From Publishers Weekly
This overwritten debut by a Canadian Milton and Coleridge scholar is more gothic romance than mystery. Young American divorcee Cordelia Sinclair has come to Florence to research her doctoral dissertation on the Camerata, a group of 16th-century Italian composers whose work was the beginning of modern opera. She's also come to "confront her hidden self." In a series of stunning coincidences, she meets four of the major players in a string of gruesome throat slashings, in which particular attention has been paid to the victims' vocal cords. She also meets Inspector Carlo Arbati, the handsome detective investigating the bizarre crimes, who is, as well, a sensitive lyric poet. Although Cordelia and Carlo fall in love and the case itself leads to a frightening climax, the tale is sunk by grandiose descriptions, heavy-handed metaphors and tacky evocations of Botticelli and other Florentine wonders.
Copyright 1995 Reed Business Information, Inc.
Cordelia Sinclair, from Evanston, Illinois, takes up temporary residence in the Italian city of Florence, not only to research early Italian opera for a doctoral thesis but also to start life anew, putting her failed marriage behind her. Simultaneous to Cordelia's arrival in this sublime metropolis, Umberto Cardinal Cafferelli is found murdered in one of Florence's most famous churches. Detective Inspector Carlo Arbati, a poet, like P. D. James' Adam Dalgliesh, suspects a connection between the cardinal's brutal death and two previous ones with similar characteristics; readers know his hunch is correct early on--in fact, we meet the murderer almost right away, but what we
don't know for a long time is his motive. Cordelia's scholarly research leads her to the body of the next victim, and of course, from that point on, she's involved in Detective Arbati's investigation, and her role is pivotal to the solution of the crimes, which concerns a group of individuals who years ago wanted to restore Italian opera to its Renaissance roots, including the reintroduction of
castrati. Hill's first mystery novel makes perfect use of the Florentine setting , presents an engaging character in Cordelia Sinclair, and has excellent pacing.
Brad Hooper