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Last Exit to Brooklyn
 
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Last Exit to Brooklyn [Original recording remastered, Import]

Mark KnopflerAudio CD
4.4 out of 5 stars  See all reviews (27 customer reviews)

Price: $13.56 & eligible for FREE Super Saver Shipping on orders over $25. Details
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When they agreed the unwritten law that time-honored artists with brilliant track records get less creative as they go on, Mark Knopfler obviously wasn’t paying attention. He was too busy writing, recording, touring and enjoying it all.
So as we approach the end of the first decade of the 21st century, and other multi-million-sellers nudge their careers forward at a snail’s pace, Knopfler prepares… Read more in Amazon's Mark Knopfler Store

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Last Exit to Brooklyn + Pulp Fiction (Two-Disc Collector's Edition) + Jackie Brown (Two-Disc Collector's Edition)
Price For All Three: $56.95

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Product Details

  • Audio CD (March 10, 1997)
  • Number of Discs: 1
  • Format: Original recording remastered, Import
  • Label: Universal Int'l
  • ASIN: B000025WN5
  • Also Available in: Vinyl  |  VHS Tape  |  DVD  |  Blu-ray
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (27 customer reviews)
  • Amazon Best Sellers Rank: #227,126 in Music (See Top 100 in Music)

1. Last Exit To Brooklyn
2. Victims
3. Think Fast
4. A Love Idea - David Nolan
5. Tralala
6. Riot
7. The Reckoning
8. As Low As It Gets
9. Finale - Last Exit To Brooklyn - Irvine Arditti

 

Customer Reviews

27 Reviews
5 star:
 (18)
4 star:
 (5)
3 star:
 (2)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (27 customer reviews)
 
 
 
 
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28 of 29 people found the following review helpful:
5.0 out of 5 stars Why the Dodgers left Brooklyn, April 22, 2004
It's the 1950s. Under President Eisenhower's administration, everyone has a house in the suburbs, a decent job, a gas-guzzling car, and a basic "Leave It to Beaver" lifestyle.

Not so, said Hubert Selby, in his novel, LAST EXIT TO BROOKLYN. For a good deal of the working class, times were still tough. Preyed upon by crime, toyed with by factory owners and unions, and, ultimately, shackled by their own ignorance, the working class had their promise of a white picket fence and primrose garden vacated. In Brooklyn, particularly, things were acutely tough. Manufacturing jobs were on a rapid decline, as companies moved out of town or out of state (which was why those companies remaining in Brooklyn were able to mess with their employees: take it or leave it, was their attitude). At the same time, an influx of immigrants seeking jobs made the hunt for work even more competitive--another bonus for the remaining factory owners. Slums rapidly worsened, so much so that Dodger owner Walter Alston decided his team's future was in jeopardy. L.A. looked like a much safer place for a stadium.

But neither Selby nor director Uli Edel portrayed this working class as merely innocent victims. Neither the book nor the film is a didactic rant about class warfare. The poor had their own vices of greed, brutality, and dissipation. Just about every other scene has someone going through someone else's wallets, union funds or pockets. If they aren't doing that, they're drinking, fighting, or whoring. It's a pretty dismal world. The natural response to this film might be: "Wait a minute. Not everyone working class Johnny-Punchclock guy was a criminal. Most people worked hard and honestly." Of course, this is true but it's not the film's concern. This is a study of those who were trapped in that world, and this study is compelling and horrifying.

Uli Edel has perfectly captured this bleak world, either bathing everything in a garish light or obscuring it in heavy shadows. The performances are brilliant. There's no understating Jennifer Jason Leigh's gritty and powerful performance. Also keep an eye out for a cameo by Hubert Selby as the driver who hits Georgette. Not for the weak-stomached and definitely not for kids, LAST EXIT TO BROOKLYN is as cinematographically close to the innermost circle of urban hell as you can get.

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13 of 13 people found the following review helpful:
5.0 out of 5 stars Amazingly good but very disturbing movie., June 11, 1999
By A Customer
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This movie is based on Herbert Selby's cult novel from the early 1960s. The novel traces the lives of some rough urban characters (prostitutes, street hoodlums, transvestites, striking dock workers) in 1950s Brooklyn. Think of this as "On the Waterfront" without the sugar coating. A friend of mine hates the movie because he feels it is nightmarish and lacks a moral center. I like the movie for just this reason, as deep down I think life is that way. The movie is a harsh and uncompromising look at people whose dreams don't work out; in fact, the dreams often explode in the characters' faces. Jennifer Jason Leigh, Stephen Lang, Stephen Baldwin, Jerry Orbach and Alexis Arquette are fantastic. Don't watch this with kids or with people with delicate sensibilities---it's violent, sexually graphic, and full of verbal abuse and foul language.
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11 of 11 people found the following review helpful:
4.0 out of 5 stars Raw Look at the 1950s, June 8, 2007
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This is a frank filming of the Hubert Selby novel about the brutality of street life in Brooklyn 1952. If you like "happy" films, this isn't for you. But if you appreciate a good dose of realism, the film is remarkable.
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