Product Details

• Actors: Tom Cruise, Ken Watanabe, Billy Connolly, William Atherton, Chad Lindberg
• Directors: Edward Zwick
• Writers: Edward Zwick, Marshall Herskovitz, John Logan
• Producers: Edward Zwick, Charles Mulvehill, Graham Larson, Marshall Herskovitz
• Format: PAL
• Language: German (Dolby Digital 5.1), English (Dolby Digital 5.1)
• Subtitles: English, German, Swedish, Danish, Finnish, Icelandic, Hebrew, Arabic, Greek
• Region: Region 2 (Read more about DVD formats.)
• Aspect Ratio: 1.77:1
• Number of discs: 2
• Rated: R (Restricted)
• Run Time: 154 minutes
• Average Customer Review: 4.1 out of 5 stars  See all reviews (756 customer reviews)
• ASIN: B0000A30NB
• Amazon Best Sellers Rank: #400,686 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "The Last Samurai" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

While Japan undergoes tumultuous transition to a more Westernized society in 1876-77, The Last Samurai gives epic sweep to an intimate story of cultures at a crossroads. In America, tormented Civil War veteran Capt. Nathan Algren (Tom Cruise) is coerced by a mercenary officer (Tony Goldwyn) to train the Japanese Emperor's troops in the use of modern weaponry. Opposing this "progress" is a rebellion of samurai warriors, holding fast to their traditions of honor despite strategic disadvantage. As a captive of the samurai leader (Ken Watanabe), Algren learns, appreciates, and adopts the samurai code, switching sides for a climactic battle that will put everyone's honor to the ultimate test. All of which makes director Edward Zwick's noble epic eminently worthwhile, even if its Hollywood trappings (including an all-too-conventional ending) prevent it from being the masterpiece that Zwick and screenwriter John Logan clearly wanted it to be. Instead, The Last Samurai is an elegant mainstream adventure, impressive in all aspects of its production. It may not engage the emotions as effectively as Logan's script for Gladiator, but like Cruise's character, it finds its own quality of honor. --Jeff Shannon

From The New Yorker

Tom Cruise is Nathan Algren, a disillusioned Civil War hero, who goes to Japan in 1876 and trains the Emperor's army in modern warfare. In their first encounter with the great samurai Lord Katsumoto (Ken Watanabe), the gun-toting soldiers are overwhelmed and Algren is carted off to Katsumoto's mountain retreat, where the two warriors have dignified conversations about loyalty and cherry blossoms and other profound Japanese things. Redeemed by discipline and honor, Algren trains as a samurai and, in the end, fights alongside the great man. The director, Edward Zwick, attempting to revive the stately manner of sixties epics, has made a very earnest piece of work-handsome, methodical, pious, and rather doggedly literal. The training sequences are fun (Cruise gets knocked on his ass again and again), and the big battles are thrilling. Yet the naïve association of virtue with feudalism and the scene of Algren kneeling before the Emperor induce a certain amount of queASINess. With the beautiful ex-model Koyuki as Taka, the widow who takes care of Algren. From a story by John Logan, who worked with Zwick and Marshall Herskovitz on the stiff-jointed screenplay. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

75 of 78 people found the following review helpful:

5.0 out of 5 stars Five stars!, December 11, 2003

By 

Ayako Doue "happyboardrider" (Colorado and Japan) - See all my reviews
(REAL NAME)   

As a Japanese living in the United Staes, I can say totally, that this film is amazing. There're some critics says Tom Cruise's acting and so on, however, this film sucessfully depicts the history of Japan, and people's traditional lives and the end of samurai era.

This is a spectacular movie with sweeping sword actions and it is based on the true history events in japan, I've seen a lot of samurai movies(made in japan for japanese) but i can say this one is GREAT as the other movies, plus this is not usual hollywood movies that awfully depicts samurais and even Yakuzas and brush off the truth.

I can say, however, without Tom Cruise, this movie could have also been great as well. But i would guess that it is because of him, this movie gained more attention among people and so typical americans can get the idea of what samurai really is and what they really think.

so overall i gave this movie 5 stars. I plan to go watch it again.

59 of 64 people found the following review helpful:

4.0 out of 5 stars The last samurai, February 3, 2004

By 

Rodrigo Llamozas (the last cubicle at the end of the hall...) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This film has been compared (a lot) to Dances with Wolves due to the fact that they both share similar themes. A Civil War era soldier who finds himself thrown in the middle of a different culture and ends up embracing it and becoming part of it.

