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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Well, *I* think it's awesome!, December 15, 2004
This review is from: The Last Party: Britpop, Blair and the Demise of English Rock (Paperback)
I ran across this book in London in the summer of 2003 right after it had come out. As an Anglophilic purveyor of English Rock music (say that ten times fast!), this book appealed to me from the shelf at least. I took a chance on it, and boy, I wasn't disappointed. For Americans like me who are into English rock, all we know is what we get from the CDs. I lived through 1990's America, while England underwent a cultural shift not seen since 1960's America. You can really experience it in this book, especially if you have listened to all of the great music that came out in that decade (Blur, Suede, Radiohead, Supergrass, Pulp) and avoid the garbage (Oasis, Menswear). Besides in-depth interviews and private photographs from some of the biggest players, you get two feelings from this book: One, the English music scene was really like a gang of friends for the most part (excluding the Brett vs. Damon and Blur vs. Oasis feuds). And two, it was a talentless [...] of a woman in Justine Frischmann who really drove two of the biggest talents of the decade, Brett Anderson and Damon Albarn, to fantastic heights by being the third point in their little love traingle. A fascinating read.
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7 of 7 people found the following review helpful:
3.0 out of 5 stars
Approach with caution, May 5, 2005
This review is from: The Last Party: Britpop, Blair and the Demise of English Rock (Paperback)
I approached this book with the highest of expectations, and perhaps therein lies the reason for my disappointment. As an historical record of the Britpop years, The Last Party is very thorough - perhaps too anecdotal, to the point where I remember reading most all of the information presented. If you, like me, read Q Magazine with any regularity - to the point of investing in an overseas subscription - during the mid-90s, you will have heard the stories before. To the uninitiated, though, this is a very thorough oeuvre - just not groundbreaking in the least. I agree with the others here who question the links between the rise of Blair and the rise of Britpop. Blair latched on to the whole Britpop movement after its real high watermark (Oasis at Knebworth) - and before everyone in the world slagged "Be Here Now". But there was really no cause and effect - New Labour may have needed Oasis, but really only as background music for the May 1, 1997 celebrations - and reading this will convince few of any genuine link. The real reason Britpop died have nothing to do with politics - as Britpop itself was fundamentally apolitical - and everything to do with the Spice Girls being mistaken for part of the movement. That, too many drugs, and the seven minute songs on "Be Here Now". Two stars for me, four for those who approach this book as a tabula rasa and read it simply as biography rather than its abortive attempt at political science. Thus the three overall.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars
Britpop A to Z, July 12, 2003
By A Customer
This review is from: The Last Party: Britpop, Blair and the Demise of English Rock (Paperback)
Great book. Everything you need to know about the mid-nineties scene known as Britpop. Now if only the film Live Forever would be available in the states I would be fulfilled. Definitly, not maybe buy this book.
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