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The Last Joy (Green Integer) [Paperback]

Knut Hamsun (Author), Sverre Lyngstad (Translator)
4.2 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

July 1, 2002 Green Integer (Book 90)

Published in Norway in 1912, The Last Joy (Den Siste Glaede) appears at an important transition point in Hamsun’s career, as he moved any from his intense observations of individual characters to focus on a broader canvas of small town and farm life social units of the Norwegian culture. If Hunger (1890) represents the epitome Hamsun’s focus on the individual, his works of the late teens and 1920s, particularly Growth of the Soil (1917) and Women at the Pump (1920) best represent the latter. The Last Joy lies somewhere between, with all the comic eccentricity of Hamsun’s great individualistic portraits and the small-town pretensions and social inter-relationships of his later works.

Winner of the Nobel Prize in 1920, Knut Hamsun is one of the most beloved writers—although reviled for his "collaboration" with the Nazis during the German occupation of Norway—of the 20th century.


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Editorial Reviews

From Publishers Weekly

The Norwegian Hamsun won the 1920 Nobel Prize for Literature on the strength of novels such as Hunger (1890), Pan (1894) and his Wanderer trilogy (19061912). His reputation plunged after he enthusiastically embraced the Nazi occupation of his native country, but today he is firmly established as a minor master, a modernist pioneer whose work influenced Gide, Musil and Kafka, among others. This is the last novel in his trilogy, a brooding, intense work that revolves around Hamsun's most common themes: alienation, the lure of simple rural living and the restrictive nature of Norwegian domestic life. At the outset, an unnamed middle-aged writer has shrugged off the city to live in a mountainside hut with a mouse as his only companion. When a brutish man named Solem wanders by, the two travel together to a mountain lodge, where Solem finds work as a laborer and guide. There, the writer begins an acquaintance with Ingeborg Torsen, a pretty schoolteacher heading toward an uncertain, possibly unmarried, future. Solem, more manipulative than he seems, murders one of Ingeborg's suitors in an apparent hiking accident and casts a shadow over the resort with his dark presence. Eventually, all three make their way back to the city, where Ingeborg finally marries, only to have Solem show up once again. Throughout, the narrator remains more voyeur than participant and reveals little about himself, which may frustrate readers accustomed to today's more confessional narrators. But others will appreciate the strains of naturalism and early modernism present here, filtered through a cold, remote-and distinctively Scandinavian-sensibility. Lyngstad, who has translated several Hamsun novels, ably renders a smooth narrative voice.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Kurt Hamsun is a Nobel Prize-winning novelist.

Product Details

  • Paperback: 250 pages
  • Publisher: Green Integer (July 1, 2002)
  • Language: English
  • ISBN-10: 1931243190
  • ISBN-13: 978-1931243193
  • Product Dimensions: 6.1 x 4.1 x 0.7 inches
  • Shipping Weight: 7.7 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,960,182 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
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12 of 13 people found the following review helpful:
4.0 out of 5 stars another fine work by a master, September 21, 2003
By A Customer
This review is from: The Last Joy (Green Integer) (Paperback)
Hamsun's narrators have a special way of loving life and The Last Joy's narrator is no exception. A man in his last years feels dearly that life is not for the likes of him but rather for the young, and tries to participate in their lives with serene dignity. He speaks rarely, observing things quietly to himself while a string-section of shifting minor chords carries the story's feelings from page to page. There is heart-brokenness and hope so intermingled that if life must go on then so it must and what more is there to say.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars THE LAST JOY, a Knut Hamsun Jewel, January 13, 2011
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This review is from: The Last Joy (Green Integer) (Paperback)
Knut Hamsun was in his prime when he wrote this strange story. He plowed a new field and sowed it with seeds which grew from his deeply penetrating observations of people. Hamsun reports on all things importantly human: human conduct, human emotions, human relations, human society, human culture. Each note he strikes rings true. I never heard a false note in this symphony played under Norwegian skies. But I dare say it would ring as pure and true under the skies of Berlin or Beijing or Moscow Russia or Moscow Idaho. Knut Hamsun was awarded the Nobel Prize in 1920, for his epic "Birth of the Soil." I found this strange book, written twenty years afterwards, in 1940, even more rewarding. But until recent years it has never been distributed or much read outside of Norway.

The protagonist at first lives in solitude, in a peat hut, near the sea. He remains nameless throughout the book.

The story starts out:

"I have gone to the forest. Not because I am offended about anything, or very unhappy about men's evil ways; but since the forest will not come to me, I must go to it. That is all... Really, I could make quite a song and dance about it. For I mean to roam and think and make great irons red-hot."

In the final chapter he writes of his irons: "They were planned so big and so red; yet they are small irons, and they hardly glow." He does not write this out of self-pity. He says simply. "This is the truth."

The protagonist is the narrator throughout. But he is not just a passive reporter. He is fully engaged with all the people and their life situations. He is deeply immersed in their lives. Sometimes others tell him of observations made through their prism eyes. He in turn reports to us what they said through his own prism eyes.

Soon enough, the next character appears.

