Olaf Stapledon's previous science-fiction novel, Last and First Men, envisioned 2 billion years of history, from the 1930s forward. In this companion piece, a superintelligent narrator from the remote future investigates 20th-century life, entering a subject's mind to observe his childhood, his service during World War I, and his life afterward.
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The narrator is the same member of the eighteenth and final human species who purportedly induced Stapledon to write Last and First Men. Last Men in London is the story of this being's exploration of the consciousness of a present-day Englishman named Paul, from childhood through service with an ambulance crew in the First World War (mirroring Stapledon's own personal history) to adult life as a schoolteacher faced with a "submerged superman" in his class nicknamed Humpty. The inadequacies of Paul's character, the various dilemmas he has to face during his life, and the occasional influence of the advanced being who shares his experiences, provide Stapledon with a semi-autobiographical platform on which to expound his philosophical and moral beliefs.
Mistaken references to the title of this work as Last Man in London may have given rise to the persistent myth that George Orwell was influenced by it when naming his novel The Last Man in Europe, which was later retitled and is now known as Nineteen Eighty-Four.
--This text refers to the Kindle Edition edition.
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3 of 3 people found the following review helpful:
3.0 out of 5 stars
Continuation of the Last Men,
By Dave_42 "Dave_42" (Australia) - See all my reviews
This review is from: LAST MEN IN LONDON. (Hardcover)
Olaf Stapledon's "Last Men in London" is the third and of Stapledon's Last Men stories. "Last and First Men: A Story of the Near and Far Future" from 1930 was a tremendous work providing a future history of mankind 2 billion years into the future. The book was driven by ideas and significant events which changed the species of man. In "Far Future Calling", a radio play based on the same concept, the future is told by two First Men actors who are viewing images provided by two Last Men from the distant future. It is a much shorter work, but one which is a bit more personal because of the two sets of actors through which the story is told. "Last Men in London" again takes up the idea, and this time it has a much more personal drive to the story.
The book opens with the narrator of the Last Men telling the reader more about his life and the society in the future. This is a more detailed look than what was given in the first two works combined. The discussion of the Racial Mind which the Last Men experience is a welcome addition to Stapledon's vision as is the more detailed discussion of the exploration of the past by the Last Men; discussing they historical discoveries as they worked their way back through time and the earlier races of men to discover the First Men. The narrator has prepared a First Man, whom he calls Paul, so that his mind can go with Paul and observe history through Paul's eyes and ears. The section of the book that deals with Paul is the bulk of the story. It starts with a brief telling of Paul's childhood, and then a much more detailed discussion of Paul during the build-up to World War I, as well as the war years and then the post war years. The Last Man discusses how he influenced Paul and those around him to learn about the world and the First Men through Paul. The last chapter of the book is also very interesting, because it is here that Stapledon experiments with the concept of a "Superman", which would become the subject of his next novel "Odd John". One can see the foundations of "Odd John" being laid here, though in this case the "Superman" is called Humpty, and the discussion is very abbreviated when compared to the 1935 novel. This is an interesting book, and a nice complement to "Last and First Men", but it is not nearly on the same level. This book focuses mostly on the 20th Century and in particular the period around World War I. Stapledon also helps develop the civilization of the Last Men, but there is very little mention of all the time between the two. The chapter where he delves into the concept of "Supermen" is interesting mainly from a perspective of the writings of Stapledon as a whole and could easily have been left out of this book without disrupting the story. This one ranks around 3½ stars, but I am rounding it down as it isn't as good as Stapledon's four main novels.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
the blind recollection of past light,
By "Last Men in London," from 1932, will be best appreciated by those who have already read the previous novel "Last and First Men." In that book, Stapledon created an immense literary timeline covering billions of years, during which our current society is merely a blip - belittling our influence on the eons but somehow still justifying our place in the universe. "Last Men in London" explores one of the aspects of that earlier story in more detail. A super-advanced mega-human from two billion years in the future exercises his ability to mentally inhabit a man in 1930s England. This is the classic "outside observer" method, and here Stapledon uses it to comment on World War I and the disintegrating state of Western society. Those familiar with Stapledon's bibliography will also find the roots of his later novel "Odd John" here, as he dabbles a bit with that book's theme of intelligence being crushed by an oblivious and uncaring society. Note that Stapledon was a committed (though open-minded) Socialist, so that ideology becomes rather awkwardly cosmological here, and it's a bit of a stretch to imagine a creature obsessing over early 1930s London two billion years from now. But Stapledon uses this device brilliantly to comment on the deepest state of humanity, not complaining about current events but considering how it all fits into the infinite scheme of things. In turn, Stapledon's philosophy is nearly overwhelming and the universal breadth and depth of his thought processes are astounding. Big thoughts can't get much bigger than this. [~doomsdayer520~]
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