From Publishers Weekly
When an artist's imagination, "apparently angry at being ignored, took a holiday," the artist goes after it, in Lewis's (BoshBlobberBosh) unusual tale. Deposited by his red Renault (which "seemed to know the way") at a seaside hotel, the artist is told "This here's The Last Resort for folks who've lost a piece of mind." There he encounters a strange parade of fellow guests, some of whom seem strangely familiar. The clues are legion; a few are easy to spot (such as Long John Silver, who "peglegs in here, signs the guestbook with crossbones"), others will keep even sophisticated readers guessing until the final pages on which their identities are revealed. The lineup includes poets, characters from novels (including Melville's white whale), an actor who "had lost his range of emotions" (Peter Lorre) and more, all of whom eventually find their lost inspiration. Lewis's colorful and imaginative prose ("blues and whites quilted the sky") will keep readers' attention, despite the meandering story line and occasionally affected tone ("The patrons of The Last Resort had shown me the road to self-discovery!"). Innocenti's artwork consistently soars. His series of detailed, playful vignettes tweak perspective and brim with arch humor (as when he reveals the Little Mermaid's identity in a page divided into four moonlit quadrants), and his spreads offer the kinds of details found in the illustrations of vintage Victorian children's books. This elegantly designed volume will be most appreciated by bibliophiles and aesthetes: the artwork is spectacular. Ages 9-up.
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--This text refers to an out of print or unavailable edition of this title.
Gr. 6-9. What's an artist to do when his imagination takes a holiday? Cling to memories? They're "old hat"; imagination is like "new shoes." The artist in this rather mysterious picture book for older readers takes to the road; he climbs into his car and heads off in search of his creativity, winding up at a "most remarkable seaside hotel," The Last Resort. There he encounters some very unusual but somehow familiar folk--a freckle-faced fisher boy, a pirate with a peg leg, a pipe-smoking policeman, all of whom have lost a piece of mind. Other improbable characters are at the inn, too; each one stirs the pot of simmering mystery, leaving readers wondering, What on earth is going on here? Could this be an invitation to readers to use their own imaginations? Innocenti's many hyperrealistic illustrations--small and square, narrow rectangles running along the bottom of a page, double-page spreads--are not only exquisitely rendered but also lighthearted and witty, and Lewis' text is filled with wordplay, memorable phrases, and allusions to literary characters, the identities of which he suggests in an afterword. Together artist and author provide, as the fisher boy puts it, enough "inn-spiration to keep us navigatin' till shrimp learn to juggle." For art students as well as students of creative writing.
Michael CartCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.