"One day a man comes to the hut. . . . `I didn't expect to find anybody in the hut,' said the man. His manner was at once forceful and discontented; he flung down the sack without humility."

[Later we learn that the man's name is Solem, and the contents of the bag are stolen goods.]

"Have you lived here long?" he asked. "And are you leaving soon?"
"Is the hut yours, perhaps?" I asked in my turn.
. . .
"Because if the hut is yours, that's another matter," I said. "But I don't intend like a pickpocket to take it with me when I leave." I spoke gently and jestingly to avoid committing a blunder by my speech. But I said quite the right thing; the man at once lost his assurance. Somehow I had made him feel that I knew more about him than he knew about me.

Solem is invited to eat with the narrator, and he accepts. The men have much telling and interesting conversation. Solem winds up staying the night and leaves the next day.

Two law men come to the hut the next day and asked: "Did you see a man pass by here yesterday?"
"No," I said.

Solem is woven into the story and appears throughout the book. After abandoning his hut the narrator walks to a mountain resort. There an odd assortment of characters appear; but Hamsun does not just describe them for us. He uses vivid brush strokes to show them to us, how they bump together and against the world, how they interact, what motivates them, what gets them up in the morning. Hamsun allows us to reach our own conclusions about the kind of person we ourselves are observing.

Arriving at the resort the narrator tells the reader: "Good days, nothing but good days: a suitable transition from solitude. I speak to the young people who own the homestead now, and to the husband's old father and young sister Josephine . . . Josephine, the daughter . . . is young and plays the piano for me. . . her feet are like a breeze under her skirt . . . It is pleasant to watch Josephine crouch down to milk the goat. But she is only doing this now to charm and please the stranger. Josephine received in her gray, young-girl's fingers" [some small change handed to her as a gratuity]

The bustle of spring season had already started. "Now they'll be coming," he [the old father] said. "If only they would leave us in peace." He added.

Mrs. Brede, the young wife of a wealthy business man arrives at the resort with her small children. She meets Solem. All the women are after Solem. "One evening when she went down to the men's hut and asked Solem to do her a service, I saw that her face was strange and covered with blushes. Would Solem come to her room and repair a window-blind that had fallen down?" We learn later that the young Mrs. Brede had deliberately caused the blind to fall down.

Many other men and women gather at the resort. All the women, young and old, are interested in Solem and he is interested in them, all of them. The men seem to be more interested in hiking the mountains then becoming involved in any social entanglements. When summer ends the visitors return to town. Their paths continue to cross in town with surprising and interesting consequences--some good, some not so good. Alliances are made. Relationships are shattered; some take the broken pieces to the grave with them; others knit the pieces back together resulting in a stronger more satisfying union. As the years pile up one on top of another, the lengthening shadows allow us to see the people in differing light. One becomes exultant in old age, and faces death with equanimity. Another sadly tumbles into the grave still holding tight to their bosom their treasure chest filled with bitterness and remorse.

The final chapter is a rant. It curiously starts out "I have written this story for you." . . . "I have written about human beings. But within the speech that is spoken, another lies concealed, like the veins under the skin, like a story within a story."

The closing paragraph is very unusual indeed. It is:

"Why have I written to you, of all people? Why do you think? You refused to be convinced of the truth and integrity of my conclusions; but I shall yet force you to recognize that I am close to the truth. Not until then shall I make allowance for the fool in you."

I've read about ten other Hamsun books, and have viewed the movie HAMSUN. I found this jewel of his to be the most rewarding. I am 81 years of age and what time I have left has become a very precious commodity. I have absolutely no regrets spending the many hours I did reading this book. (I'm a very slow reader). In fact, I think I'll go back and read it again.

Neil Bezaire, Carlsbad, CA, Author of "First Empty Your Cup"
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3.0 out of 5 stars The Lack of Joy, March 21, 2010
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Randy Keehn (Williston, ND United States) - See all my reviews
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This review is from: The Last Joy (Green Integer) (Paperback)
"The Last Joy" is the 10th book by Knut Hamsun that I have had the pleasure to read. His style is rather unique. I would describe his style as the mindset of a paranoid chess master. He tends to see everyone and everything in terms as hout it/they would impact his space. Hamsun is a brilliant observer in that respect but he generally misses out on Life's social pleasures because of his "loner" perspective.

"The Last Joy" is a rather short acount of a man whose "last joy" (and he defines the term in several ways) was living in the forest alone. He returns to society at a rather remote resort in the mountains. The majority of the book is about his interactions with the people at the resort and his later encounters with them back in their communities. That may not sound all that appealing but it is a rather standard format for a Hamsun book.

My favorite quote from "The Last Joy" is "It was so stange; his watch was running but he himself was dead." Such an observation is an example of what you get with Hamsun.

The book is the completion of a trilogy that includes "Under the Autumn Star" and "A Wanderer Plays on Muted Strings". I read those books 15-20 years ago (or more) so I can't comment on the trilogy as a whole. My "3 Star" rating may seem somewhat negative but it isn't meant to be. I gave it that rating because a number of Hamsun's works are a notch or two above "The Last Joy". If you like Hamsun, you'll like "The Last Joy".
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