However, Edward Zwick's film differs from the Kevin Costner Oscar winner in that the principal character, Lt. Nathan Algren (Cruise) is down on his luck, having become a drunken caricature of his former self, deeply regretful of his actions, who accepts a job as an instructor for an incipient Japanese army that needs to be prepared to fight against the Samurai.

As he arrives to Tokyo he starts training a useless bunch of would-be soldiers who are sent to fight even if they're not ready for it. As a result, the newly formed army gets butchered by the battle experienced Samurai. During that battle, Algren fights bravely and kills one of the highest ranking warriors, getting the interest of the famed Katsumoto, the last great Samurai leader, who orders him captured and brought to his son's village as a prisoner.

Once there, Algren's life is changed forever as he gets to know the real lifestyle of the Samurai and their people. They turn out not to be the savages that the Japanese government makes them out to be. After spending winter with them, Algren "changes sides" and joins the Samurai in fighting the Emperor's army.

The title of the movie tells the final outcome. The Samurai lose the battle. Progress triumphs over tradition. New over old. But Algren's past demons are redeemed by his courageous actions helping the Samurai.

The true worth of this movie is its look. You can definetely see where the budget went (other than Cruise's salary). A whole village was built and the attention to detail is astonishing. The costumes are simply amazing, especially the battle armors. The costume designer is Ngila Dickson, who also worked in Peter Jackson's The Lord of the Rings trilogy.

Also of notice are the battle scenes, which are breathtaking. Very violent, but not gratuitous, they serve the story very well.

As for the acting, Cruise does a fine job, and is slowly but consistently becoming a better actor (even if this particular performance was not nominated for an Academy Award), but the movie belongs to Ken Watanabe (who was indeed nominated) as Katsumoto. His presence demands attention. He is the center of every scene he's in. Koyuki's performance as Taka, Katsumoto's sister and Algren's love interest, should also be noticed.

210 of 244 people found the following review helpful:

5.0 out of 5 stars Katsumoto is the King, February 8, 2004

By 

Black Barbie (UK) - See all my reviews

It's 1876. Captain Nathan Algren (Tom Cruise) has been sent to Japan in order to help the Imperial Japanese Army become more 'modern' and less 'traditional' and ultimately prepare them to fight the legendary Samurai. Events occur that cause Tom Cruise to be a captive of the deadly but extremely polite Katsumoto (Ken Watanabe) who is the leader of the Japanese Samurai. At this point, the viewer begins to learn why the Samurai are fighting to preserve their way of life against Western influences and Cruise's character becomes emotionally bound to them and he integrates himself into their society after working hard to earn their trust. However, the film is not solely about the struggle for the Samurai to keep their way of life, another subplot includes the low key and shy love relationship between Algren and Taka, a quiet widow (played with subtlety by Koyuki). Though it isn't a big part in the film, it highlights the emotional aspect of the film and shows that this is not a film about swords.

Positive Points:
In my view, Cruise has been a decent actor with fluctuating performances but in this current effort, he has shown that he is improving and learning how to adapt to different styles of acting. He plays the tormented captain with surprising intelligence and conviction. I was very impressed to see him speaking Japanese - I loved the way this film mixed both English and Japanese toghether because it gave it a strong edge. However, The real star of this film is Ken Watanabe (Tom who?). He played Katsumoto with such a commanding and intense presence that it was hard to concentrate on Cruise or any other actor in the film. Without doubt deserves the Oscar for Best Supporting Actor.

Special mention should go to Koyuki and Ujio (played by Hiroyuki Sanada). As supporting roles, they both acted convincingly without saying much but succeeded in showing that there are many more interesting characters besides Algren and Katsumoto.

Great music score by Hans Zimmer and fantastic costume design that will not doubt trigger a trend in Samurai-influenced clothes.

Negative points: While the film was entertaining, it focused too much on Cruise. The supporting characters were great too and people like Taka and Ujio should have had more developed personalities.

What is Billy Connolly doing in this film? A Scottish man impersonating an Irish man? You didn't fool me Braveheart!

But negativities cast aside, 'The Last Samurai' is an enjoyable, violent but immersing cinematic effort that shouldn't be missed if you are interested in Japan, a Cruise fan or if you just love historical dramas.