Product Details

• Actors: Tony Goldwyn, Monica Potter, Sara Paxton, Martha MacIsaac, Spencer Treat Clark
• Directors: Dennis Iliadis
• Writers: Adam Alleca, Carl Ellsworth
• Producers: Wes Craven, Sean Cunningham, Marianne Maddalena
• Format: AC-3, Color, Dolby, Dubbed, NTSC, Subtitled, Widescreen
• Language: English (Dolby Digital 5.1), French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
• Subtitles: English, French, Spanish
• Dubbed: French, Spanish
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rated: R (Restricted)
• Studio: Universal Studios
• DVD Release Date: August 18, 2009
• Run Time: 224 minutes
• Average Customer Review: 3.4 out of 5 stars  See all reviews (154 customer reviews)
• ASIN: B002DKGWSE
• Amazon Best Sellers Rank: #7,837 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "The Last House on the Left (Rated & Unrated Versions)" on IMDb

Editorial Reviews

Amazon.com

A hot-button topic in the horror community from the minute it was announced, the 2009 remake of Wes Craven and Sean Cunningham’s controversial Last House on the Left will undoubtedly leave audiences polarized in regard to both its treatment of the source material and its level of violence. As with the original film, which drew inspiration from Ingmar Bergman’s The Virgin Spring (and was itself based on 13th century Scandinavian legend), director Dennis Illadis’ film traces the downward spiral of two teenage girls (Sara Paxton and Martha MacIsaac from Superbad) who fall prey to a quartet of degenerates. The perpetrators then seek refuge in a nearby vacation home--which happens to be occupied by Paxton’s parents. Both versions spare no quarter in detailing the torments inflicted on the two girls, as well as the ruthlessly efficient revenge metered out to the killers by the parents; the difference, however, lies with the intent. Craven and Cunningham (who serve as executive producers for the remake) sought to shock Nixon/Vietnam-era audiences by showing the limits to which the "average" citizen could be pushed by violent acts; Illadis, however, is simply content to deliver a glossy, overamped thriller that neither delights in nor condemns the atrocities committed by its characters. The result is a flat, often tedious exercise in nihilism buoyed only by its cast, especially Paxton, Tony Goldwyn and Monica Potter as her parents, and Garrett Dillahunt (No Country for Old Men) as the malevolent leader of the depraved foursome. Fans of the original need not bother with this version; newcomers should seek out Craven’s version, which has lost none of its power to overwhelm. --Paul Gaita

Amazon.com
The legendarily scuzzy 1972 shocker Last House on the Left gets all dressed up in this slick remake, which retro-fits the original storyline to an isolated lakeside cabin. This time out, unsuspecting teen Mari (Sara Paxton) makes the crucial mistake of going to buy some weed at a rundown motel room with a stranger (Spencer Treat Clark). It must have sounded like a good idea at the time. Soon Mari and her pal (Martha MacIsaac) are confronted by the stranger's diseased posse, and the real trouble begins. The set-up of the 1972 picture, which director Wes Craven borrowed from Ingmar Bergman's The Virgin Spring, is a blunt exercise in brutality followed by revenge, the twist being that the revenge is as savage as the initial transgression. This structure remains in the remake, although a few key plot points are changed, with little improvement. Monica Potter and Tony Goldwyn play Mari's parents, who at some point will be called upon to put aside their merlot and their civilized constraints and get to it; Garret Dillahunt, coming off his strong work in Deadwood and No Country for Old Men, is far too qualified to be playing the stock role of the creep-in-chief. There is something distinctly strange about watching a film that took much of its original power from its cheapness, an outlaw energy that is completely lost in this dressed-up, professionally made remake. Here the scenes of rape and murder are presented not as pulpy shouts from the subculture but as necessary ingredients in a respectable machinery, which somehow makes them more dispiriting and unpleasant to watch. That this film is a technical advance on the original film on every level--acting, writing, photography--does not make it a better film. --Robert Horton

Product Description

Renowned horror director Wes Craven returns to the scene of the most notorious thrillers of all time in this darkly disturbing reimagining of The Last House on the Left. After kidnapping and ruthlessly assaulting two teen girls, a sadistic killer and his gang unknowingly find shelter from a storm at the home of one of the victim's parents-- two ordinary people who will go to increasingly gruesome extremes to get revenge. Loaded with shocking twists guaranteed to leave you on edge, it's the ominous film critics call, "One of the best horror remakes ever made" (Scott Weinberg, Fearnet.com).

