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The Latin Tinge: The Impact of Latin American Music on the United States
 
 
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The Latin Tinge: The Impact of Latin American Music on the United States [Paperback]

John Storm Roberts (Author)
4.6 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

January 21, 1999
The Tejano superstar Selena and the tango revival both in the dance clubs and on Broadway are only the most obvious symptoms of how central Latin music is to American musical life. Latino rap has brought a musical revolution, while Latin and Brazilian jazz are ever more significant on the jazz scene. With the first edition of The Latin Tinge, John Storm Roberts offered revolutionary insight into the enormous importance of Latin influences in U.S. popular music of all kinds. Now, in this revised second edition, Roberts updates the history of Latin American influences on the American music scene over the last twenty years.
From the merengue wave to the great traditions of salsa and norte�a music to the fusion styles of Cubop and Latin rock, Roberts provides a comprehensive review. With an update on the jazz scene and the careers of legendary musicians as well as newer bands on the circuit, the second edition of The Latin Tinge sheds new light on a rich and complex subject: the crucial contribution that Latin rhythms are making to our uniquely American idiom.

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Customers buy this book with The Latin Beat: The Rhythms and Roots of Latin Music, from Bossa Nova to Salsa and Beyond $16.19

The Latin Tinge: The Impact of Latin American Music on the United States + The Latin Beat: The Rhythms and Roots of Latin Music, from Bossa Nova to Salsa and Beyond


Editorial Reviews

Amazon.com Review

When it comes to 20th-century American pop music, "virtually all of the major popular forms--Tin Pan Alley, stage, and film music, jazz, rhythm and blues, country music, and rock--have been affected throughout their development by the idioms of Brazil, Cuba, or Mexico." So writes eminent musicologist John Storm Roberts of the often-overlooked role that Latin American rhythms, musical forms, and musicians have played in shaping American culture. The Latin Tinge shows how musical trends from Spain and Africa evolved into the Cuban son, bomba y plena in Puerto Rico, Argentinean tango, and the samba in Brazil. Roberts highlights pioneering Latin American performers who popularized Afro-Hispanic music in the United States: Cuba's Pérez Prado and Mario Bauzá, for example, swung New York dancers to the beat of the rumba, mambo, and Latin jazz in the '30s and '40s. Brazilian composer Antonio Carlos Jobim combined his native country's samba percussion with jazz structures and European harmonies and launched the bossa nova craze of the mid '60s; Mexican American superstars Carlos Santana and the late songstress Selena blended Afro-Cuban, rock, blues, Tejano, and Tex-Mex folk styles into an upbeat American hybrid. Roberts also details the Puerto Rican contribution to the making of salsa, the pivotal role of Puerto Rican Americans in creating rap, and the fast-growing popularity of merengue from the Dominican Republic. Even an American standard like the theme to I Love Lucy, Roberts reminds us, was shaped by the Latin influence. --Eugene Holley

Review


Praise for the previous edition:


"Roberts cares passionately about Latin music and he is able to describe what he hears in it clearly enough to enable the non-Latin listener to hear it too."--Robert Palmer, New York Times Book Review


"Roberts treats his subject with singular affection and respect only a true fan and student can give."--Nuestro Magazine


"Demonstratess a non-purist, open ear that is rare and welcome...a solid, up-to-date and balanced examination."--Kirkus Reviews


"A provocative study, secure in its data...Roberts virtually has this subject cornered."--Black Perspectives in Music



Product Details

  • Paperback: 304 pages
  • Publisher: Oxford University Press, USA; 2 edition (January 21, 1999)
  • Language: English
  • ISBN-10: 0195121015
  • ISBN-13: 978-0195121018
  • Product Dimensions: 8 x 5.5 x 0.9 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #276,815 in Books (See Top 100 in Books)

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Average Customer Review
4.6 out of 5 stars (5 customer reviews)
 
 
 
 
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15 of 16 people found the following review helpful:
5.0 out of 5 stars The best ever (in English) book on American Latin music, December 1, 1997
By A Customer
The Latin Tinge stands as one of the best books ever (in English) on the American Latin scene. Roberts traces the music through its earliest moments in America, and does a great job describing all the divergent trends and fads within the field of Latin music, and manages to tie them together in a brilliant way that opens up a lot of stuff that we'd never been able to filter through before. If you've ever been looking for a goodbook on Latin music, this is it!
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10 of 11 people found the following review helpful:
4.0 out of 5 stars A must read!, October 23, 1999
This review is from: The Latin Tinge: The Impact of Latin American Music on the United States (Paperback)
John Storm Roberts book "The Latin Tinge", is a superb book on the history of Latin music. The book is well written and clearly takes the reader through a remarkable journey, showing the evolution and the development of Latin music and its impact on the American music scene. Highly recommended!
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7 of 9 people found the following review helpful:
5.0 out of 5 stars A Landmark Study, April 21, 1999
By A Customer
This review is from: The Latin Tinge: The Impact of Latin American Music on the United States (Paperback)
This well-researched work is a revelation for anyone interested in the roots of American popular music, be it rock, jazz or pop. A good complement to this book is "The Brazilian Sound," which covers Brazilian music and has additional information on the influence of Brazilian musicians on American music.
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Inside This Book (learn more)
First Sentence:
The music of Latin America is fully as varied as one would expect of an area containing almost thirty countries and encompassing both tropical and temperate climes. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
habanera bass, salsa romántica, marimba groups, habanera rhythm, salsa groups, orquesta típica, son montuno, ensemble writing, bossa nova, fusion music, jazz elements
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, New Orleans, United States, Puerto Rican, The Peanut Vendor, Xavier Cugat, Tito Puente, Tin Pan Alley, Ray Barretto, Don Azpiazú, Puerto Rico, West Coast, Alberto Socarrás, Dizzy Gillespie, Carmen Miranda, Eddie Palmieri, Latin America, Los Angeles, Tito Rodriguez, Charlie Parker, East Harlem, Mongo Santamaria, San Francisco, Cal Tjader, Marion Sunshine
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