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The first of a series of intimate family portraits that would cement Yasujiro Ozus reputation as one of the most important directors in cinema history, Late Spring tells the story of a widowed father who feels compelled to marry off his only, beloved daughter. In the hands of two of the director's finest actorsChishu Ryu and Setsuko Harathis poignant tale of love and loss in postwar Japan remains as potent and meaningful today as ever.
A masterpiece of postwar Japanese cinema, Yasujiro Ozu's Late Spring serves as an elegant primer for many of the themes that would define Ozu's later career. As with other Ozu classics, this is a calm, meditative drama about the dynamics of family, in this case the inevitable separation of 56-year-old father and widower Shukichi (Chishu Ryu) and his adult daughter Noriko (Setsuko Hara), who is content to care for her father and remain unmarried, despite the urging of friends and relatives to find a suitable husband. There are some viable candidates, and several attempts at matchmaking, but the likeliest match is a man who's already engaged. Noriko simply wishes for things to remain as they are, but when she does eventually marry a handsome chemist who "looks like Gary Cooper," Ozu's drama remains intimately focused on the subtle emotions at play; there's not a scene or sequence that feels out of place, and Late Spring serves a secondary function as a light and lively portrait of post-war Japan, as hints of Western influence (like a Coca-Cola sign in one of the film's most memorable scenes) that signal Japan's transition toward a modern commercial economy. Most of all, however, Late Spring is a carefully observed and quietly heartbreaking story of a parent who yearns to set things right for his daughter who must balance her father's love with her own prospects for a fulfilling future. And while Ozu would go on to examine familial issues in later, equally noteworthy films, Late Spring represents a milestone that would ensure Ozu his rightful place among the greatest of all Japanese directors. --Jeff Shannon
On the DVDs
Criterion's release of Late Spring contains a few minor flaws in terms of image quality (such as occasional emulsion scratches), but viewers can rest assured that this DVD was mastered from the finest available materials, and the film looks very good considering the conditions of post-war Japan that were typically harsh on films of that period. The "windowbox" framing format accurately preserves the film's original 1.33:1 aspect ratio. There's a new and improved English subtitle translation, and the audio commentary by Richard Peña (an Ozu expert and program director of New York's Film Society of Lincoln Center) emphasizes the literary traditions that inform Ozu's films, in addition to the director's signature fixed-camera, low-angle style. Disc 2 includes Tokyo-ga, the 1985 feature by German director (and avid Ozu admirer) Wim Wenders. It's a tribute to Ozu's Japan, in which Wenders wanders the city searching for remnants of Tokyo as seen in Ozu's films, including interviews with Late Spring actor Chishu Ryu and Ozu's long-time cameraman Yuharu Atsuta. In keeping with Criterion tradition, a 21-page booklet is also included, containing informative essays by critic Michael Atkinson and renowned Japanese-film historian Donald Richie. --Jeff Shannon
i am sure this is happening in some families a very good film with lotof very good cinematrafyPublished 8 months ago by david s t saucedo David T. Saucedo
Film = three stars; restoration = barely three stars. This movie can be an acquired taste, but the viewer must be extremely patient during the acquisition process! Read morePublished 13 months ago by William F. Flanigan Jr.
This on one of Yasujiro Ozu's later films, when his style was fully developed. As in most Ozu films, the theme is the Japanese family, or to be more accurate, the dissolution of... Read morePublished 14 months ago by Philip Hallquist
loved the movie from begining to end.stars the beautiful and talented Setsuko Hara,what more can I say? Read morePublished 14 months ago by asianman
Love the movie. The last scene is epic. Must see for all family drama fans.
Every scene is structured to the detail, well worth seeing over & over again.
I bought this film because I already knew about it, and because it comes as a bundle with Wenders' "Tokyo Ga". Read morePublished 23 months ago by Cesar Diaz