Most Helpful Customer Reviews

103 of 114 people found the following review helpful

3.0 out of 5 stars Microwaves pop more than just popcorn June 27, 2009

By Monkdude

Format:Blu-ray

Wes Craven's The Last House on the Left was released in 1972 and I heard from many people who were old enough to see it when it first came out (like my dad) that it was the most shocking thing anyone had ever seen. To this day the original is still a raw and often disgusting piece of cinema, so being that in 2009 films can push the envelope even more, I didn't know how far this thing would go.

It's shocking, brutal and gross, but it didn't just go the buckets of blood route. Yes, there is some gore, but compared to films like Hostel and SAW this is quite tame. What does get under your skin is the rape scene. I read that some people witnessed others leave the theater at this point and they never came back. I guess they didn't see the original or read up on what they paid to see before plopping in their seat. It shows little skin compared to the 1972 version, but it's a long scene that is painful to watch.

The cast is quite good, though most are actors whose names you won't know. The father, played by Tony Goldwyn, and the leader of the killers, played by Garrett Dillahunt were the standouts.

For a film as gritty as this one, the cinematography is polished and takes away a little bit of the raw power that the original had. I actually don't think Wes Craven's 1972 flick holds up well today and thought this remake was better.

Make sure you are in the right frame of mind before seeing this one. By that I mean, don't watch The Last House on the Left and expect to be in a good mood when you leave. While it's a pleasure to see the parents take out the villains one by one to avenge their daughter, you will leave the theater looking for the bright sun to make you feel clean again. Too bad it was raining when I got out. Don't worry, I think I'll be okay.

41 of 51 people found the following review helpful

5.0 out of 5 stars best re make in years June 23, 2009

By Nitesh Ghavri

Format:Blu-ray|Amazon Verified Purchase

Watched this picture a few days ago and it is simply facinating in the mood it creates.The original was in all fairness brilliant for it's time but a re make for the new generation was long overdue and boy did they get it right.The rape scene is extremely tough to stomach and the gore factor is certainly not easy on the eyes but the revenge driven parents are a joy to watch for fans of this genre.Very satisfying ending.For the few out there who have not seen the original i would reccommend watching this version and please keep an open mind.To summarize...this picture can be extremely disturbing from time to time but the end result makes the ride worthwhile.Keep a special place in your mind for this style of horror/thriller as it won't leave you easily.Definitely one for the books.

7 of 8 people found the following review helpful

4.0 out of 5 stars GRITTY...GRAPHIC...BRUTAL... August 30, 2009

By Lawyeraau HALL OF FAMETOP 100 REVIEWERVINE™ VOICE

Format:DVD

This is a remake of the Wes Craven's low budget 1972 cult favorite of the same name. I saw the original, and despite its low budget values, replete with grainy film images and bad acting, it was one of the most horrifying and brutal films that I had ever seen. Of course, the reality is that the crimes that were perpetrated in that film were just that, and, consequently, it remains one of the most frightening and shocking films to date. It was truly chilling. When I saw that there had been a remake, I would curious to see how it would compare. I would have to say that in the shock and awe department, the original still holds sway. Still, the remake is an excellent film and, though brutal, somehow less frightening.

The storyline is every parent's worse nightmare. A teenager, Mari Collingwood, goes with her parents to their rural country house. She takes the family car to meet a friend in town. Unbeknownst to them, an escaped killer named Krug is on the loose with his rescuers. Mari and her friend hook up with a creepy but cute guy with whom they end up smoking weed with in his motel room. Then his father, his crazy girl-friend, and his uncle show up, and all hell breaks loose. They are none other than the escaped killer and his rescuers. Clearly, they are not going to let these two girls walk away. What happens next will chill the viewer.

This gritty and raw film has excellent production values, good cinematography, and the cast is a definite an improvement over that in the original. The controversial rape scene is brutal but probably mirrors the reality of such a crime, and the reality of it ain't pretty. Garret Dillahunt is definitely a standout as the ruthless escaped killer. Likewise Tony Goldwyn, Monica Potter, and Sarah Paxton are also excellent as the beleaguered Collingwood family. Overall, it is a remake that stands up well to the original, as well as on its own merits. Although the film is very similar to the original, there are some differences, though in the long run, these differences do not really make or break this film of a family fighting to survive under circumstances most of us would prefer not to think about. Word to the wise: this film is definitely not for the squeamish or faint of heart.