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The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press - Film Culture in Transition)
 
 
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The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press - Film Culture in Transition) [Paperback]

Thomas Elsaesser (Editor), Noel King (Editor), Alexander Horwath (Editor)

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Book Description

9053566317 978-9053566312 January 19, 2004 1
The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude—these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood."

Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors—Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis—could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide.

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The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press - Film Culture in Transition) + American Films of the 70s: Conflicting Visions + Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 (History of the American Cinema)
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Editorial Reviews

Review

"The Last Great American Picture Show offers a truly dizzying range of options simply for mapping the decade that has come--for better or worse, truth or legend--to acquire a hot retrospective golden glow. . . . The Last Great American Picture Show . . . restores to the decade the sense of fecund chaos that a more linear, journalistic account of the decade risks losing for the sake of imposing some retrospective linearity on what was ultimately remarkable for its incoherence: a few historical moments when Hollywood lost the script, forgot the plot, and stood there wondering just how it got there in the first place."--Geoff Pevere, cinema scope
(Geoff Pevere Cinema Scope ) --This text refers to the Hardcover edition.

About the Author

Thomas Elsaesser is a professor of art and culture at the University of Amsterdam. Alexander Horwath is the director of the Museum of Cinema in Vienna, Austria. Noel King lectures in film studies at the University of Tasmania, Australia.

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