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21 of 22 people found the following review helpful:
4.0 out of 5 stars
Jarrett plays like a man posessed, October 1, 1999
This review is from: Last Solo [VHS] (VHS Tape)
Keith Jarrett, always riveting as a solo player, goes out into contrapuntal country for a long walk and takes us with him. His inventions on this date are thick with harmonic richness and complexity, and his familiar lyrical moments are peppered lightly throughout, though mostly saved for his gorgeous rendering of Somewhere over the Rainbow'. The lasting feeling I got from his long first movement was one of heaviness, of deep searching- where the sections barelled on in a through-composed pursuit of some kind of resolution. It's best to just listen to it the first time, I feel, because his performance demeanor is quite antic, to say the least. The twisted faces, the squirming, writhing body movements and the incongruous tension in Jarrett's whole physical aspect is quite distracting from the music itself- if you are not ready for it. After a few viewings, all of this began to make sense to me, however, and I hold a new found respect for this man who is cleary dedicated- body, mind and spirit to the act of spontaneous music-making.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Looking at a genius at work, September 13, 2002
Although I very much admire Keith Jarrett's volume of work in performing solo improvisational piano concerts, I have never had the opportunity to see him in person. This DVD is, I suppose, the next best thing. When Jarrett plays, he does not sit passively at the keyboard. Instead, he literally throws his entire body into the effort, alternately standing and sitting and sometimes nearly crouching, his expression an ever-changing mask of fierce engagment with the music he is making. This DVD is a remarkable look at a remarkable musician.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
A Study of Keith Jarrett from 1984, January 14, 2006
"The Melody at Night with You" is perhaps the best introduction to Keith Jarrett. If you want to see him play and understand how he creates sublime sounds that penetrate the soul in exquisite moments of elation that capture your heart in deep sighs of comfort, then you may want to watch Last Solo. From the first few seconds, Keith Jarrett pours his soul over the keys in soft lilting expressions and deep heart-infusing melodies. The delicacy of his playing is like feathers falling on the piano keys and seems born of the way he incorporates his entire body into the experience. He is no longer just playing an instrument and creating blissful music, the piano almost seems to have captured his hands and he is possessed by sound and energy, where his soul and the piano become one. The way he moves his shoulders almost seems to create an energy that rolls from his body, delicately capturing a series of creative explorations. As he masterfully channels energy and creativity, he modifies the energy by releasing it through his body in somewhat bizarre contortions. This seems to allow his fingers to release less energy, therefore causing the sounds to appear floating, delicate and supremely intoxicating. As if possessed by beauty, a profound stillness descends over the listener in the presence of eccentric greatness. Comforting sensations lull your heart into a rising happiness or sense of elation. Seeing the invisible and embracing the intangible seem part of the enjoyment, as the body and piano become a secondary stage to the stunning beauty of the music. A sublime version of "Over the Rainbow" is the highlight of this DVD, as are unique ways Keith Jarrett plays the piano. A moment of humor is surprisingly funny as Keith Jarrett plays the piano in an almost experimental fashion. I can also hear him humming along as he completely seems to become possessed by his own creativity. The minute he sits down to play, a musical possession seems to take place. The musical perfection is the captivating factor and the soul-soothing spontaneity is the ecstasy. ~The Rebecca Review
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