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  • The Last Laugh (Restored Deluxe Edition)
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The Last Laugh (Restored Deluxe Edition)


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The Last Laugh (Restored Deluxe Edition) + Faust (Restored 2-Disc Deluxe Edition) + The Cabinet of Dr. Caligari (Restored Authorized Edition)
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Product Details

  • Actors: Emil Jannings
  • Directors: F.W. Murnau
  • Format: Multiple Formats, AC-3, Black & White, Dolby, NTSC, Silent, Subtitled
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 2
  • Rated: Unrated
  • Studio: KINO INTERNATIONAL
  • DVD Release Date: September 30, 2008
  • Run Time: 90 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (49 customer reviews)
  • ASIN: B001CD6HQA
  • Amazon Best Sellers Rank: #153,500 in Movies & TV (See Top 100 in Movies & TV)

Special Features

None.

Editorial Reviews

Two-DVD Deluxe Edition - The crowning achievement of the German expressionist movement is F.W. Myrna's THE LAST LAUGH. Emil Jennings stars in the bleak fable of an aging doorman whose happiness crumbles when he is relieved of the duties and uniform which had for years been the foundation of his happiness and pride. Through Jennings's colossal performance, THE LAST LAUGH becomes more than the plight of a single doorman, but a mournful dramatization of the frustration and anguish of the universal working class. Restored in 2003 by Lucian Berretta and the Friedrich Wilhelm Myrna Sifting, this Kino edition is the definitive version of a silent masterwork, presented with unprecedented clarity and a new orchestral recording of the original 1924 score. Photographed by Karl Freund (Cinematographer of Tod Browning s 1931 Dracula).

SPECIAL FEATURES:

-Two-DVD edition featuring both THE RESTORED GERMAN VERSION and THE UNRESTORED EXPORT EDITION
- New recording of the original score by Giuseppe Becce, available in 5.1 Stereo Surround or 2.0 Stereo
- The Making of THE LAST LAUGH; a 40-minute documentary
- Original German title sequences
- Image Gallery

Customer Reviews

He deserves a happy ending and to have "the last laugh."
Anyechka
FW Murnau was one of the greatest silent film directors, right up there with Fritz Lange; and Emil Jennings one of the best actors.
JE Farrow
The film is exceptionally of note for how well it conveys the intricacies of its story without a single title card.
Eric Trenkamp

Most Helpful Customer Reviews

36 of 40 people found the following review helpful By keviny01 on June 6, 2001
Format: DVD
The lack of sound in a silent film often heightens the emotional intensity rather than diminishing it; such is the case in THE LAST LAUGH, a film that turns a rather mundane premise (an old man loses his job) into a visually potent and emotionally powerful experience. The absence of sound, and in fact, the near absence of words via title cards, is especially appropriate for the film's depiction of loneliness, despair, and mental stupor. Sound could add little, if anything at all, to the towering performance by Emil Jannings (who was actually much younger than his character), who conveys a wide array of emotions with only body gestures and facial expressions.
To correct the technical info above, this Kino DVD edition is for ALL REGIONS. It also contains some extra material: an excerpt from the German version showing the "epilogue" title card in German, and a still gallery. The picture of this DVD looks exactly the same as that of the Criterion laserdisc made in '93 -- picture is in good shape overall, but the image often looks soft, and details are sometimes hard to make out. While playing the disc on a PC with a software DVD player, I have to turn on "force BOB mode" in order to eliminate the frequent motion artifacts. On my non-progressive scan standalone DVD player, however, I do not see any motion artifacts, but paused frames are sometimes unstable and jittery.
The score on the LD, composed by Timothy Brock, is also used for the DVD. The running time of 91 minutes shown on the DVD case is incorrect. It runs 88 minutes, same as the Criterion LD. I was surprised that the PCFriendly software is included on this disc (and it will auto-run on your PC), but there is no DVD-ROM feature at all.
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16 of 17 people found the following review helpful By calvinnme HALL OF FAMETOP 500 REVIEWERVINE VOICE on August 17, 2008
Format: DVD
F.W. Murnau didn't have a typical storyline - he could do pure Gothic horror as in Nosferatu, social commentary as in Phantom, fantasy with a religious theme as in Faust, and the redemption of love as in Sunrise. What ties Murnau's work together is its imagery. He excelled at it as few directors ever did. "The Last Laugh" is a tale about an older man who is proud of his position as doorman at a prominent German hotel. One night he has had to carry some heavy luggage as part of his duties and he takes a break. As luck would have it, his supervisor sees him taking this short rest and assumes the worst. The next day the old man is reassigned to the job of washroom attendant. He does his best to hide his change of position from his friends, but they find out anyway. To make matters worse, they assume he's always been lying about his job and that he has thus always been a washroom attendant. At this point you might wonder - why exactly is this film named The Last Laugh? There is a somewhat tacked on ending that is the foundation of the film's title. I won't spoil it for you.

