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2 of 2 people found the following review helpful:
5.0 out of 5 stars Incredible Writing
I discovered this collection of stories after first reading Waking the Moon (also amazing). Elizabeth Hand uses words like an artist uses paints; they evoke textures and colors and feelings when you read them. Her descriptions are like none that I've ever read before - as well as her storylines. One or two of the stories presented didn't do much for me, but the rest...
Published on February 2, 2001 by Justin Vaughan

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1 of 22 people found the following review helpful:
1.0 out of 5 stars Shlock Horror
Isn't one Stephen King enough? This is horror (and horrible) and not science fiction.
Published on December 25, 1999


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2 of 2 people found the following review helpful:
5.0 out of 5 stars Incredible Writing, February 2, 2001
I discovered this collection of stories after first reading Waking the Moon (also amazing). Elizabeth Hand uses words like an artist uses paints; they evoke textures and colors and feelings when you read them. Her descriptions are like none that I've ever read before - as well as her storylines. One or two of the stories presented didn't do much for me, but the rest more than made up for them. The title story and Snow on Sugar Mountain were favorites, the latter being particularly interesting (about the strange connection between a shapechanging boy and an ailing former astronaut). I also highly recommend her novels Waking the Moon and Black Light (read them in that order).
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2 of 2 people found the following review helpful:
5.0 out of 5 stars A collection of excellent stories, November 16, 1998
I've always liked Elizabeth Hand's work. Her writing is the jazz of the science fiction world: intelligent, sophisticated, complex and stylistically thrilling, but at the same time requiring a lot of effort on the part of the reader. Don't bother trying to read these right before you go to sleep at night after a hard day. You will have to think and have some patience to make it through these stories, but they are well worth it. Her characters are usually well-sketched and interesting, and the stories, if occasionally falling prey to the postmodern habit of having little in the way of plot and leaving dangling strings, are unique and exciting. Much better than The Glimmering.
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4 of 6 people found the following review helpful:
5.0 out of 5 stars (Short) Strange Trip, January 18, 2000
By A Customer
I wish these stories were longer. In "Last Summer at Mars Hill", Hand continues her journey through Magic, twilight, and Mrs. Byrne's Dictionary. She speaks from different points of view in each story, exploring dark purposes and good, varied enough that the collection could have been written by four or five different writers. Her stories are palpable and audible, and quite frequently, as in the case of "Prince of Flowers", you can smell them too.
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1 of 2 people found the following review helpful:
5.0 out of 5 stars Brilliant writer, July 4, 1999
By A Customer
Elizabeth Hand is an absolutely magnificent writer. These stories are wonderfully written, and yes, they will make you think. But you owe it to yourself to think, and thinking deeply in this particular case is grand pleasure. She has included some little biographical blurbs at the end of each story, and one of them relates that someone said her work had "sharp little teeth." It does, it does. And linguistically splendid teeth, too.
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2 of 4 people found the following review helpful:
5.0 out of 5 stars Read this book!, December 5, 1999
By A Customer
This book is amazing. Each story is captivating, entertaining, and very real even while Hand explores the impossible.
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1 of 22 people found the following review helpful:
1.0 out of 5 stars Shlock Horror, December 25, 1999
By A Customer
Isn't one Stephen King enough? This is horror (and horrible) and not science fiction.
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Last Summer at Mars Hill
Last Summer at Mars Hill by Elizabeth Hand (Mass Market Paperback)
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