From Publishers Weekly
Recalling the trenchant portraits of the dispossessed urban poor by post-colonial writers like Alex La Guma and Jessica Hagedorn, Gilb's first novel (after the multiple award-winning short-story collection, The Magic of Blood) demonstrates his sensitivity towards the gritty, everyday world of the Southwestern, Chicano underclass. In highly evocative prose that often slides into Spanish, Gilb here portrays the angst-ridden, posturing Mickey Acu?a, who arrives at the El Paso YMCA on the run from an unknown past event looking only for anonymity and a mailing address. Plagued by inertia and self-doubt, waiting for a check that never arrives, obsessed with obtaining an "unpolluted understanding" of his surroundings, Mickey gradually fraternizes with the other disenfranchised Y residents. Gilb focuses on the slow passage of time at the Y and the daily interactions of Mickey's neighbors, like the Charles Manson-esque Reverend Miller and the paranoid loner Charles Towne, both of whom fixate desperately on the delivery of mail. Gilb's unhurried story line occasionally bogs down in the mundane details of life at the Y, yet his characterizations of the underemployed, mentally ill and abandoned men and women who congregate there are vibrant.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Like the powerful stories in his The Magic of Blood (LJ 4/15/93), Gilb's first novel evokes the heat and dust, poverty, lassitude, and passion of the urban Southwest. With an undivulged past and an uncertain future, rugged, itinerant Mickey waits at an El Paso YMCA for a change in fortune. A dime Western is his bible, working out and desultory hanging out his pastimes. Caught between the chronic malaise of shiftlessness and the spark of mischief, competitiveness, and libido he still possesses, Mickey watches the pathos of his neighbors even as he senses his own. At times, the narrative drifts perilously close to a too-accurate reflection of the resignation and pointlessness it limns, but Gilb buoys his tale with sensitivity, acuity, and humor. For larger public libraries and area collections.
Janet Ingraham, Worthington P.L., OhioCopyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.