD
4.6 out of 5 stars  See all reviews (196 customer reviews)

Price: $11.88 & FREE Shipping on orders over $35. Details
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Audio CD, 2004 $11.88  
Vinyl, Original recording, 1973 --  
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"King Crimson is, as always, more a way of doing things. When there is nothing to be done, nothing is done: Crimson disappears. When there is music to be played, Crimson reappears. If all of life were this simple". Robert Fripp

King Crimson was conceived in November 1968 and born on January 13th 1969 in the Fulham Palace Cafe, London (Fripp/Ian McDonald/Greg Lake/Michael ... Read more in Amazon's King Crimson Store

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Larks Tongues in Aspic - 30th Anniversary Edition Remastered + Red 30th Anniversary Edition Remastered + In the Court of the Crimson King
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Product Details

  • Audio CD (December 20, 2004)
  • Original Release Date: 2005
  • Number of Discs: 1
  • Label: Discipline Us
  • ASIN: B00065MDSG
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (196 customer reviews)
  • Amazon Best Sellers Rank: #1,959 in Music (See Top 100 in Music)

1. Larks' Tongues In Aspic, Part One
2. Book Of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues In Aspic, Part Two

Editorial Reviews

Fripp's guitar met with the violent violin work of David Cross on this 1973 LP, recorded after this lineup had been touring like crazy in late '72. Wetton's melodic bass, Bruford's maniacal drums and the stellar percussion work of Jamie Muir rounded out this killer Crimson incarnation; they do both parts of the title piece; Exiles; Easy Money , and the rest of the LP, all beautifully remastered!

Customer Reviews

Most Helpful Customer Reviews
89 of 97 people found the following review helpful
5.0 out of 5 stars Stunning. Perhaps the best by an amazing band. November 4, 2005
Format:Audio CD
Once again, King Crimson shifted lineups, only this time it was far more dramatic-- after having toured without lyricist Peter Sinfield, the entire band left, leaving Fripp on his own. A blessing in disguise, the band that assembled for this recording was full of such musical muscle and subtlety that they were able to turn out what may be the best of the King Crimson material (its a tough call, there's a number of stunning albums by them). This is also the first Crimson formation not to feature a saxaphone. Joining Robert Fripp (guitar, mellotron) are David Cross (violin, viola, mellotron), John Wetton (bass, vocals), Bill Bruford (drum kit), and Jamie Muir (percussion). Lyrics this time were handled by Richard Palmer-James-- getting away from the imagery of Peter Sinfield allowed the band's songs to flourish in different fashions.

But also allowing the band to flourish is the delicate balance they created-- Muir as a percussionist would play everything from mouth harps, thumb pianos, and chains slamming against gongs created his own dynamics without the influence of everyone else, likewise Bill Bruford at the kit could manage both power and subtlety, whereas Cross' violin and Wetton's bass were in opposition, both in register and in expressiveness-- Wetton is a brutally aggressive bass player. Fripp somehow counterbalanced all of this.

In many ways, this is also the band shedding their progressive rock leanings in terms of the traditional "prog" sound-- there's not the emphasis on harmonied instruments, mellotrons, etc. The approach is a lot cleaner and in many ways far less limiting.
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36 of 38 people found the following review helpful
5.0 out of 5 stars King Crimsons Aural masterpiece, July 4, 2006
Format:Audio CD
Along with Islands and Starless and Bible Black(see my review) this is the absolute peak of King Crimson. In 1972 King Crimson (the Peter Sinfield era) completely dissintegrated after a disasterous tour that produced the subpar live album Earthbound. Many believed this to be the end of King Crimson. However this was not the case a year later Larks Tongues in Aspic was released to the world and what an album it is. Completely departing from Crimsons former somber symphonic style, Lark's is an avant garde masterpiece that is absolutely drenched in darkness as well as beauty. Kicking off with the blueprint to every extended instrumental King Crimson has done since is LTIA part 1. This song show Fripps new found approach to songwriting, slowly building tension that ends with an explosive climax. The entire song is a roller coaster of sounds ranging from David Cross's beautiful(and more than a little sinister) violin soloes to Fripps Sabbathesque guitar passages, this song is more than a little strange. Even stranger is the fact that the song is followed up by a short ballad(Book Of Saturdays) that is the complete musical oppisite of the opening song. Exiles follows and is the second best song off the album. This song like the last song is a wonderful ballad driven by violin, mellotron, and Fripps acoustic guitar. John Wetton does a great job with the vocals. Easy Money is a fantastic rocker loaded with distortion and a great solo from Fripp. The Talking Drum is pretty much just an extended intro for the final song on the album but its a great build up. The closing song is LTIA part 2 which in my humble opinion is King Crimsons best instrumental. Alternating between heavy distorted passages and an absolutely awe inspiring interlude, this song is the reason i bought the album. Read more ›
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47 of 54 people found the following review helpful
5.0 out of 5 stars Classic! Classic! Classic! May 2, 2001
Format:Audio CD
Ten to 15 albums in rock history are unlike anything that came before them, and have never been matched. Lark's Tounges In Aspic is one of them.
King Crimson created a strange mix of Stravinsky, Jungle Grooves and abstract jazz here. The title suite builds from little nature noises to a wrecking ball Les Paul riff to an eccentric, thorny funk. Each part sounds like nothing else in popular music; yet it all fits together as organically as the verse, bridge and courus of a Brill Building song.
Book Of Saturday and Exiles are ballads--in theory. But the lyrics are so filled with wry twists, and the playing is so angular, any equation with pop proves absurd a few seconds into a first listen. The two songs seem to form a genre of their very own.
The second half of the album-"Easy Money," "Talking Drum," and the second part of the title track-further experiment with the hybrids layed out on the first half. Jazz solos are played over strange animal noises. The violin is given a Mozart-like line while gongs are banged with chains. It is incredibly wierd, incredibly fresh and incrediably brilliant.
If you are sick of the same old sounds, try this. "But its from 1973!" you say.
Yes, but rock has yet to catch up to Larks Tounges In Aspic.
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22 of 24 people found the following review helpful
4.0 out of 5 stars The power of imagination fueled by technique June 29, 2005
Format:Audio CD
To worship at the sonic temple of King Crimson always meant dispensing with preconceived notions, and Fripp and company proved more than ready to lay waste to their more staid contemporaries on this 1973 masterwork.