This is a two disc edition because there are two versions of the film included. The extras include a 40 minute documentary on the making of The Last Laugh that was included with the last edition of the film that was in The F.W. Murnau Collection (Nosferatu/The Last Laugh/Faust/Tabu/Tartuffe). I thought that the video was perfectly clear on that version, so I'm curious to see what further remastering has done for the visual clarity of the film. The documentary is well-done and quite detailed.
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8 of 8 people found the following review helpful By Steve Reina VINE VOICE on January 14, 2011
Format: DVD
When F.W. Murmau landed Emil Jannings to play the lead role in this movie, Jannings was perhaps THE most sought after actor in all of Weimar Germany.

It was the 1920s and the era in which Jannings would also play the Devil himself in Faust (also directed by Murnau) and for his part Murnau would also direct the justly famous Nosferatu as well as Sunrise which would share honors at the first ever Academy Awards ceremonies.

By 1931 Murnau would be dead in a tragic car accident and by the 1930s Jannings would ironically sell his soul to the Devil by acting in Third Reich propaganda movies. By the end of World War II Jannings would be out of film until his death.

In other words, when doing this movie both these extremely talented men were at the very top of their creative peak.

And it shows.

Ostensibly the boring story of a hotel doorman who loses his job because he's too old, Jannings brings every minute he's on screen to life with his vivid characterizations. The movie has very few title cards and frankly doesn't need them owing to the way in which Jannings so consistently and expertly keeps the audience visually on board with what's going on.

In deference to the few who don't know why this movie is entitled The Last Laugh I will simply say that this movie is worth watching to the end.
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4 of 4 people found the following review helpful By Trevor Willsmer TOP 1000 REVIEWERVINE VOICE on December 19, 2010
Format: DVD
Appearances can be deceptive. If you were to judge by appearances, this would seem to be one of Emil Jannings' ever-popular exercises in onscreen humiliation (The Blue Angel, The Last Command) - and no one did humiliation like Jannings, the man with the most expressive back and shoulders in cinema. A huge worldwide star in the silent era and the first Best Actor Oscar winner, his career and reputation subsequently marred by the Nazi films he made during the war, the film has survived its star's disgrace to become one of the enduring greats. Its story may be simple, but the execution is absolutely extraordinary, the film still seeming extraordinarily fresh and modern even today - a film with an energy and a beating heart that makes for an invigorating piece of pure cinema.

Adapted from Nikolai Gogol's The Coat and a Broadway adaptation by Charles W. Goddard (the film's title actually translates from German as The Last Man, as in The Bible's `the last shall be first'), it taps into both the Germans' love of uniforms and the universal tendency to judge others by their appearance. Jannings plays the much-respected chief porter of the prestigious Hotel Atlantic. He may live in a neighbourhood not many steps above a slum, but as long as he has his grandiose military-style porter's uniform, he has the respect of everyone in his neighbourhood. It is the uniform, not money, that is the source of his power and authority, but when he is demoted after a humiliatingly pathetic display of physical strength shows his age, he is stripped of the overcoat like a disgraced officer being cashiered before the entire regiment and sent to work as a lavatory attendant instead, the lowliest position in the entire hotel.
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