Product Details

• Actors: Sandra Peabody, Lucy Grantham, David Hess, Fred J. Lincoln, Jeramie Rain
• Directors: Wes Craven
• Writers: Wes Craven, Ulla Isaksson
• Producers: Katherine D'Amato, Sean S. Cunningham
• Format: Collector's Edition, Color, NTSC, Subtitled, Widescreen
• Language: English (Mono)
• Subtitles: English, French, Spanish
• Dubbed: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rated: Unrated
• Studio: MGM (Video & DVD)
• DVD Release Date: January 1, 1972
• Run Time: 84 minutes
• Average Customer Review: 2.9 out of 5 stars  See all reviews (371 customer reviews)
• ASIN: B001JV5BIA
• Amazon Best Sellers Rank: #45,284 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "The Last House on the Left (Unrated Collectors Edition)" on IMDb

Editorial Reviews

Amazon.com

Future Nightmare creator and Scream weaver Wes Craven's film debut is a primitive little production that rises above its cut-rate production values and hazy, grainy patina via its grimly affecting portrait of human evil infiltrating a middle-class household. The story is adapted from Ingmar Bergman's The Virgin Spring, but the film has more in common with Sam Peckinpah's Straw Dogs as it charts the descent of a harmless married couple into methodical killers. A quartet of criminals--a distorted version of the nuclear family--kidnaps a pair of teenage girls and proceeds to ravage, rape, torture, and finally brutally murder them in the woods, unwittingly within walking distance of their rural home. The killers take refuge in the girls' own home, but when the parents discover just who they are and what they've done, they plot violent retribution.

Along with George Romero's Night of the Living Dead and Tobe Hooper's Texas Chainsaw Massacre, Craven helped redefine American horror with this debut--all three movies portray modern society crumbling into madness and horror. But, unlike his fellow directors, Craven gives his film an uncomfortable verisimilitude, setting it squarely in the heartland of modern America. While at times it's awkward and inconsistent, with distracting comic interludes, his handling of the brutal horror scenes is unsettling, and the death of the daughter is an unexpectedly quiet and lyrical moment. --Sean Axmaker

Product Description

Bold, powerful and starkly realistic, this chilling cinematic debut of horror master Wes Craven (Scream) is a shocking journey into the heart of evil. Written and directed with almost unbearable dramatic tension (Chicago Sun-Times), The Last House on the Left will make you deadbolt your doors and frantically mutter: It's only a movie it's only a movie it's only a movie! Easy-going Mari Collingwood and her fun-loving friend Phyllis are on their way to a Bloodlust concert to celebrate Mari's 17th birthday when three escaped convicts kidnap and torture them. But Mari and Phyllis are fighters, and although they are drugged and beaten into unconsciousness, stuffed into a car trunk and driven into the woods for even more brutality, they are still alive...but for how long?

Most Helpful Customer Reviews

44 of 45 people found the following review helpful

4.0 out of 5 stars Differences between 2002 DVD and this one March 31, 2009

By Mark H

Format:DVD|Amazon Verified Purchase

I too was curious about this release. What was different in this release vs. the 2-sided DVD released by MGM in 2002 and now out of print? I have both and they are different. The 2002 release was a 2-sided DVD, one side was standard, the other side was widescreen with some extras on both side. The 2002 version has about a 15 minute version of outtakes and dailies with no sound. In here we see lots of outtakes from the horrible murder of Phyllis. Lots of fake looking footage of Sadie caressing Phyllis' innards, something only glimpsed for a second or two in the movie. Nasty stuff for sure. Also on the 2002 release is a featurette "Forbidden Footage". Its about 10 minutes long and consists mostly of Wes and Sean discussing how prints of the movie came back all chopped up from irate theater owners and religious folk who were horrified by some of the footage.

This new 1-sided 2009 release has a much better documentary titled "Celluloid Crime of the Century" that was produced in 2002 in the UK and runs about 40 minutes. Jeramie Rain (Sadie) looks fabulous in her fifties and it contains interviews with Wes, Sean, David Hess, Fred Lincoln and Marc Sheffler (you'd never recognize him) but the poor girls are not included. The outtakes and dailies from the 2002 version are not on this DVD and neither is "Forbidden Footage". But there is new footage never seen before that also has no sound. There is a lot of nudity in this footage from the scenes where Mari and Phyllis are forced to make it with each other in the woods and it also contains (soft-core) scenes of Sadie performing oral sex on Mari. (Are they selling this at Wal Mart??) There is also an extra scene of the parents finding Mari alive by the lake, kind of like what they did in the remake. There are a couple of other extras too: some short film made by Wes which I haven't yet watched and another chat with Wes that must have been made recently because he discusses the new remake and how he came to produce it. He really liked the new remake, more than I could say. IMHO, the new one isn't nearly as sick and disgusting as the original.

So the difference is in the extras. The movie appears to be the exact same version on both.

24 of 27 people found the following review helpful

3.0 out of 5 stars You probably won't forget this one anytime soon December 16, 2002

By Joseph P. Menta, Jr. VINE™ VOICE

Format:DVD|Amazon Verified Purchase

It's not so much the scenes of horrific violence in themselves that make one wince here (after all, presumably one has signed on for a hardcore violent thriller when ponying up to rent or buy this infamous title), but it's the frequent juxtaposition of disturbing violence with slapstick comedy that is the really unsettling thing. It's really strange, for example, to see a violent rape & assault immediately followed by a scene of two cops having to hitch a ride on a chicken truck, and (as if that weren't enough) a few seconds later watch the cops fall off the truck when it stops too fast. Very weird. Also, the curious among you should be aware that this film isn't nearly as polished or professional looking as the slick box art might lead you to believe. In other words, if you have no tolerance or appreciation for on-the-fly, low-budget guerilla film-making, avoid this at all costs. I DO have a certain affection for this type of film-making, and even I said "whoa, what were they thinking??" and "Wow, that's really cheap looking (or sounding)" several times during the course of this. Ultimately, however, I have to say that the movie is worth a look, but it's probably worth a look more because it's an interesting bit of movie history than because it's actually a good movie.

50 of 64 people found the following review helpful

5.0 out of 5 stars Wes Craven's Disturbing, Ultra-Violent Debut is Classic! August 4, 2000

By Ryan Costantino

Format:VHS Tape

THE LAST HOUSE ON THE LEFT is Wes Craven's startling debut as a no holds barred horror director. Unflinching in its depiction of torture, rape, and humiliation it can still make audiences gasp almost thirty years after its initial release. This tale of two young girls on their way to a concert and their misfortunate run in with four dangerous fugitives is essential viewing for any fan of the Horror genre. What really disturbed me in this film is the way the four villains had so much fun in demeaning and then killing the two girls. And how very close help was... Little Craven-esque quirks tended to pop up (such as a sudden shift from extreme violence to a scene of almost slapstick humor) that will remind viewers of the Elm Street and Scream series. As well as one of the killers names being "Krug" add an "er" and well, you figure it out. Keep a look out for the mother's scene of revenge down by the lake, that alone is worth the price of admission. Truly deserving of "cult" status!