The recording itself, which won technical awards way back in 1973, is clear as a bell: every nuance from Jamie Muir's eccentric percussion to John Wetton's vocal growls comes through crisply (Wetton no doubt a better vocalist for his going at it with Roger Chapman during his stint in the mighty Family before joining KC). Bill Bruford obviously loved this band, and unfettered of the art-rock formula that Yes was starting to fall into, he unleashes some powerful drumming that, along with Wetton's meaty bass lines, help hold together this sonic supernova. David Cross sometimes plays against Fripp's leads with great effect, his violin swooping and soaring like a flying prehistoric reptile chasing its next meal.

And Fripp, well, praise be to whatever the source of his muse here, for it is both balm to the jaded nerves of those disenfranchised by the corporate takeover of FM radio and anathema to the lobotomized program directors who have laid waste to creative playlists.

I'm keeping a star back because the two versions of the title track sometimes veer off so far that the music dissolves into a vapor. Still the explosiveness of Easy Money clears the mind and feeds one's bellicose instincts, while Exiles calms the soul of the wanderer and hermit found somewhere deep down in us all.

Like any King Crimson outing, "Larks Tongues in Aspic" is not everyone's cup of tea, but everyone needs to sample this one as a reminder of the power of imagination fueled by technique.
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Most Recent Customer Reviews
4.0 out of 5 stars Four Stars
Nice to find this oldie, They don't make them like they used to.
Published 9 days ago by Jess M. Waller
5.0 out of 5 stars Five Stars
Fantastic, brilliant, epic.
Published 24 days ago by Dennis Cussen
5.0 out of 5 stars Five Stars
This and Road to Red have set new standards for reissues. Sound and packaging superb. Splendid.
Published 1 month ago by Ray
5.0 out of 5 stars Five Stars
Excellent purchase.
Published 1 month ago by leigh wilson
5.0 out of 5 stars I love it
I love it. I've used Amazon to replace all of my vinyl records.
Published 2 months ago by Rebecca of SunnyBrook
5.0 out of 5 stars My favorite album...
...or at the very least tied with a few others as my all-time favorite. Really not sure what else to say as I'm sure there are plenty of other reviews of this CD that go into much... Read more
Published 3 months ago by Damian Venge
5.0 out of 5 stars King Crimson CD
This CD is excellent. Though a different lineup than earlier Crimson offerings, the unique sounds of guitar, violin, and mellotron simply blows you away with textured smooth/hard... Read more
Published 3 months ago by greg roberts
5.0 out of 5 stars It's hard, cold and ugly - but it's the real thing
Larks' Tongues in Aspic is a hard album to get into. Mostly instrumental, some degree of singing on only half of the tracks (one of which, "Book of Saturday", is a relative... Read more
Published 3 months ago by coppertin
4.0 out of 5 stars The Good the Bad and the Ugly
Well I certainly respect all the musicians on this album there is tons of talent in all of them. My concern is that even though they have the talent to make a very aesthetic... Read more
Published 3 months ago by KirbE
4.0 out of 5 stars Great work...
A classic album. Labeled rock, but closer to fusion jazz in it's complexity. Very smooth. A must have for the serious high heeled sneaker admirer.
Published 4 months ago by csbrambach
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Should I wait for surround sound release?
Im also waiting for the release date for more 40th anniversary releases, the ones out already are great and I think you really should wait as I am too :)
Oct 1, 2010 by Rolando Sarmiento |  See all 5 posts
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